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The five star rating I gave Night of the Living Dead is, of course, for the original, uncut, unadulterated edition. The original is, quite simply, the most terrifying movie I've ever seen, even when compared to horror classics like Diabolique (the original French version), Psycho, Rosemary's Baby, Halloween and The Shining. I saw NOTLD when I was 9 years old on Creature Features at midnight after a funeral. I had nightmares for the next two nights. The film still gives me the chills whenever I see it (usually at Halloween).
When the 30th Anniversary Edition came out, I bought it on VHS as I was curious to see what they termed as "new footage." What I got was a horrible mess that butchered the original film, removed the original music for a terrible synthesizer score and added pointless footage that makes the viewer want to grind his teeth down to the gums. One of the additions is a new character: a fire and brimstone preacher. While the acting in the original is amateurish, at best, the "actor" who plays the preacher makes the original cast look like Oscar winners by comparison. He snarls, and howls and gnashes his teeth like he has rabies. Even more ridiculous is the extra footage of Bill Hinzman -the "cemetary zombie" in the original. The extra footage shows Hinzman's character emerging from the grave, then cuts to the original 1968 opening footage with Judith O'Dea and Russell Streiner. It's absolutely ridiculous as Hinzman looks 30 years older in the new footage. In addition, there are more zombies and a new ending to the film that makes no sense whatsoever. This "new" version is a piece of trash that desecrates the most frightening film of all time. Avoid it like the plague!
ORIGINAL VERSION: *****
30 Anniversary version: No Stars
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This review pertains only to the Millennium Edition DVD of Night of the Living Dead.Okay...as I'd feared, my negative review of the John Russo-massacred "30th Anniversary Edition" of Night of the Living Dead has been lumped unwittingly into this product's review, so I' m writing this one to clarify.
This DVD edition is the best edition I've seen of the film yet. Anchor Bay may have raised the ires of legions of Living Dead fans by releasing the sacrilegious 30th Anniversary Edition, but Elite Entertainment did right by this new edition.
George A. Romero's personal appreciation appears in the back of this DVD -this immediately restores our faith. And the contents don't disappoint -the picture and sound are good, and though this doesn't exactly contain the richest batch of bonus materials (sets like the excellent 3-disc edition of Dario Argento's Suspiria and the recent double-disc Re-Animator both feature loads of extras), it is a nice solid collection. You get a Duane Jones interview (sadly with only audio and no image, but still great); an on-camera chat between Judith Ridley (Judy) and Marilyn Eastman (Helen); the hilarious student-film spoof "Night of the Living Bread" by Kevin S. O'Brien (which also appeared in the double-cassette VHS edition); two commentary tracks with Romero, Russo, Russ Streiner, Eastman, Karl Hardman and others. One very illuminating portion of this DVD for non-film-scholars is visually boring but informative -several histories outlining the beginning of Romero's Latent Image company, on Hardman and Eastman's company, and how the two were married to produce Night of the Living Dead.
THIS is the right edition of Night of the Living Dead, the one to get for both fans and non-fans alike. It includes all the necessary people (notice that Russo, Streiner and Bill Hinzman were included in this release, despite their criminal participation in the 30th Anniversary Edition), and it presents the film the way it wants to be seen.
Now I'm waiting for a deluxe release of Dawn of the Dead and Day of the Dead...
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This review pertains only to the "30th Anniversary Edition".I had been collecting George A. Romero's "Living Dead" trilogy on DVD and had purchased this without paying enough attention. Big mistake.
Night of the Living Dead has had some colossally confusing release patterns thanks to a copyright gaffe which had enabled every company under the sun to release the film and profit from it. But of the 'rogue editions' I've seen, nothing is worse than this one.
Notice the list of personnel involved in this project: John Russo, Russ Streiner, Bill Hinzman...anybody missing? That's right: George A. Romero himself. This "30th Anniversary" edition is a collaborated effort by Romero's former colleagues in the Night of the Living Dead crew to rip off Romero's work and make a profit from it.
The result is disastrous indeed. The new footage written and directed by John Russo serve to butcher the original film. Not only do the new scenes not contribute to the story, they look amateurish, mostly due to horrible writing. Russo had always wanted to claim more credit for the success of Night of the Living Dead than was due him; this attempt at appropriating credit for the original film only shows that Romero is the only one who understands the concept of the Living Dead films. Russo's heinous, childish writing and direction -which are no better than that of the tongue-in-cheek soft-core videographers of, say, Seduction Cinema -barely rise above the level of beginner film students. And his claim that the new footage matches the old is just ludicrous. Basically Streiner, Russo, Hinzman et al. have raped Romero's film, trying to use their involvement in the original to steal credit from Romero's work, desperately trying to put as much of their handprint onto the original as possible with this 'new footage'. Well, one minute watching Dawn of the Dead will show you that Romero was the filmmaker, and the others were the hacks.
Yet another guilty party in this whole enterprise is Scott Vladimir Licina, who had composed a new score for the film and plays a priest in the new scenes. The new score jars terribly with the old footage, and Licina's acting is atrocious -reflective of the all-around low quality of the Russo footage.
Skip this one, crucify it, and leave it out for the zombies to chew on. This edition is a disgrace to Romero's legacy. Night of the Living Dead is one of the greatest horror films ever made; don't allow this sacrilegious edition to mislead your perception on the original film.
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There are many versions of "Night of the Living Dead" on DVD but there is only one that you should buy! The Special Collectors Edition put out by Elite is the ONLY version of this film that's worth anything. The transfer to DVD is so sharp and clear that you'll feel like you're watching it for the first time. One word of warning to anyone out there shopping for this DVD, there are many online auction sites and online stores claiming that this DVD is "rare and out of print"...DON'T YOU BELIEVE IT! This DVD is still being produced by Elite but not many online stores keep it in stock. Go ahead and order it...you'll get it. Don't be fooled into paying double for something that you could buy right here at Amazon.com. Oh ...and another thing...stay away from the 30th Annivesary Edition. This DVD is a shameful attempt by the "other half" of the folks who made this movie, to milk more money off it. I think that everyone who bought this horrible thing should break it in half, mail it to John Russo and write a note telling him that this is what you think of his and others attempt at desecrating a horror masterpiece. Russo, Hardman, and Striener need to understand that if they we're really as talented as George Romero then they wouldn't have to keep trying to make money off this film. Romero moved on to bigger and better things (Martin,Dawn of the Dead,Creepshow,Bruiser) but these other guys are still trying to nickel and dime everybody off thier ONE claim to fame.Find helpful customer reviews and review ratings for 3D Night of Living Dead (Single-Disc 2-D/3-D Combo) (1968)
Once upon a time a young girl and her brother traveled three hours from home to place flowers on the grave of their father. The brother started teasing his sister, telling her in a creepy voice, "They're coming to get you, Barbara." However, the joke ended up being on him because they were coming to get Barbara, only they got him first.I first saw "Night of the Living Dead" when I came home one afternoon and discovered that the Iowa City Public Library Channel on cable was showing the film. I have to admit, I was rather surprised that this cult classic horror film would be on at a time when kids could come home and discover it on television (one of the living dead is naked and they do like to eat human flesh), but Iowa is a state that thinks caucuses are a good way of selecting presidential nominees, so what can I say? But this is a horror movie that is even scary in the daytime with all the lights on.
"The Night of the Living Dead" is a horror classic, which is rather surprising when you take into account that director George A. Romero made the film in 1968 for $114,000 without a cast of first time actors (extras who playing the zombies were paid $1 and a t-shirt that said "I was a zombie on Night of the Living Dead"). Filmed in black and white with Romero as the cinematographer, this film has a technical proficiency that is missing from other low-budget classics like "Dementia 13" and "Carnival of Souls." You can take or leave the various sequels to this film, but this one has to be on everyone's Top 10 list when it comes to horror films.
The horror comes from the situation and the simple effectiveness of the slow moving, silent zombies in their growing numbers, their arms reaching out to find human flesh to eat. Barbara (Judith O'Dea) runs to an abandoned house, where she is joined by Ben (Duane Jones). After fending off the first attack of the living dead, they discover five more people hiding in the basement: Harry Cooper (Karl Hardman), his wife, Helen (Marilyn Eastman), and their daughter (Kyra Schon), along with a young couple, Tom (Keith Wayne) and Judy (Judith Ridley). Harry wants to hide out in the basement, but refuses to be trapped down there, and the two spend more time arguing about what to do than doing anything. They listen to the radio and watch the TV, learning that the dead are rising to eat the living, and try to figure out a way of getting out of the death trap in which they find themselves. Meanwhile, the little girl in the basement is getting weaker.
The only real weakness in the film is the attempt to explain why the dead are walking around as flesh-eating ghouls (which is, I believe, redundant), which has something to do with a satellite and scientific mumbo-jumbo that really does not mean anything to the people trying to survive against the growing horde of zombies. Fortunately, the "why" does not matter in this story; just the "how" in terms of taking these creatures down. Besides, if anything clinches this one it is the end of the film, both with its final twist, and the use of grainy still photographs to show the end of the tale. Few horror movies, whatever their budgets, have an ending this memorable.
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