Showing posts with label Home. Show all posts
Showing posts with label Home. Show all posts

Monday, June 16, 2014

Cheap Money From Home (1953)

Money From Home
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This is the first Dean Martin and Jerry Lewis film to be released in color. Additionally, upon the original release, it was 3D.

The film takes place in the 1920s and revolves around the racetrack (horse racing, that is). These sorts of films were popular in the 1940s and 50s and Martin and Lewis were trend setters. Like many of their previous and forthcoming works, this movie is not only loaded with humor, but music and song as well.

This marks the release of fifteen out of sixteen Martin & Lewis films on DVD. The last one we're waiting for is "Three Ring Circus". I also hope more Jerry Lewis titles are on the way, we still need: "Visit to a Small Planet", "Who's Minding the Store?", "Rock-a-Bye Baby", "Hardly Working", "Cracking Up", "Which Way to the Front", and others.

I am happy to report the quality of this DVD is excellent and licensed through Paramount.

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For reasons unknown (to me), Paramount's DEAN MARTIN & JERRY LEWIS COLLECTION VOLUME TWO does not include MONEY FROM HOME and 3 RING CIRCUS. Both films are among the team's lesser efforts, but it still would have been nice if they had been a part of this set. Now MONEY FROM HOME has been released as a separate disc, as per Legend Films' licensing deal with Paramount. This is good news for M&L diehards, who will want to add this title to their collection.

Originally photographed in 3-D, MONEY FROM HOME (1953), the team's first film in color, places suave Dino and screwball Jerry in the 1920s world of horseracing, Prohibition, and gangsters. While several set-pieces garner chuckles and smiles, they fail to deliver the sort of huge belly-laughs found in other Martin & Lewis pictures. One major exception is a sequence in which Jerry frantically lip-synchs to Dean's rendition of "I Only Have Eyes For You." It's a brilliant bit of pantomime. If only more passages had been up to this level.

MONEY FROM HOME is a pleasant if forgettable trifle, and if you`re already a Martin & Lewis addict, then you`ll enjoy this outing much more than an average viewer will. If the sight of Jerry masquerading as a harem girl sends you into uncontrollable hysterics, then this is a movie tailor-made for your tastes.

Kids will probably get a big kick out of this film, so if you're judging this entry as family-friendly fare, you may rate it higher than I do. However, the aforementioned MARTIN & LEWIS COLLECTION VOLUME TWO -which contains LIVING IT UP, YOU'RE NEVER TOO YOUNG, ARTISTS AND MODELS, PARDNERS, and HOLLYWOOD OR BUST -provides superior examples of Dean and Jerry's brand of comedy and song.

Technically speaking, this DVD transfer is first-rate, with breathtaking color values. Paramount made some of the most visually stunning Technicolor movies of the 1950s, and this one is no exception. But there are no extras. Not even a measly theatrical trailer. If they didn't have one for MONEY FROM HOME, you'd think they would have included other Martin & Lewis trailers instead. (A trivial note: The back cover includes a shot of Dean and Jerry with Donna Reed from THE CADDY. Is there a shortage of MONEY FROM HOME photos?)

So now that MONEY FROM HOME has been released, where is 3 RING CIRCUS? I think it`s the weakest of the 16 feature films Dean and Jerry made together, but I would still like to see it on DVD.

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I have been waiting a very long time for this movie to come out. I actually called Paramount Studios about 2 1/2 to 3 years ago to ask them if it would ever be out on dvd. The gentleman told me that around June of I think '06 it would be packaged with some other movies from Dean Martin and Jerry Lewis so to watch for it. It was advertised just as he said so my husband bought the group for me for Christmas. The package was miss-marked with the right title but wrong movie. I kept the pack anyway because I love Dean Martin and Jerry Lewis movies. I just kept waiting and watching. I decided to check recently and there it was on Amazon in a single dvd. I knew Amazon would come through for me. I got the movie and loved it just as much as when I first saw it. My 13 year old loves it too. Very funny. So happy. See ya.

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OMG!!! I love Jerry Lewis and Dean Martin. It was great that I could get this movie as I have started a collection of Jerry Lewis movies. Love it!!!

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This is one of the better Martin and Lewis movies. If you like slapstick you'll get it here.My 12 and 9 year old's laughed their hearts out on this one. Very clean and funny.

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Monday, March 24, 2014

Best Star Trek IV: The Voyage Home (Remastered) (2010) Deals

Star Trek IV:  The Voyage Home
Customer Ratings: 4.5 stars
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With many fans disappointed following the release of the third "Star Trek" film in 1984, "Star Trek III: The Search for Spock", Paramount Pictures produced one of the best "Star Trek" films of all time in 1986: "Star Trek IV: The Voyage Home". Returning to the director's chair for what was only his second directorship of a big-screen motion picture was Leonard Nimoy, but this time, Nimoy had much better material to work with from the films many writers. Nimoy (who actually took on-screen credit for writing) worked with returning writer Harve Bennett to write a brilliant story, and Bennett worked on the screenplay along with three additional writers: Steve Meerson, Peter Krikes and Nicholas Meyer (who directed the highly successful "Star Trek II: The Wrath of Kahn" in 1982). Under the watchful eye of Gene Roddenberry, these men were able to recapture the spirit of the original "Star Trek" television series more than any other preceding or proceeding "Star Trek" film.

Having restored Spock's (Leonard Nimoy) life via the Genesis planet and a return to the planet Vulcan during the third film, the crew of the lost U.S.S. Enterprise now waits on Vulcan for repairs on their captured Klingon scout-class ship, as well as for Spock to retrain his mind, before returning to Earth to face various charges for having disobeyed orders. The crew includes Admiral James T. Kirk (William Shatner), Dr. Leonard 'Bones' McCoy (DeForest Kelley), Commander Montgomery 'Scotty' Scott (James Doohan), Commader Hikaru Sulu (George Takei), Commander Pavel Chekov (Walter Koenig) and Commander Uhura (Nichelle Nichols). The Klingons are also very angry with Kirk as expressed by the Klingon Ambassador (John Schuck) to the Federation President (Robert Ellenstein) in front of the full Federation Council, but the cool logic of Vulcan Ambassador Sarek (Mark Lenard) prevails. While on Vulcan, Spock gets to spend time with his human mother, Amanda (Jane Wyatt, who once played his mother in the 1967 "Star Trek" television series episode "Journey to Babel"). Also, a brief appearance is made by Lt. Saavic (Robin Curtis), who unfortunately never returns in any other "Star Trek" film. With their Klingon ship ready for departure, Spock and his Enterprise shipmates begin their voyage to Earth; but unknown to them, a bizarre space probe also en route for Earth has been wreaking havoc on any ship that approaches it. Arriving at Earth first, the probe turns Earth's atmosphere into chaos as it waits for a signal that the Federation cannot discern. Receiving a planetary distress call from Earth, Spock identifies what the probe wants: communication with long extinct whales. To save Earth, Kirk makes the decision for them to travel back in time to bring back whales to the present.

"Star Trek IV: The Voyage Home" has more memorable scenes than could be mentioned here, but some of the best include: McCoy's conversations with Spock, the crew on the streets of twentieth-century San Francisco, Uhura and Chekov looking for nuclear vessels, McCoy and Scotty visiting the production facility, Kirk & Spock on a city bus, Kirk & Spock's conversations with Dr. Gillian Taylor (Catherine Hicks), Kirk's dinner with Gillian, and McCoy with Kirk & Gillian at the city hospital. Everyone's acting (including Shatner) was very good for this film, but what makes this film stand out from the rest is the emphasis on all of the original crew members. Each of the crew members have time on screen, contribute to the story and have a reasonable amount of dialog. Other familiar "Star Trek" characters have cameos in the film: Dr. Christine Chapel (Majel Barrett) and Janice Rand (Grace Lee Whitney). Another cast member in this film who later plays a pivotal role in the sixth "Star Trek" film is Admiral Cartwright (Brock Peters).

Overall, my rating of for "Star Trek IV: The Voyage Home" is a resounding 5 out of 5 stars. This film, along with the 1982 film "Star Trek II: The Wrath of Kahn" and the later 1996 film "Star Trek VIII: First Contact", are the three best films ever made of the franchise; but this film will always stand out as being the most humorous, having the best & most memorable dialog and having the greatest spirit of the three. I highly recommend it to everyone who, in any form, has liked "Star Trek".

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Star Trek IV The Voyage Home, in my opinion, is clearly one of the best out of the TOS six. Although not as high in the suspense aspect, like Leonard Nimoy says, it was good to lighten up a bit and have a good time with Star Trek. While other reviewers might feel the humurous aspects of this film wearout after repeated viewings. I understand that statement, but don't feel the same. I can still get a laugh out of these scenes even though I've seen them more times than I can remember. I especially love the scene with Scotty being handed a mouse and him trying to talk to it. Again, one of the best Star Trek films out of the original six. If you're one of the few people who've not seen this or are new to the genre, I definitely suggest you add this DVD to your collection.

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Who cares if it's the best Trek movie or not? If you've been watching the special features on the past three special edition DVDs, you know that the best part of them is Shatner's comments on the movies. He's a nutbar and immensely entertaining because of it. I can't wait to hear him on a commentary track for the whole movie. That's why I'm going to buy this thing. And that's why I can't wait for the special edition of the next one (IT'S THE ONE HE DIRECTED HIMSELF!!!). This is a must own for anyone with a morbid sense of humor and curiosity.

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I was completely astounded by the quality of this DVD. This is the first time Paramount has used a dual-layered disc for the "Star Trek" films. The quality is 2 times better than the other Trek DVDs because they use 2 times the data. It's unfortunate that Paramount didn't have the foresight to use dual layered discs for their other Trek DVDs. Popping this DVD in the player was like watching the movie for the first time. The sound quality and picture quality is absolutely flawless. The quality of the transfer is remarkable. I've been use to watching the film on fuzzy VHS and poor quality broadcasts, so this was an exciting discovery for me. I can't wait for the ST III to come out on DVD, I'm sure the film quality will also be a big improvement. Go buy this DVD, you haven't seen this film until you buy it.

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Star Trek IV Review

With the success of Star Trek III: The Search for Spock, writer-producer Harve Bennett and director Leonard Nimoy were given the green light by Paramount to wrap up the storyline that began with Star Trek II: The Wrath of Khan. There were several plot strands left to tie up, after all, what with Spock having to be re-educated and Kirk and his crew facing a court-martial for the actions they took in the rescue of their half-Vulcan comrade.

Set barely three months after the events of the third film, Star Trek IV opens with a mysterious alien probe cruising toward the Terran system. Its passage immobilizes any starship it passes as it inexorably makes its way to Earth.

Meanwhile, on Vulcan, Spock (Leonard Nimoy) hurriedly undergoes retraining of his mind. In a wonderfully written scene, the former Enterprise science officer breezes through the quizzes a computer tosses at him until he is stumped by the question "How do you feel?"

Spock's human mother, Amanda (Jane Wyatt, reprising her role from The Original Series' "Journey to Babel") hears the computer repeating the question over and over and sidles over to her son. "What's wrong?"

"I do not understand the question, Mother," says a puzzled Spock.

Amanda explains that the retraining of Spock's mind has been in the Vulcan way, but that the computer knows that Spock is half-human, and that his feelings will surface. Spock is skeptical about the concept of having human emotions (since in the series he strived to be more Vulcan-than-thou), but his mother explains that he is alive at that moment because his friends acted out of their emotional nature, disregarding the "logic" of simply obeying Starfleet orders and refraining from fetching Spock from the Genesis planet.

On Earth, the Klingon ambassador (John Schuck) warns the Federation that there will be no peace while Kirk remains alive and unpunished for stealing the Klingon Bird-of-Prey and defeating its crew (preventing Cmdr. Kruge from obtaining the secrets of Genesis). The Federation president promises there will be a court martial, but the Klingons scoff at this.

Even as the Enterprise crew aboard their stolen Klingon vessel races home to face the consequences of their actions, the alien probe arrives. Sending a signal to Earth's ocean, it disrupts the planet's climate, causing chaos and world-wide disasters.

The Voyage Home had a tortuous development. At first, the original screenplay by Peter Krikes and Steve Meerson focused on a time travel story tailor-made for guest star Eddie Murphy. Fans heard about this and as with the death of Spock and the destruction of the Enterprise protested. Paramount also resisted the idea of mixing two of the studio's franchises, so Murphy and Star Trek never did mix. There was also some nasty behind-the-scenes wrangling about the screenplay, because the Krikes-Meerson version was heavily rewritten by Nicholas Meyer and Harve Bennett an incident overlooked in the documentaries and commentaries. Eventually the original writers won shared credit for the screenplay, and The Voyage Home was released in the summer of 1986. Notably, this more light-hearted film had major crossover appeal, charming not only Star Trek fans, but also wider audiences.

With its clever script and wonderful mix of sci-fi adventure, social commentary, comedy, romance, and drama, Star Trek IV became the most popular entry of the 10 movies made between 1979 and 2002.

This Collector's Edition offers one disc with the theatrical cut of the movie, enhanced with a new menu, Dolby surround sound, a commentary track by director Leonard Nimoy and actor William Shatner, plus a text commentary by Star Trek Encyclopedia authors Mike and Denise Okuda. The second disc comes with the usual documentaries, interviews, and the theatrical trailer.

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Friday, March 21, 2014

Discount Digital Video Essentials: Optimize Your Home Entertainment System

Digital Video Essentials: Optimize Your Home Entertainment System
Customer Ratings: 3.5 stars
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If people would just search around on the internet...

It took only a few minutes to find the link to the manual.

Here is a link to a 69 page manual for DVE in PDF format.

I have not read it all yet. But seems to give detailed descriptions of navigation (still not the smoothest) and

descriptions of how to use the test patterns.One more link I found, explains a little simpler the "basic" adjustments. It's a review from Audioholics, but talks about and shows what the test patterns should look like after adjustment.There also is a page one... that talks about Audio

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The successor to the original Video Essentials was a long time coming. The new version suffers from the same flaws as the original: poor layout and access on the disc, very poor explanation in the narration, almost non-existant explanation in the liner notes, and consequently difficult-to-interpret test patterns. The narration is at times pompous and unduly technical--who is he trying to impress? I suppose that if you are already a set-up technician, none of the above matters, but I consider myself to know more about the technical side of audio and video than most consumers and had a very hard time making sense of even the basic adjustment instructions.

Just a few for instances involving the basic test patterns for adjusting brightness, contrast, color, and hue: the narration is terribly unclear as to whether proper adjustment leaves the outermost black bars on the pluge-plus-bars pattern just barely visible or not. Then, after the narration tells you that the pluge pattern is not useful for adjusting non-CRT displays such as my plasma, it does not immediately follow the pluge with an appropriate pattern for adjusting non-CRT screens, referring the user to another chapter for discussion of that. When you get to that other chapter, the explanation of how to use the ramped gray scales is amazingingly ambiguous; for one thing, the reference to the 100% points is unclear because the ramps are not labeled. Then, on the new test pattern used on DVE to adjust color and hue, there is no explanation as to which of the bars and patches are to be adjusted for color and which for hue--again a lack of on-screen labeling or narrative explanation.

...

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First let me say that I consider myself to be an "intermediate audiophile". I have 4 complete A/V systems in my home (2-5.1, 1-6.1 & 1-7.1 systems). After purchasing a 65in. HDTV and running across this product on-line by chance,I figured...what the heck? Well, just got it/watched it today. The commentary part is basic stuff that most folks know. Then...you get several audio (followed by video) test tones and patterns thrown at you. I know about pink noise, white noise etc., but like several other reviews, "Where the heck are the instructions on what to do with them ? I know the basics of the audio tests, but I feel bad for anyone else who isn't "into" this stuff. What were these people thinking ? (I promptly e-mailed DVD Int'l with these same comments/questions and hope to get a response and reasonable explanation. The only review I read before buying exclaimed "easy to navigate". Like other reviewers stated....this product is terrible to navigate through.

I'm not very keen on any of the video patterns. The "gray color" card....What the heck do I do with it ??? What the heck do I do with ANY of the video test patterns ? Do I adjust my dvd player ? TV ? It really aggravates me that they leave you hanging out there with no explanation or instruction. I'm sure this disc is pure gold to a technician or professional set-up folks. However, while I would venture to say that I know about ten times more about A/V systems that most of my friends, watching this disc left me feeling like an idiot. In my e-mail to the company I even said "Just tell me I'm an idiot and completely missed a section/chapter...I can deal with that". I decided to come to this site to see what others had to say. I now see that I'm certainly not alone. I would even venture to guess that some of the "pro" review folks might be a little less than forthright when claiming how great this disc is. Either trying to stroke their own egos or they're certainly waaaay ahead of this humble soul. Maybe I'm just getting old :-). For the guy who said his Yamaha A/V system wouldn't read the supposed DTS....you need to get it checked. It is in DTS.

Well, I've always been VERY pleased with my current systems, but I'm always open to any possibilities to make them better. I did learn one thing ! I never really thought about the color of the wall behind the screen. However, my main system doesn't need/want any ambient light around or behind it so it's a moot point ! :-) I guess I'll go back and watch it a few more times. Maybe something will click.

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After spending two hours with this disc, I have succeeded in adjusting a total of three settings on my TV: Brightness, Color and Sharpness. Has there been an improvement in picture quality? Perhaps; it's a little early to say.

But what's undeniable is that the vast majority of information on this disc is useless to me. It's worth pointing out that, although the introduction mentions modern flat-panel TVs (this disc came out in 2003), all of the tests and information on the disc are actually geared towards CRT or projector TVs. That might have been appropriate five years ago, but even in 2003, plasma and LCD sets were starting to make an appearance and it should have been obvious to a supposed professional like Joe Kane that they were going to become a big presence in the home theater market.

Nonetheless, I followed the advice of those who rank this disk highly, and was prepared to sit down and watch the program from the beginning, since there aren't actually any printed instructions included with the DVD. For the first section -basic adjustments -the video was very good; everything was explained clearly, and then I was presented with a test pattern with which to adjust my set.

Unfortunately, once I got past the basic adjustments, everything changed. Instead of continuing with the "explain/test pattern" paradigm, the program became nothing but a series of explanations, with no "break" for the user to configure his set based on the information he was just given.

To give you an example: In the basic section, there are instructions for how to adjust the contrast on your set, but they are only useable if you have a non-HDTV, because they depend on seeing the scan lines on the screen. The user is told that if he doesn't have a CRT TV with visible scan lines, he will be given instructions on how to adjust the contrast in the "troubleshooting" section. In the troubleshooting section, we are given a lot of talk about high-scan-rate CRTs and projector TVs before we finally get to the test pattern. Here, reproduced for your edification, are the complete, verbatim instructions on how to adjust your contrast (I have attempted to upload a screen capture of the test pattern in question which may or may not make any of this more comprehensible):

[EDIT]I've decided to re-type this section to give it a little more impact. It seemed a little hard to read with everything mashed up together.

So, first, I'm presenting, verbatim, the instructions you're supposed to use to adjust the contrast. Then, below that, are my comments, based on my reaction as I watched the video and attempted to follow the instructions.

"In the cases where the brightness control moves the entire video signal up and down within the dynamic range of the digital processor, and the contrast sets the distance between black and white, we need to start by turning the contrast down below the 50% point. Raise and lower the brightness so you'll see the dark parts of the ramp come and go. Set the brightness so that video at black[?] just disappears into the background of the image. Now, increase the contrast control while looking back at the dark parts of the picture for a shift in black level. Reset the brightness control as this shift begins to take place. Gradually increase the contrast, re-setting the brightness control as needed, to a point where the white begins to clip above the 100% marker."

Here are my comments on this section:

"In the cases where the brightness control moves the entire video signal up and down within the dynamic range of the digital processor, and the contrast sets the distance between black and white, we need to start by turning the contrast down below the 50% point."

[How do we determine if your TV even has the brightness and contrast controls described?? Who knows; let's plow ahead anyway!]

"Raise and lower the brightness so you'll see the dark parts of the ramp come and go."

["Come and go"? What is that supposed to mean? The dark parts are dark. They get darker and lighter depending on the brightness control, but they're always part of the image. How is the amateur user supposed to make sense of an imprecise description like "come and go"? And when are we supposed to stop adjusting the brightness? When the dark parts "come" or when they "go"?]

"Set the brightness so that video at black ... "

[Huh? What does "video at black" mean? I wasn't even sure what the narrator was trying to say until I listened to this sentence five or ten times. Is "video at black" different from "black portions of the screen"? What's with all the vague language all of a sudden?]

" ... just disappears into the background of the image."

[Again, I have no idea what this is supposed to mean. I don't even know which part of the image is supposed to be the "background". The black parts of the pattern are black. What is the fine distinction that is supposed to indicate that the "video at black" has "disappeared into the background"?]

"Now, increase the contrast control while looking back at the dark parts of the picture for a shift in black level."

[A "shift in black level"? Again, what is that supposed to mean to an amateur?]

"Reset the brightness control as this shift begins to take place."

[Reset it how? Brighter or darker? And how do we know when we've adjusted it enough, in whichever direction we're supposed to be adjusting it?]

"Gradually increase the contrast, re-setting the brightness control as needed, to a point where the white begins to clip above the 100% marker."

[The white begins to "clip"? What on earth does that mean? I know what "clipping" means in an audio amplifier, but how am I supposed to know if a color is "clipping"? And what the heck is the "100% marker"? There are no text markers of any kind on this test pattern!]"

To make matters worse, at the end of this long-winded, quickly-read set of instructions, we are not given a test pattern to work on! I finally figured out that I was supposed to listen to the explanations, then (I guess) jump ahead to the "reference materials" (after having memorized the instructions) and find the test pattern that I needed, then jump back to wherever I was in the "Troubleshooting" or "Advanced Settings" section. Not only was this extremely tedious, given the poorly-designed menus on this disc, but the explanations became increasingly long-winded (and decreasingly helpful) as the disc went on.

As we get into the "Advanced Instructions" section, we are given an extremely detailed (and tedious) description of how television standards determine the proper value for "grey", but no more than ten seconds' worth of useful information on how to adjust this on our sets (it basically boils down to "use this settings if you're watching color, and a different setting if you're watching black & white"). By the end of the video, the author has given up on giving us any calibration information at all, and simply recites information on component output, MPEG encoding, interlaced and progressive video, and similar subjects that are covered in much more informative treatments on the internet.

Once the program is over, you are left with dozens of test patterns and test videos on the disc without a single shred of information on how they were intended to be used. I counted fifty different test patterns that have no explanation whatsoever, plus a series of audio/video "Demonstrations" that, again, come without any description of what the user is supposed to be looking for.

I've come to the conclusion that in spite of the DVD case copy describing this disc as "the 'TV Guy' of the 21st Century', most of the material contained on this disc is, in fact, intended for use by a trained professional, and not an amateur TV owner. The numerous references to hiring a professional to calibrate your TV -and the convenient link to a website where you can do so! -reinforced this impression.

Finally, my review would not be complete without describing how extremely poor the menus are. The narrator takes great pride in pointing out (during the introduction) that you can always get back to the main menu (even if your remote doesn't have a "Title" or "Top Menu" button) because there is always a "Program Menu" link on every sub-menu.

In fact, this is a lie. There are actually two or three levels of sub-menus, and some have the "Program Menu" and some don't. In some cases, the first page of a sub-menu section has the "Program Menu" link and the rest don't. On the ones that do, the "Program Menu" link takes you back to the very top of the menu structure, so you then have to drill through a confusing series of options ("DVD Navigation", "Program Guide", "Title Index", etc.) to get back to where you were.

Astonishingly, there is even one option ("DVD Navigation") where clicking on the link takes you to a video that LOOKS LIKE a menu! So you literally can't tell (until the narrator starts speaking) whether you are watching part of the video or looking at a menu.

Unfortunately, that's all-too-typical of the confusing approach and lack of attention to detail that characterizes this entire product. I own a state-of-the-art LCD TV set and high-quality DVD player and maybe 2%-5% of this DVD is actually useful to me. I'm wishing I had saved my money until a new version of Avia comes out.

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This DVD can be very useful, either to let you adjust your system or at least to let you know that it is working well, but it is dreadfully difficult to navigate and use. For example, if you lost that color setting in your projector, it is near impossible to get back to the part of the DVD with the test pattern you need to reset, and then painful to get the instructions on what exactly to do in the adjustment sequence... you knew it once, but need a quick reminder... no chance. There are things it does not cover (why do some menu picks blank on certain format/source combinations?), but in the main most of the content you need is there, just organized clumsily and delivered tiresomely.

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Tuesday, January 7, 2014

Cheap Long Voyage Home (1940)

Long Voyage Home
Customer Ratings: 4.5 stars
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If this is the movie I think it is (in how many movies did Johh Wayne have a Swedish accent?), it wasn't but a few years ago when I got a chance to see it from beginning to end as an adult.

When I think of this movie, there is one scene that stands out from all the rest; and it is the haunting musical score that caused this. The scene, as I said, is quite simple. We see nothing but the ship itself leaving a dock in the harbor at night. And then the music "Those Harbor Lights" begins in what strikes me as a bitter-sweet tone building gradually during its short duration in such a fashion that it left me feeling almost empty, desperate, hopeless, helpless for want of better adjectives. I had heard that tune many times over the years but never as so hauntingly and piercingly as it was performed in that movie and without words, too! It turned out to be one of those tunes that once it entered my head would bounce around and around taking me days to finally purge it from my system.

Not too many movie scenes have affected me this way.

I highly recommend this movie for this scene alone. To me it is a different type of John Ford movie, but with top-notch acting, including Thomas Mitchell, Barry Fitzgerald, Barry's brother Arthur Shields, and John Wayne (and with a Swedish accent in the bargain!). A real joy to watch.

Enjoy!

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The Long Voyage Home is yet another film featuring John Wayne and director John Ford, and though it may be very different from the other movies the duo made, it is as good, if not better, than some of their other collaborations. In the early years of WWII, the SS Glencairn, a freighter in the Atlantic, receives a shipment of ammunition to transport to England from the West Indies. The ship must then sail through the dangerous waters of the Atlantic, hoping to not run into German subs. This simple plot is very much secondary to the real storyline, the lives of the crew of the Glencairn. Over the course of the film, the viewer comes to know all of the crew pretty well through four separate stories from writer Eugene O'Neil; a party with local girls on the boat before setting sail, the accidental death of a crewman during a storm, a possible German spy posing as one of the crew, and the efforts of the crew to get one of their own on a boat home after the Glencairn docks. Don't go into this movie expecting action, it is a character driven movie with many great scenes of dialogue that lets the cast do their thing. It might not be your typical John Ford and John Wayne teaming, but The Long Voyage Home is a worthy addition to any fans of the director/star combo.

While John Wayne gets top billing, he really has a somewhat smaller supporting part. Wayne plays Ole Olsen, a Swedish sailor trying to save money to get back home to Stockholm. The Duke pulls off a good Swedish accent, and does an excellent turn overall in his supporting part. The star of the movie is Thomas Mitchell as Aloysius Driscoll, "Drisk" to the crew, a veteran Irish crewman who stands as the crew's leader through the movie. Ian Hunter is also very good as Smitty, an educated man who comes under the suspicion of the Glencairn's crew. The rest of the crew is a who's who of John Ford stock company actors including Barry Fitzgerald as Cocky, John Qualen as Axel Swanson, Ward Bond as Yank, Arthur Shields as Donkeyman, Joe Sawyer as Davis, and Jack Pennick as Johnny Bergman. The ensemble cast works perfectly together and holds the movie together through the four episodic storylines.

The DVD only offers one special feature, a featurette called "Serenity at Sea: John Ford and the Araner," which has some home movies of Ford on his personal ship. The B & W presentation looks really strong overall for a movie made almost 70 years ago, and shows what a good job cinematographer Gregg Toland did in shooting the film. So for a good ensemble character study that is beautifully shot and all builds to a surprising ending, check out The Long Voyage Home! John Ford and John Wayne fans will not be disappointed!

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Although a slow paced movie, there is an underlying tension as everyday life of merchant sailors as they labor and die to deliver crucial supplies as war rages far away or is it just over the horizon. From one scene to another, the dreams and fears of crew members are exposed. Many of the crew show their emotions as tension peaks and wanes. These are men here who would rather be somewhere else or who don't know any other life or who have hidden from the reality of their lives on a ship that is sailing in waters where U-Boats could be sighted at any moment. The Kreigsmarine is looking for you as the Nazi's have declared an open season on you and other Allied shipping. Will the next ship torpedoed and sent to the bottom be one of those others or will it be you? Enjoy the sound track as it has some wonderful music that you might otherwise miss. It is a gem of a movie you will be able to appreciate, if you just take the time.

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I've just recieved my DVD copy of John Ford's,forgotten masterpiece,"The Long Voyage Home",from 4 short playlets by the noted Irish author Eugene O'Neil,adapted by Dudley Nichols,with a cast filled with "The John Ford Stock Company",John Wayne,Thomas Mitchell,Ward Bond,John Qualen,Joe Sawyer, Mildred Natick(her first film),Barry Fitzgerald,Arthur Shields,and (non Ford stock member) Ian Hunter,in perhaps his greatest role(aside from Frank Borzage's "Stange Cargo",with Gable,Crawford,and Lorre.Another film in which much of the action takes place at sea)as "Smitty",a tormented Englishmen.

This is a story of a merchant marine ship,and its mixed nationality crew, at sea,carrying a cargo of munitions,during WW2.Some of the crew,especially a young John Wayne,with a Swedish accent(!)are eager to get home and stay as from the sea as possible!NOT ALL of the crew makes it back home.

Before this DVD viewing I've seen this film at least 20 times(more like 40!),and my heart is tugged EVERYTIME,in the same places,even though I KNOW what is about to happen.A great film,director,a great director of Photography(Greg Toland-Citizen Kane),a great musical score by Richard Hageman,a Fantastic motion picture event.JOHN FORD AT HIS BEST AND YOU CAN'T GET ANY BETTER!!-----THe DVD transfer is very good!

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Based on four of Eugene O'Neill's one-act plays, director John Ford presents a magnificent portrayal of humanity at sea and its struggle to not only survive but remain civilized during the early stages of WWI. Wayne was cast as a young Swedish sailor, and Ford insisted that he employed an accent which Wayne resisted fearing he would appear comical. The resulting performance is one of Wayne's best: very reserved and effective as Ole Olsen, who's essentially a simple man. Mitchell is wonderful as the old salt, and Hunter is moving as the tortured seaman who has ruined his life on land. This was playwright O'Neill's favourite film and he wore out a print of the film Ford gave from watching it over and over!

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