The Polar Express 3D High Definition Blu Ray Deluxe Pack (2004) Reviews

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I will admit, 2 years ago I purchased The Polar Express 3D with the red and blue glasses.... it about made me sick when I watched it. The colors made me dizzy and the picture was heavily distorted. This on the other hand was a breath of fresh air! The 3D quality on this blu-ray disc is absolutely superb with minimum "ghosting". One stand out scene in particular is portrayed on the front cover of the Blu-Ray case, the train skating on the ice. The 3D effects are so fantastic here that I had to play it over a few times. Its enough to make you say WOW. Also, the entire North Pole scene is absolutely beautiful especially the zoom outs showing the large Christmas tree and all the kids and elves surrounding it.

I would highly recommend this to anyone with a 3D television! The picture is stunning and the 3D effects are breathtaking! The world of Blu-Ray 3D is growing, and this one definitely stands as one of the top 3D releases so far!

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I went to see this movie tonight with a mentally handicapped friend "Michael" -(from a L'Arche home here in Winnipeg, Canada). We were the first persons in the theatre for the very first evening showing in this city and we were the last to leave. We thoroughly enjoyed ourselves enchanted by the movie's subtleties and happily exhausted by its roller-coaster rides.

Time and again, Michael (who is sensitive, compassionate and with a good sense of humor) turned to me in the darkness, smiling in appreciation at the exact same moments I turned to see his reactions. Each time this happened, it was at a moment in the film when some little detail, perfectly captured through superb 'cinematography,' brought moisture to my normally cynical eye, and a warm smile to Michael's innocent face.

Some examples: There is a lone, black child on this apparent 'dream train' to the North Pole a girl of about ten or eleven years, and like a painting come to life, the miraculous technology at work in this film captures the particular sensibilities of this compassionate, black youngster -- We see small mannerisms of someone comfortable with herself in a way the other (ten or so) white kids on the train are not. And the effect is profound --the movie audience, including some children of that same age group, went silent at such moments in the film.

My friend Michael who has a 'savant' genius for perceiving my emotions, and expressing them for me out loud in public --Michael turned to me with a delighted smile when the girl on the train reaches out to hold the hands of the poorest boy, sitting alone in the rear compartment; and later, she hugs two other boys, (one of them the central character) --at their final parting. At that moment I held up a finger to my lips to try to hush Michael, but couldn't prevent him from saying aloud: "She's such a sweetheart." There were murmurs of appreciation in the darkness around us, responding to this innocent sentiment.

There is a sublime moment, on the back platform of the moving train -the Northern Lights glimmering in the distance -when the young girl joins in song with the poorest kid on the train (a younger boy from a dilapidated home on the "far side of the tracks"). I admit to being overcome with emotion during this duet (a lovely, strong melody with poignant lyrics) and I blurted out loud to Michael, after the first chorus: "What a wonderful song!" The refrain includes the words "When Christmas comes to town." [It's a song so good that, with some future 'cover versions' by serious musicians who could do it justice -- this "Christmas Comes to Town" song could, I believe, deservedly join the small list of true, Christmas 'classics.']

I'd have to agree with anyone who thinks this movie is a little short on plot. And yet . . . once you've suspended disbelief - beginning with an earth-shattering, Christmas-eve arrival of a steam-puffing, passenger train on a small-town Michigan street, directly outside the home of the movie's central character -once we've swallowed that premise, the movie disarmingly embraces the child in us, (including our fears) and our reservations vanish without our noticing.

Just as great `realistic' painters, (think Rembrandt or Vermeer) worked wonders of light & shadow that no mere photograph could ever capture, so too this computer-animated marvel takes your breath away through an accumulation of tiny but acute observations that could never be captured by conventional cinematography. Prime examples from the opening scenes:

A shaft of light illuminates the boy's bedroom, and he is reflected in a chrome, automobile hubcap leaning against a wall; at once we share his view -through the keyhole of his bedroom door we can see only the backs and the dressing gowns of mother and father, as they say goodnight to the boy's young sister, after determining the state of her belief in Santa's existence a belief no longer shared by the older brother, whose eye is at the keyhole.

Later, on the train, there's an exquisite close up of the boy's face, a slight blemish above the pores on his upper right cheek; the `camera' pans in rotation, capturing perfectly, the texture of the boy's hair, and that of the young black girl sitting beside him -subtleties of such perfection one wonders if the unique, artistic accomplishment of "Polar Express" could ever be surpassed.

The film's last scene, consists entirely of a close-up view of a small, silver bell (of the type associated with sleigh rides) with its attached 'ribbon' of red leather. The little bell helps make the final point about `Belief' --in things unseen, (or forgotten, and thus inaccessible to some adults). So simple, so powerful, so enlightening an image. My friend Michael turned to me at that moment, with a radiant smile. And we just shook our heads in awe.

----

Yes, this movie must have SOME shortcomings one or two moments that don't quite work as intended by the creators. But right now, in the afterglow, I can't recall what they were. The film was just too satisfying an experience!

I'm a 57-year-old grandfather who happens to believe that "The Polar Express" is the first, true Christmas classic in almost 60 years. Not since the original Kris Kringle "Miracle" movie of 1947, has any film (to my jaded eye) so transcended our secular, commercial views of the Holiday Season, with such uplifting and fresh reminders of the timeless and true spirit of Christmas.

Mark Blackburn

Winnipeg Canada.

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When people go into a movie theatre they expect to be entertained. Audiences want to be scared, amused, curious, sad, and hopefull. Believe it or not, this film provides all of those elements and then some. I've read the comments by people who gave passed this film on as either "too scary to children" or "just plain boring with no plot" And I agree with several people who have responded to such comments.

This film isn't going to give you instant gratification halfway through. If you don't have two hours to spare then you aren't going to understand what this movie is about. Sure the plot was invisible at times, but I don't think the point of the movie was to have the audience follow a plot. The point was to reveal or in some cases remind people of the simplistic faith or child like view we once had in our lives.

Think of the characters themselves and what they represent. Hero Boy reminds us of people who are caught in between faith and doubt. Do we trust what we cannot see? Who is to say? Hero Girl shows the stronger side of faith and believing in what is not readily seen to the human eye. Childlke faith personified into a little girl. Lonely Boy represent those who doubt because they haven't truly experienced the joys of life or have had tragedies happen to them from an early age so they learn to only trust themselves, but that ends up leaving them...lonely. Then are those who are the Know-It-All character who claim to take everything at face value (much like the critics and cynics of this film). They want to know it all because what they don't know scares them.

I'm 21 years old and I haven't had nearly enough experiences in life, but I can say that I had been so busy growing up that I had forgotten that there was a part of me that was once simple, happy and appreciated the joys of just believing that things were true. That is until life makes you grow up and tries to distort your beliefs (much like HoboMan in this film).

When I first saw this movie my eyes widened with every new frame. It was the first time since my childhood that I can remember sitting in the audience with my mouth open and my eyes stretched out as far as they can be. I was stunned, by the artistry and complexity of the story. I was a kid again for two hours. It was like an old friend who I hadn't seen in a long time came back to visit. It was an amazing film.

It's a train ride, a leap of faith, a test of the human spirit. It's a ride and like the movie says: "It's not about where the train takes you, what matters is that you get on." THAT, my friend, is what this movie is about. Not being entertained by slapstick humor or satirical sarcasm, but remembering that part of you that resembles the kids in the movie. Believe.

Bravo on a fantastic film.

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This movie was superb in many ways. The story is excellent and the movies great for children and adults of all ages to remember the innocence of youth and recognize the milestones we have all passed growing up. But now on to the real essence of this review: the 3D quality.

The 3D is VERY GOOD...in fact it's great on so many levels. The colors are vibrant and vivid and not washed out like many have complained happens when watching movies in 3D from dark glasses. Also, the picture quality was top notch in HD even while wearing glasses. The surround sound effects and audio couldn't be any more realistic and complementative of the video. The 3D was spectacular guys. Many scenes had things popping right out at you (which i love) and the depth was deep and realistic. I actually felt like I was in the movie. I have an 82 inch 3DTV so that helps but a crappy 3D movie is a crappy 3D movie no matter what screen you watch it on and crappy this was not. The 3D on this film will make any television pop and sizzle and truly brings out the power of your new 3DTV to your family and friends.

Overall watch The Polar Express is a wonderful holiday experience anyone should have the opportunity to enjoy and if you're looking for a good 3D movie then this is a must buy as you will not be dissapointed. Furthermore I experienced no ghosting at all while watching but that could be due to my televisions technology compared to plasma, LED, and LCD. Pick up a copy for yourself. You won't regret it.

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I had mixed emotions about the prospects of this movie.

I love the book. I never like seeing a book be made into a movie--even when the movies are well done.

Add into the mix my general liking of Forest Gump and CastAway, the two previous Hanks/Zemeckis films (I feel CastAway is the far superior film if anyone's interested).

Temper that general feeling of goodwill with the fact that Tom Hanks's last piece of GREAT acting (in my opinion) was in Joe vs the Volcano (Meg Ryan's as well)--and that CastAway was Zemeckis's last good film.

These ingredients, as well as knowing that this film was to be a guinea pig for a new kind of animation, left me feeling unsettled at best about going to see The Polar Express.

Yet...

This movie blew me away.

Say what you want about The Passion of the Christ or Fahrenheit 911 (both are great movies in the movie-making sense and should be nominated for all kinds of awards) but this is my movie of the year. It is also the best Christmas movie in quite a while.

The movie version of The Polar Express has a whole lot to see. This is serious eye-candy. That said, the movie stays incredibly faithful to the heart of the book.

The book and the movie are all about the wonder and joy of belief.

I could go on and on about the great job Tom Hanks does, about the awesome animation, but I won't. For as gilded and bedecked with ornaments as this movie is, it all gets stripped down to the ringing of a silver bell.

The sound of belief.

Faith is the evidence of things not yet seen.

This movie is a wonderful hymn to that evidence. An evidence readily found in all hearts brave enough to believe.

I give the Polar Express my highest recommendation.

Cheap Reef 2: High Tide BD Combo (2012)

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my girls loved it 4 & 6. we got the reef then i looked for the sequel. as good as finding nemo.

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The Reef was...okay, I suppose. Characters were bland, toilet jokes were all over the place, the plot was just Karate Kid with fish...but the voice acting was good.

The Reef 2: High Tide is thousands of times better than the original.

The characters are much more vibrant and animated this time around. They actually seem alive, rather than just toy fish suspended in place. The storyline is much more interesting than "Karate Kid with fish": without giving away too many details, it's about finding out who you really are and using that to define yourself rather than letting someone else define you. The voice acting is great: Jamie Kennedy does a great job as Ronny, and this is coming from someone who greatly dislikes Jamie Kennedy. Some of the puns are groan-worthy, but that's what puns are for.

In short, this movie's worth checking out if you're a fan of ocean movies.

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My grandson has watched it over and over and over again. His parents finally had to hide it they got so tired of watching it. Now I have it at home and intend to watch it.

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cute sequel, not as exciting as the first one but the grandkids loved it and watch it over and over again

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All movie were received at the same time haven had time to watch them all with my Grandson. But the ones we watched were great.

Monster High Double Feature - Friday Night Frights / Why Do Ghouls Review

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I was pleaseantly surprised by the fact that this DVD includes two features....Friday Night Frights, and Why Do Ghouls Fall In Love??. Mattel could have easily released them seperately and charged more but they chose to put them together which I think is pretty cool. Both movies come on one disc which I think makes it easier for viewing since you don't have to change it out to watch one feature or the other. I will give a small synopsis of each movie (I don't want to give too much away).

In Friday Night Frights we see the "ghouls" learning the power of being true to (and believing in) yourself when they take on the task of playing on the Monster High "scream" team in the Skulltimate Roller Maze after the guys on the team get hurt. At first the girls face opposition (tradition states only boys can play) but they never give up and eventually win the respect and support of their schoolmates and even their rivals. I like the message of this dvd .... it is totally girl power. It tells girls they can do anything and should not give in to peer pressure.

Why Do Ghouls Fall In Love is a Valentines special. It is Draculauras sweet 1600 and the girls are trying to throw her a fangtastic party....unfortunately there are a few glitches. An old flame from Draculauras past (a vampire named Valentine) and Toralei do everything in their power to cause chaos. The underlying issue is about the power of true love, and having realistic expectations about things.

Both of these movies are really cute....although personally I like Friday Night Frights a little better due to the positive messages it sends girls. Also I think Abbey steals the show with her funny jokes thrown in throughout both movies. These are movies that adults can enjoy with their kids as well. This is a good value for the money and much better then most of the kids shows out there.

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This was the best DVD set ever for Monster High fans. Both movies were well written, and had great interesting storylines and beautiful animation. I am an adult fan, however my 9 year old god daughter is also into Monster High. These movies are clean and appropriate for young children of any age, but at the same time have enough jokes and things that will go over kid's heads to keep the adults interested.

While "Why Do Ghouls Fall In Love" is a romance, it is clean enough for the children, yet having your heart broken is a storyline all the adults watching can relate to.

Friday Night Frights does have a few scenes where Clawd is somewhat possessive of Draculaura and telling her what to do. It is a good opportunity to open up a dialogue with older children about healthy relationships. At the end he comes around, so younger children probably do not need this kind of talk and will just see it as a kid's movie as it is meant to be.

Highly recommended! These are two movies that Monster High fans will want to watch over and over again!

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My wife and daughter have emmersed themselves in the Monster High concept and seem to be enjoying all the different facets of it. I have to admit the dolls seem interesting and a nice break away from the boring Barbie concept. I didn't watch the movies, but they did and found them, in my daughter's estimation, "awesome!" They look forward to more MH movies.As for the buying experience, the DVD arrived in a timely manner and in excellent condition.

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The movies on this are short, but they are still cute to watch and good for anyone who likes Monster High. The two features together only total about one full length kids movie, but the content is appropriate for "tweens." My daughter has it and said she liked the first feature better than the second.

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We really enjoy all things Monster High and this latest DVD is no exception. As a parent what I like about the show & books is how it teaches my daughter that different is OKAY, that you don't have to look like everyone else to do well in life. I would definitely recommend this to other parents that are trying to teach their children the same message.

Cheap Thomas & Friends: High Speed Adventures (2009)

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I think you just can't go wrong with Thomas & Friends. The programs always contain positive messages, they are wholesome in nature and yet still exciting enough for children to enjoy. There are always great lessons in that the characters make the same types of mistakes that everyone is prone to make. We see the consequences from being in a hurry or just plain fooling around, becoming jealous of others or lying to cover up mistakes.

These episodes feature the new CG animation, which means better facial expressions for the trains and townspeople. As always, the same great life lessons of discovery, friendship and cooperation are most certainly included.

In Thomas and the Billboard, Thomas becomes upset when he is inadvertently excluded from a photo taken of all the trains. Although it was a genuine mistake by the photographer, Thomas heatedly blames another train, which causes a whole new set of problems.

Steady Eddie refers to Edward, one of the older and most reliable trains. Because of his reputation, Steady Eddie is given the special job of delivering valuable cargo. He feels proud of his status and takes an alternate route where more people can admire him, instead of taking the directed path and gets himself into hot water.

Rosie's Carnival Special: Rosie is specially requested by Sir Topham Hatt to be one of two trains to transport the Carnival Special. Rosie is greedy and wants to do it alone, which causes an accident. She realizes that working together as a team can be very rewarding.

These are three of the six episodes on the disc. Also included are Mountain Marvel, Henry Gets it Wrong and Don't Go Back. Each one has its own valuable lesson which kids will benefit from, and plenty of action in the train yard they will enjoy.

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This DVD is a new series where Thomas and every characters are animated. It's pretty neat to see them animated and move more than just their eyes and their mouth expressions. PBS started playing these episodes and I'm glad they are finally out on DVD for when we travel. My 4 year old LOVES Thomas and I have to admit I was pretty excited when these episodes came out on tv too.

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I bought this movie for my 3 year old son. At first he was not happy about "talking thomas" and wanted to watch an old Thomas movie. The next day he asked to watch "talking thomas" and enjoys watching it every time now.

I am also a preschool teacher, and for a special treat on Fridays we watch a movie. I brought in this movie to watch, every single boy I have LOVED it and always ask me if we can watch "Talking Thomas" for movie day.

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Normally I *HATE* CGI but the Thomas animators have done a reasonably good job with the technique. Eyes aren't deadened (they move around and blink), faces don't look overly plastic, and nobody wobbles around like a car dash head bobber (as they do on the CGI-"enhanced" Bob the Builder). The animators have been wisely conservative in keeping the look & feel similar to the older episodes, and minimizing the flashy stuff. Even with the famously grey faces and wooden dialogue, I didn't find the new characterizations any creepier/more uncanny valley than the old ones. Which is creepier, an anthropomorphic engine that moves its mouth when it speaks, or one that keeps the same frozen expression while you're looking at it but MOVES as soon as you look away? (::shudder::) All in all, a good job.

On the other hand, I find the story-telling to be less well-executed. Most stories are trite, repetitive, and predictable (even for Thomas!). Realistic railway details are de-emphasized while engines & their personalities are overly emphasized. I could do with a bit more respect for the Rev. Audry's original vision, and stories that made more sense (are there no tarps on Sodor???? every load is left uncovered and ready for disaster!).

Incidentally, my son wasn't afraid of the moving faces -in fact he LOVED them. Possibly because he's 3 years old, and developmentally normal? I feel for the parents whose kids didn't like the change, but it looks like they are in the minority. Given that there are more Thomas episodes than there are days in the year -25+ years' worth of material, most of it with old skool modeling -I think the minority can cope. (Not to mention there are tons of Railway Series books to read, and YouTube for DIYers with Tomy models and video cameras!)

Fixing what isn't broken? Well, I'm not sure about that. Besides the points I already made, look at this from a business perspective. Having some insider knowledge of this industry, using actual models is far more expensive than CGI, and even for a franchise as obviously popular as Thomas, the model-making must have been a drain on resources. HIT Entertainment can now make more episodes more quickly for us insatiable Thomas fans, and employ more people to boot.

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Another wonderful Thomas DVD in new CGI animation format. It is wonderful to see Thomas talking and more expressive. My 2 1/2 yo son and I love to sit together and watch each story. I love when Rosie announces in one story "I'm driving the Carnival Special!" It also has a bonus Rory the Racing Car story and this one gets my son laughing up a storm with the helicopter lesson.

Discount High Sierra (1941)

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High Sierra (1941) is considered by most to be Humphrey Bogart's first real, breakout role, playing a part that wasn't initially offered to him. Bogart, the fifth member of Warner Brothers famous 'Murderers Row', came into the role of Roy 'Mad Dog' Earle only after fellow 'Row' members Paul Muni and George Raft didn't accept the part, one disagreeing on the script and subsequent changes, and the other being talked out of taking the part by Bogart, respectively. Bogart, who hadn't quite reached the level of big name star by this point, as evident to second billing to costar Ida Lupino, wanted the role badly, as he knew the character of Earle was something he could really sink his teeth into, and showcase his talent to the world.

As I said, Bogart plays Roy 'Mad Dog' Earle, a convicted bank robber serving a lengthy prison term, a life sentence, if I'm not mistaken, who has just been released. We soon find that Roy's early release isn't due to parole for good behavior, but strings pulled by his old boss, Big Mac (Donald MacBride). Seems Big Mac has a score in California that he wants Roy in on, so Roy leaves the Midwest to make the connection. Along the way, Roy has a chance meeting with Pa Goodhue (Henry Travers), a farmer who lost his farm, and is now traveling west with his wife and his clubfooted granddaughter Velma (Joan Leslie), who we will see again later. On reaching the Sierra mountains, Roy meets with the other members of the criminal enterprise Big Mac has arranged, two younger, hot-tempered men, Babe and Red, who have a have a female companion, Marie, played by Ida Lupino. Roy objects to having a woman around, as it's just an unnecessary complication. Marie manages to get Roy to change his mind, as she despises the thought of having to return to her previous career of dancing in a two-bit hall with men for a quarter a dance. Soon Roy learns of the score, and things seem easy enough, but even the simplest plans can go awry.

Directed by actor/writer/director/producer Raoul Walsh, High Sierra is a rich, tense noir crime drama based on a novel by W.R. Burnett and adapted for the screen by Burnett and legendary director/actor/writer/producer John Huston. Bogart really adds depth to his character of Roy, presenting the duality of a seemingly cold-blooded killer who has a soft side. That certainly doesn't mean he's soft, especially when someone gets in the way of his plans. Presented is a character who knows his time is past, and is looking to make his way out, and having thoughts of a future that will never be...and then settling for less than he hoped for, not realizing that maybe that was even too much to hope for...the supporting cast was wonderful, but I found the sort of pseudo comic relief of the character Algernon, a black worker at the fishing camp Roy and his small gang hole up before the score, played by Willie Best, a bit awkward. At the time, it was probably more acceptable, but the stereotyping may chaff contemporary audiences. A minor point, but one I hope wouldn't sour potential viewers from seeking out this film. I just try to understand it for what it was and is, a form of ignorance that has, hopefully, long since past. Best to acknowledge it happened and move on. What I found really interesting was how the noir concept was flawlessly transplanted from dark city streets to the majestic Sierra mountains on the Neveda /California border. Another thing I really loved was the snappy exchanges and use of gangster colloquialisms. The dialogue zings along, just adding a real element of fun to the movie, despite the drama nature of the material.

The picture quality here is beautiful, and the audio sounds wonderful. I was also pleased to see an excellent featurette called "Curtains for Roy Earle", which talks about how Bogart got the role in the movie, his minor skirmish with the House Un-American Activities Committee (HUAC), and the film in general. Also included is a theatrical trailer for the film. If you're a fan of Humphrey Bogart, High Sierra is a must see film. If you like good movies in general, you won't be disappointed here. While the role of Roy `Mad Dog' Earle may not be the one most remember Bogart for, it certainly confirmed his status as an actor in every sense of the word, and served well to showcase his talent and made him a star. Another film soon to follow, The Maltese Falcon (1941) took the star and made him a legend.

Cookieman108

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It's the holidays so what better thing to do than package up previously released films and a couple of previously released older Bogart classics? Warner has done a good job here combining two of Bogie's finest films "Casablanca" and "The Treasure of the Sierra Madre" along with "They Drive By Night" and Bogie's starmaking performance as bad guy Ray earle in "High Sierra" (perhaps a sense of humor as well from those who combined this with "Sierra Madre" where Bogie plays a very different iconic role).

John Huston may be America's most consistently brilliant filmmaker. That's saying a lot considering the competition but Huston the son of actor Walter Huston tackled a number of genres with intelligence, a cynical wit and a sharp eye for human behavior. John Huston began as a screenwriter with one of his first jobs working on "Murders in the Rue Morgue" for Robert Florey in 1932 (that's not counting his many appearances as an extra in his father's films). By 1941 he found himself in the director's chair for the first of many collaborations with Humphrey Bogart in "The Maltese Falcon".

"The Treasure of the Sierra Madre" was only Huston's sixth credited film as director and it still stands tall in his 47 film career as director. The story of three men in search of gold in the mountains of Mexico and how greed and paranoia overwhelm the three men (Bogart, Walter Huston and Bruce Bennett) contributing to tragedy sounds like something that should be a folk tale warning of how gold can bring out the worst in a man.

"Sierra Madre" and "Casablanca" both look terrific with crisp, sharp looking images. Warner has done a superb job of cleaning up both these classic films. "Sierra Madre" doesn't look quite as good as "Casablanca" with sections that are grainy, white spots and other minor analog imperfections but on the whole looks quite good. The grainy quality of the film in a couple of scenes doesn't surprise me given some of the location photography and the occasional use of telephoto shots where the picture is a bit unsteady. Overall "Casablanca" wins this contest in terms of looks but it's somehow appropriate that "Sierra Madre" looks a bit rough around the edges given the cynical nature, location photography and a feeling as close to naturalistic as Hollywood could do at the time. Considering how old the film is I personally feel it looks extremely good in this deluxe edition from Warner.

"Casablanca" actually looks better. Digitally cleaned up with a superior negative used for this edition it's one of the sharpest looking older films I've seen Warner put out. Audio for both films sounds extremely good doing justice to the musical scores for each film and features clear dialogue.

"High Sierra" was originally released to DVD in a single disc edition in 2003. This is exactly the same release as before. Warner released a top notch transfer for 2003 and it still looks extremely good three years later. Audio has considerable punch.

"They Drive By Night" gets a very nice transfer as well. Again it was previously released in 2003 and it's a minor gem from director Raoul Walsh. Audio sounds fine here as well with dialogue presented very clear.

The 2003 releases have two short but informative featurettes that Warner put together for the original snapcase releases back in 2003. Both are extremely good and worthwhile to watch. "Casablanca" actually has all the same materials that I reviewed in 2003 (although I can't find the link for some reason) so I'll briefly provide highlights of this set. We get a TV adaptation of the film which was produced in the 50's. It's most notable for reminding you how great the movie is. It's comparable to watching a high school production of a Broadway play you've seen. The documentary on Bogart which is narrated by Bacall Bogie's romantic lead in film and life provides an excellent if superficial background. There's no dirt but that's not a surprise. Warner cartoon short "Carrotblanca" a somewhat anemic spoof of the film shows up here as well with Bugs playing Bogie and various Warner characters filling the other character roles. A solid documentary is also included on the making of the film and deleted scenes (without the audio) which was recently discovered.

"Treasure" has lots of great stuff buried on the second disc and some fool's gold as well. The older documentary on Huston narrated by Robert Mitchum is a gem and while its not warts and all it's about as close as you're likely to get in the way of a kiss and tell biography on film about this legendary hell raiser. The second on the making of the film features some nice interviews and trivia but isn't quite what I had hoped. It's not bad just doesn't have as many gold nuggets as I expected. We also get a Bogie trailer collection, along with "8 Ball Bunny" which is a classic and funny short that references the film (Faux Bogie: "Excuse me could you help a fellow American down on his luck?" Bugs: "Hit the road!"). We get a Warner Night Out hosted by Leonard Maltin with lots of cool stuff that you might have seen if you had attended the theater to see this when it was released. Finally we get a collection of photos, a radio broadcast of "Treasure" featuring Bogie and Walter Huston, a second cartoon, storyboards and behind-the-scenes photos.

Bottom line: If your film fan hasn't purchased these separate this is a great set. However if you did buy any of these titles individually I should warn you there's nothing here that's new. Unlike the second Bogie set which does have some films that hadn't been released to DVD before (the gem in that set is "The Maltese Falcon" in a three disc special edition but there are also some worthwhile Bogie gold in that set as well. There's no fool's gold but as with any set the quality of the gold will vary).

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This film in many ways is the culmination of the Golden Age of the gangster film. At the same time it is the true beginning of Humphrey Bogart's star career. After a string of gangster films in the thirties, all demonstrating graphically that crime really didn't pay, we get this great film, in which it not only doesn't pay, but doesn't lead to happiness, either. Unlike most of the great gangster characters of the 1930s, Roy "Mad Dog" Earle has an atypical degree of complexity and depth. He is tired of his life, and would like to very much live a different one. He meets two women, one who is a product of the kind of life he would like to escape, and another, who is young, innocent, beautiful, and a symbol of everything he would love to rediscover. Much of the movie's power and poignancy derives from these dual relationships, as he realizes the life he would like to have is denied him, while at the same time not valuing the love of a woman who doesn't represent a new way of life, but who nonetheless truly and genuinely cares for him. It ends a tragic love triangle.

The movie features a host of superb actors from Warner Brothers stable of contract players. The always-underrated Ida Lupino (who was also an accomplished director of "B" pictures) excells as Marie Garson, while 16-year-old Joan Leslie is perfect as the young, innocent girl Roy Earle wants to help. The rest of the cast is filled by such superb character talents as Henry Travers, Arthur Kennedy, Jerome Cowan, Henry Hull, Barton MacLane, and a very young Cornel Wilde.

The other thing that really makes this film stand out is the remarkable on location scenes in the Sierra Nevada Mountains. Almost all gangster films of the thirties were shot entirely on movie sets, and very, very few were shot outdoors. In this one, numerous scenes were shot in various locations in the Sierra Nevada Mountains and elsewhere, and this lends an atmosphere unique to the era. Also, setting it in California rather than New York or Chicago enhances the story. The final, climatic scenes with Bogart trying to escape from the police by heading into the mountains is a classic.

Bogart went on to make more gangster films in his career, most notably THE DESPERATE HOURS, but in many ways this film signaled the end of the Golden Age of the genre. Although up to this point his career had primarily consisted of portraying gangsers, henceforward he would more often be associated with detectives or men of action. A great film in every way.

Honest reviews on High Sierra (1941)

this is one of Bogart's earlier great performances which aided in launching his career to the legendary performances he became most renowned for. this is the classic 'gangster with a heart' Bogart. it is an absolute must for any Bogart fan.

as for the DVD,excellent picture and sound. also included is a short duocumentary entitled "Curtains For Roy Earle".

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t's hard to imagine Humphrey DeForest Bogart as something other than a movie star. Yet for ten years, he treaded water in supporting roles, spending much of that time doing imitations (albeit good ones) of his memorable Duke Mantee performance from The Petrified Forest.

And then came High Sierra and everything changed.

Before America had other things to worry about (ie: Adolf Hitler), it was still working out its love/hate relationship with pseudo-Robin Hood, depression-era hoodlums (John Dillinger and the like). By 1941, Warner Brothers had practically cornered the market deifying and demonizing these "angels with dirty faces." Raoul Walsh had humbly served the cause in his previous The Roaring Twenties; here, he directs Bogie in the role of existential anti-hero Roy "Mad Dog" Earle. It would be a defining film in the transition from the James Cagney-style gagster pictures to the dawning era of film noir (which Bogart would come to define).

Newly-released from prison, Roy has a debt to settle with the crime boss to whom he now owes his freedom payment, as it so often does, comes in the form of one last score. There's apparently thousands of dollars of jewelry in need of stealing and no one but Roy qualified to make sure it gets done right. Per custom, things do not go according to plan as Bogie falls in love (twice), people get shot, and our Mad Dog faces destiny on the doomed high sierra from which the film takes its title.

It's not a great film. Bogart talks in his sleep during a crucial scene, which is probably the most overused narrative cheat in the history of celluloid. Man's best friend figures much too prominently and awkwardly in the plot as a literal harbinger of doom (both the film's "dogs" are cursed); additionally, there some "I'se be catchin' ma feets nah, Boss" style racial stereotyping that is just plain embarrassing.

There are some great moments, though. Earle's emotional castration at the hands of the formerly club-footed Velma (Joan Leslie) is painful to watch (an aside: Bogie would later revisit this device the transformative power of miracle surgeries in Dark Passage; it's worth rememberinh that Bogie's father was a successful surgeon and rumor has it Bogart himself had botched surgery on his lip after an incident in the navy). Bogart, consistently sympathetic notwithstanding some unsavory violent acts (no easy feat) is always a pleasure to watch it's easy to forget how ground-breaking his naturalistic performances were at the time...until you watch some of his co-stars ham it up with the overly-theatrical line delivery popular at the time.

Thankfully, they're not the show Bogart is, despite getting second billing under co-star Ida Lupino. In the same year, Bogie would re-team with the writer of this film John Huston for the iconic director's first feature, the noir classic The Maltese Falcon. A year later, Bogart and Michael Curtiz got together in Casablanca, and the rest, as they say, is history.

Interesting footnote: Walsh, Bogart, and Lupino previously collaborated on the schizophrenic They Drive By Night, probably best known for Lupino's bizarre courtroom outburst "the doors made me do it." Incidentally, Ida Lupino was somewhat of a trailblazer for female directors. Only the second woman to be admitted into the DGA, her 1953 film The Hitch-Hiker is considered a minor classic of film noir. It has been chosen for preservation by the National Film Registry.