Showing posts with label Full. Show all posts
Showing posts with label Full. Show all posts

Wednesday, March 19, 2014

Shrek 2 (Full Screen) / Shrek 3D - Party in the Swamp (2004) Review

Shrek 2 / Shrek 3D - Party in the Swamp
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STORY: This fairy tale satire continues right from the first movie as Shrek and Fiona are on their honeymoon. Prince Charming finally reaches the castle only to find the "gender confused" big bad wolf reading Pork Illustrated. The movie is basically focusing on the self awareness of who Shrek and Fiona really are. The fairy godmother of Fiona and the mother of Charming is out to make sure that Fiona falls in love with Charming and not Shrek. As Shrek is lost in the woods he stumbles upon the masterfully crafted character that is Puss In Boots. Puss is probably one of the greatest fictional characters of all time, he is played to perfection by Antonio Banderas. The first Shrek was a slight satire on the fairy tale genre. Shrek 2 is an unbelievable high on satirical parody (if that makes sense). The pop culture references come flying in one after the other. I really feel that any body under 12 will not get most of the jokes made in this movie. For the kids we have the farting and the burping and for the more learned individual we have references to gender confused wolves, cats on catnip, meeting the in-laws, crazy wooden boys with strange fetishes, the ass, and tons more. There is no way that anybody cannot watch this movie and not laugh. If you need to compare Shrek 2 to something look at it as a lighter version of a Family Guy, Airplane, or Hot Shots type of thing. While the references are not as exaggerated as they are in parodies such as Hot Shots, they are very well placed and well executed. While many people feel that the story and the "heart" that the first movie had was lost within the many gags there is still that "heart" that the characters possess. Yes, the ending is your typical fairy tale ending that has a valuable moral, but then again this is a fairy tale. This movie is smart, funny, and overall a well-crafted piece of work.

ACTING: All the former cast members return as well as the noticeable additions of John Cleese, Julie Andrews, and Antonio Banderas. I can't express just how funny Puss In Boots is. Without Puss the movie would without a doubt have been really boring and "kiddyish" if you will. The most humorous jokes are deployed in the film's ending which is a hysterical romp. John Cleese plays the enraged father and Julie Andrews as the accepting mother. Prince Charming is played by Rupert Everett, and really his only funny scene was when they stopped by drive thru and he got a kiddie meal and was wearing one of those paper crowns as found in burger king. The cast makes the film, Puss makes the film.

BOTTOM LINE: The kids will not find this one funny except for the small amount of fart gags. The people who will find this the most amusing will be in the range of 15 to about 50. Anything above 50 might find any kind of animation too childish and will probably stay away from this one unless they have young kids. The animation by Dreamworks is fantastic as well, make note of the scene in the rain and just how realistic the natural surroundings look. Shrek 2 is faster and funnier than the original and should become a classic just because of how smart the movie is.

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I first saw this with some friends, then took my parents to see it the next day. I was amazed at how many little nuances I missed the first time around. This film is jam-packed with hidden tongue-in-cheek jokes and visual humor there is so much detail. This film is a delight for young children to the senior set and everyone inbetween.

Eddie Murphy is back as the lovable Donkey his is perfect in this role and personally, I think he (Donkey) should have his own spin-off movie. This one character is a movie unto himself.

Joining the crew from the original Shrek installment are Julie Andrews (Fiona's mother), John Cleese (her father), Antonio Banderas (Puss-n-Boots) and Jennifer Saunders (the naughty Fairy Godmother).

The clever ways in which the screenwriters twisted the fairytale characters while still giving them reverence and respect is enough to make you cry from laughing so hard. There are inferences to movies such as "Flashdance" and "Mission Impossible" and many others. Pinnocchio is no doubt a wooden embodiment of Michael Jackson (high-pitched voice, good dancer, longs to be a little boy, etc.) and there are many inferences to famous people... there is even a helicopter view of police chasing a white bronco!

There were very few moments in this film in which I was not laughing outloud or doubled-over and in those few instances, it was to catch my breath.

This film is an instant classic that is safe to show to your kids and grandkids from now until generations to come.

On top of the fantastic animation and lovable characters, the underlying story is an awesome theme to teach to children: it's not how you look or how other people treat you that matters it's the content of your character and how much you love others. I cannot recommend this film enough it is one of the best of the year.

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The story begins somewhat where the last Shrek film left off, with a twist.

Get used to there being a twist...

The story begins with the recitation of another standard fairy tale opening, that one might think as an ending, where Prince Charming (charmingly voiced by Rupert Everett) dashes through incredible perils to reach the unfortunate-cursed princess, Fiona, as his kiss is the only thing that will break the curse. The only problem here: when he arrives to kiss the fair princess, he is greeted by another story-book character who informs him she is on her honeymoon.

Honeymoon?

The stage is set for a frolic of fairy-tale proportions. The main characters are back Shrek (Mike Myers) in his typical ogre self (who knew ogres spoke with muddled Celtic accents?); Fiona, every inch the ogre herself night and day (reprised by Cameron Diaz remember the tale from the first film where she was beautiful by day and hideous by night), is blissful on her honeymoon with Shrek. They return home to be greeted by Donkey (once again the humourous Eddie Murphy), to almost immediately be summoned to Fiona's home by her parents, the king and queen, so that they may meet the husband (not quite the prince they were expecting) and be welcomed into the kingdom of Far, Far Away, which is, true to its word, far, far away (are we there yet? is the constant refrain during the journey).

It is quite delightful to imagine John Cleese and Julie Andrews as the king and queen; their characters do not imitate their features physically, but their standard screen personae come through their voices and characterisations. Rupert Everett as Prince Charming, the scheming social climber, is very well done, with typical British fop panache. However, there is no mistaking Jennifer Saunders (Absolutely Fabulous) as the Fairy Godmother (who, it turns out, is Prince Charming's mother, and given that it is Rupert Everett, well, enough said...) the animation captures the twinkle in her eye and the sardonic smile as she holds the king to ransom for the secret that he hides (she once granted a wish to him, which is hinted at early on in the film see if you can predict what it is!).

The king and queen are not surprisingly shocked to discover the ogre-ific state of their only daughter, not to mention the son-in-law; the king decides to do away with Shrek, hiring a hit man (in this instance, a hit cat), Puss-in-boots, voiced by an over-the-top Antonio Banderas. Attacking with the grace of a cat, he is nonetheless thwarted in his charge by a nasty hairball, and joins with the quest to find Happily Ever After-effects with Shrek and Donkey.

There are some good songs here, remakes of popular songs sung with style that befits a fairy-tale, medieval recreation of Hollywood/Hollyweird. Just as Fiona had her surprise chance to be an ogre in the first film, Shrek gets his chance to be drop-dead gorgeous in this film, by stealing the Fairy Godmother's potion for Happily Ever Afters. Donkey shares in this potion and becomes a dashing stallion. So, everyone will live happily ever after, right?

Right, but again, there's a twist (and I'm not going to tell you what it is).

There are lots of cameos Larry King voices the ugly sister, and Joan Rivers voices her own characters as the red-carpet announcer at the royal banquet akin to the Oscar ceremonies. There are one-liners galore, so many it is hard to recall them all take a notebook with you to the cinema!

One of the trademarks of Shrek is its homage to various other films try to make all the connections Flashdance, Lord of the Rings, Ghostbusters, you name it, it is satirised. The same holds true for various fairy tales the three blind mice, little Red Riding Hood, Sleeping Beauty, even Pretty Woman!

The animation quality is superb, and shows just how astonishingly lifelike modern computer-generated graphics have become. An interesting effect, rather like a cross between clay-mation types of physical movements and hand-drawn facial expressions, the type of animation here is approaching lifelike and realistic, again with the twist of being almost puppet-like, to fit the fairy-tale aspect of the film.

Stay through the credits! Why people get up and leave the cinema as soon as the names start I shall never understand, but they missed out the bonus scene at the end, that is well worth the wait (Banderas, as Puss-in-boots, heading off for the Kit-Kat Club, begins the scene, and it just goes on from there).

This is a film for children of all ages, with enough humour for adults to keep them interested, and a classic tale, with modern twists, to delight all audiences.

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I have never seen an animated movie of this quality. Finding Nemo was impressive visually, but the story, character expression and humour is geared more to children.

IMO Shrek 2 edges it in visuals and production value, and trounces it in terms of soundtrack, story, characters, humour and dialogue. The wit is on an adult level while keeping a childish verve and innocence. I have never come across this before in animated feature films.

Myers, Murphy and Saunders are brilliant. The visuals are wonderful. Bravo Dreamworks!

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The people writing reviews here need to remember, we aren't reviewing the movie. We are reviewing the DVD. We all know its a great movie. In fact, most of us have already seen the movie at least once. That sad fact here is that the dvd is a RIP OFF.

I agree with all the previous complaints.

1 Disc, as compared to most major budget kids movies being released with an entire extra disc of features.

Movie Previews, that they actually LOCK YOUR KEYPAD so you are forced to watch everytime you put the dvd in. This I find SO insulting. I paid good money for this dvd. It shouldn't be like this.

The release of this dvd is even so cheap, there isn't even an INSERT inside the dvd case. The total presentation of this DVD is so shoddy and pathetic. I really wish I could take it back, but sadly most places I know have a firm policy that you cant return dvds, only trade them for the same title. Sad. Because this DVD is a total rip off.

Buy this DVD ONLY if you *LOVE* this movie and can't possibly wait to see if a Special Edition or two disc set is released in a year. Because if you are a true DVD collector, you *WILL* be dissapointed with this DVD.

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Sunday, December 15, 2013

Discount Willy Wonka & the Chocolate Factory (Full Screen Special Edition)

Willy Wonka & the Chocolate Factory
Customer Ratings: 5 stars
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I won't bore you with yet another "review" of this film or my personal opinion of it. You want to know what I think of the BD version, right?

My short answer: This BD looks and sounds so good that I've already given away my DVD of it.

The Blu-ray Disc of Willy Wonka & The Chocolate Factory is the best I have ever seen of the film. Image quality is sharp & clean and the colors stand out like candy. The DolbyTrueHD sound is excellent allowing all the dialogue and songs to come through crystal-clear.

This BD case is like a book with many pages for the fans. My ONLY (small) regret is that the back cover containing all the BD information is not printed on the book, and instead is merely a printed page that eventually comes loose and detaches after a short while (whereas my "Easy Rider" BD is the same type of book and the information is printed on the back cover much better!).

If you like (or love) this movie and are wondering if the BD is worth the money, wonder no more. You will be pleased with your decision to make the switch to Blu-ray for Wonka.

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Well, not exactly... Some here have complained that the widescreen version is simply a matted version of a full screen print, and that the widescreen presentation chops off part of the image at the top and bottom. Well, according to my copy of the DVD, that is only half correct. I own the 25th Anniversary 1996 release of this film on DVD, which has both the widescreen and full screen version on one DVD. I compared numerous scenes in freeze-frame between the widescreen and full screen versions. In widescreen, sure enough, a bit of the top and bottom of the image seems to be cut off when compared to the full screen version. But I also noticed that when viewing the full screen version, an equal bit is missing from the left and right compared to the widescreen version. So no matter which version you watch, you aren't seeing "everything". But which is proper? After comparing many images, I conclude that the widescreen version is what we are supposed to be seeing. Consider the beginning of chapter six. If you watch the widescreen version, you see a news anchor sitting at a desk. the bottom of the image is framed with his name plate on his desk, and the right side of the screen says "Evening Report" on the back wall. Watch the full screen version, and you will see a bit more blue background on the top, and more of the desk below the name plate on the bottom, but the right side of the image now reads, "Eveni Repo"! Folks, you ARE missing the left and right sides when viewing the full screen version, and from what I saw, the little bit of information that is missing from the top and bottom of the widescreen version generally was inconsequential. Every scene I watched and compared looked better composed when watching the widescreen presentation. Just FYI...

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WOW, I can't believe how long ago this film was made and how wonderful it is even today! It really doesn't seem like it's from 1971. I have probably seen this film over 500 times by now, since the 80's and I still am not the least bit bored of it. At 28 years old, I still totally love this film!!! The characters, especially Gene Wilder who plays Willy Wonka, who is THE Willy Wonka, who could never be topped EVER (yes I've seen the 2005 film!), the music, the setting, the songs, and especially the Oompa-Loompa's! Everything in this film is so wonderfully done and everyone who hasn't seen it yet, needs to as soon as possible!!

My favorite place or scene in the whole film has to be the big candy and chocolate room where Willy Wonka sings "Pure Imagination." Not only for the song but because I can see how much work the director put into this film. All the candy and chocolate looks so real and alive and the whole room looks so beautiful the way everything is set up! I also love that teacher, Charlie's teacher that you see a lot until they go into the chocolate factory, he is so funny! And it's set in London, an added bonus!! I just cannot get enough of this film or recommend this film enough!! It's a masterpiece!!! It's definitely one of my favorite movies of all time!!!

Who could not love Veruca's "I Want It Now" performance? That whole scene was totally brilliant!

The Special Widescreen Edition DVD has tons of extras. There is commentary by the kids who got to go inside the factory. You'll also learn that Gene Wilder wouldn't play Willy Wonka unless he was able to do that somersault that he does before letting the kids through the gate. There is an interview with Gene Wilder from 2001, The Making of Willy Wonka & The Chocolate Factory, four sing along songs, a 1971 behind the scenes featurette, and a photo gallery.

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As a fan of Willy Wonka and the Chocolate Factory since the 1970s, I may be a little biased, however, the recent re-make can not hold a candle.

If you like musicals, this should definitely be on your list. The songs are delightful and fun,and with the exception of Charlie's Mom's song, I love them all. The screen writing is excellent.

Gene Wilder is masterful as the eccentric candy maker, Willy Wonka. One can not help but feel anxious as Willy Wonka guides us through the inner workings of his factory.

Adults and children alike will enjoy the lessons one learns from not listening, being selfish, greedy and not respecting others through this timeless classic.

I highly reccommend it to anyone both young and old. No need to have children to "view paradise, simply look around and view it."

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The film is based on a much-loved children's book, 'Charlie and the Chocolate Factory', by Roald Dahl. Dahl wasn't always happy with the changes made between his book and the film, and wasn't always consulted on them. Today probably more people are familiar with the film sequence of events than the book. Charlie is a down-on-his-luck boy who is nonetheless optimistic and happy. He and his mother work to tend for their bed-ridden family members, all living together in a one-room home.

One day there is an annoucement that Wonka is going to open his factory to visitors, to be chosen more or less at random through finding the Golden Tickets, contained in Wonka bars (a brilliant marketing device back then). Scenes of shoppers' frenzy are shown all around with world, including a Wonka delivery van shown arriving at the White House.

The five golden tickets are found all around the world the first one in Dusselheim, Germany, by the fat boy, Augustus Gloop (played by Michael Boliner, who is now a tax accountant in Munich, and is still rather large). The second ticket was found in the UK, by spoiled brat, Veruca Salt (Julie Dawn Cole, the only Wonka child still acting), whose father, Roy Kinnear, is a well-known actor in British cinema. The third ticket was found in the USA, by gum-chewing Violet Beauregarde (Denise Nickerson, now an accountant at a nuclear plant in Colorado), whose used-car-salesman father was played by Leonard Stone (who was selected over Jim Bakus). The fourth ticket was also won in the USA, by Mike Teevee (Paris Themmen, considered a real brat by most of the cast and crew); his frantic mother was played by Dodo Denny (later Nora Denny), who was one of the few minor characters in the film to consistently act after this film. The final ticket at first is reported to be won by some shady businessman from Paraguay, but in the end, that is proven to be a forgery. Of course, Charlie buys a Wonka Bar expecting nothing, and gets the ticket.

An ominous figure, Slugworth (the arch-enemy of Wonka who knew chocolate makers also made arch-enemies?), appears to each of the winners, whispering in their ears. Charlie is also confronted, and promised a reward should he bring Slugworth an example of Wonka's latest creation, the Everlasting Gobstopper. One wonders why (a) any candy maker would make a candy that never wears out (thus defeating re-sales), and (b) why Slugworth can't just buy one himself when they are released, analyse it and ruin his own factory the same way? But I digress... Gunter Meisner, a very prolific German actor, played the villain, who wasn't in the book (nor was the 'gobstopper plot').

The grand day of the event, the winners enter the factory with great fanfare, meeting Wonka (Gene Wilder) for the first time, and get the first taste of his bizarre sense of theatre. (It is reported not only Wilder's idea for the limping/somersault introduction to the crowd, but also a condition of his accepting the role.) From that point on, what was truth? It is ironic that Wonka's entrance doesn't occur until the film is half over. What we remember of the film comes after this, but over half the film is actually set-up. This is rather like the Wizard of Oz, where most of the film is done before we see 'the major character', although admittedly Wonka is far more prominent than Oz's balloonist.

Wonka, the man of mystery, only ever became even more of a mystery as the tour progressed. He is constantly switching his words ('we have so much time and so little to do'), and there are surprises at every turn. Wonka borrows a lot of his key phrases (Ogden Nash, Shakespeare, Oscar Wilde) and there are a lot of fantasy-inspired elements (Alice in Wonderland, Lord of the Rings).

At each major scene, something ghastly seems to happen, but in epic-fantasy form, it doesn't seem to matter to the majority, who proceed onward with their quest. In the chocolate room, Augustus Gloop meets his untimely exit from the factory by falling in the chocolate river. Violet turns into a blueberry by chewing experimental gum, and has to be squeezed (squoozed?). Veruca, in the room with the geese who lay the golden eggs, turns out to be a bad egg herself, but has a sporting chance of going down a chute with an inactive furnace. Mike Teevee shrinks in the Wonka version of the Star Trek transporter beam, leaving in the end only Charlie, who is denied his prize of a lifetime of chocolate for a minor infraction.

It would seem that Wonka had a sinister side in many ways the boat that carries the prize winners only seated eight, implying that Wonka knew someone would be missing. The Wonkamobile only had seats for four guests. Of course, the children apparently all had sinister sides, too, including Charlie, until the end. None of them let Wonka know of their Slugworth contact.

In the end, we never know what becomes of the fallen questers we are led to believe that in this candy factory they got their just desserts. The Oompa-Loompas put the moral to each downfall in song, with a 1970s karaoke-type presentation of the lyrics as they sing. In the end, of course, goodness and justice win out, as the factory is given to Charlie after his act of unwarranted kindness toward Wonka.

Director Stuart always saw this film as a 'realistic' fantasy film. Those things that are not over the top are very ordinary. The people are not superheroes, and the situations, while fantastic, are not beyond the credible. Stuart also did his best for 'real' reaction the kids had never seen Gene Wilder before his appearance at the door, the chocolate room in the factory, or the Oompa-Loompas prior to the first scene, either, so their reactions are more natural.

A great film for children and adults!

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