Reviews of 3D Night of Living Dead (Single-Disc 2-D/3-D Combo) (1968)

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The five star rating I gave Night of the Living Dead is, of course, for the original, uncut, unadulterated edition. The original is, quite simply, the most terrifying movie I've ever seen, even when compared to horror classics like Diabolique (the original French version), Psycho, Rosemary's Baby, Halloween and The Shining. I saw NOTLD when I was 9 years old on Creature Features at midnight after a funeral. I had nightmares for the next two nights. The film still gives me the chills whenever I see it (usually at Halloween).

When the 30th Anniversary Edition came out, I bought it on VHS as I was curious to see what they termed as "new footage." What I got was a horrible mess that butchered the original film, removed the original music for a terrible synthesizer score and added pointless footage that makes the viewer want to grind his teeth down to the gums. One of the additions is a new character: a fire and brimstone preacher. While the acting in the original is amateurish, at best, the "actor" who plays the preacher makes the original cast look like Oscar winners by comparison. He snarls, and howls and gnashes his teeth like he has rabies. Even more ridiculous is the extra footage of Bill Hinzman -the "cemetary zombie" in the original. The extra footage shows Hinzman's character emerging from the grave, then cuts to the original 1968 opening footage with Judith O'Dea and Russell Streiner. It's absolutely ridiculous as Hinzman looks 30 years older in the new footage. In addition, there are more zombies and a new ending to the film that makes no sense whatsoever. This "new" version is a piece of trash that desecrates the most frightening film of all time. Avoid it like the plague!

ORIGINAL VERSION: *****

30 Anniversary version: No Stars

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This review pertains only to the Millennium Edition DVD of Night of the Living Dead.

Okay...as I'd feared, my negative review of the John Russo-massacred "30th Anniversary Edition" of Night of the Living Dead has been lumped unwittingly into this product's review, so I' m writing this one to clarify.

This DVD edition is the best edition I've seen of the film yet. Anchor Bay may have raised the ires of legions of Living Dead fans by releasing the sacrilegious 30th Anniversary Edition, but Elite Entertainment did right by this new edition.

George A. Romero's personal appreciation appears in the back of this DVD -this immediately restores our faith. And the contents don't disappoint -the picture and sound are good, and though this doesn't exactly contain the richest batch of bonus materials (sets like the excellent 3-disc edition of Dario Argento's Suspiria and the recent double-disc Re-Animator both feature loads of extras), it is a nice solid collection. You get a Duane Jones interview (sadly with only audio and no image, but still great); an on-camera chat between Judith Ridley (Judy) and Marilyn Eastman (Helen); the hilarious student-film spoof "Night of the Living Bread" by Kevin S. O'Brien (which also appeared in the double-cassette VHS edition); two commentary tracks with Romero, Russo, Russ Streiner, Eastman, Karl Hardman and others. One very illuminating portion of this DVD for non-film-scholars is visually boring but informative -several histories outlining the beginning of Romero's Latent Image company, on Hardman and Eastman's company, and how the two were married to produce Night of the Living Dead.

THIS is the right edition of Night of the Living Dead, the one to get for both fans and non-fans alike. It includes all the necessary people (notice that Russo, Streiner and Bill Hinzman were included in this release, despite their criminal participation in the 30th Anniversary Edition), and it presents the film the way it wants to be seen.

Now I'm waiting for a deluxe release of Dawn of the Dead and Day of the Dead...

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This review pertains only to the "30th Anniversary Edition".

I had been collecting George A. Romero's "Living Dead" trilogy on DVD and had purchased this without paying enough attention. Big mistake.

Night of the Living Dead has had some colossally confusing release patterns thanks to a copyright gaffe which had enabled every company under the sun to release the film and profit from it. But of the 'rogue editions' I've seen, nothing is worse than this one.

Notice the list of personnel involved in this project: John Russo, Russ Streiner, Bill Hinzman...anybody missing? That's right: George A. Romero himself. This "30th Anniversary" edition is a collaborated effort by Romero's former colleagues in the Night of the Living Dead crew to rip off Romero's work and make a profit from it.

The result is disastrous indeed. The new footage written and directed by John Russo serve to butcher the original film. Not only do the new scenes not contribute to the story, they look amateurish, mostly due to horrible writing. Russo had always wanted to claim more credit for the success of Night of the Living Dead than was due him; this attempt at appropriating credit for the original film only shows that Romero is the only one who understands the concept of the Living Dead films. Russo's heinous, childish writing and direction -which are no better than that of the tongue-in-cheek soft-core videographers of, say, Seduction Cinema -barely rise above the level of beginner film students. And his claim that the new footage matches the old is just ludicrous. Basically Streiner, Russo, Hinzman et al. have raped Romero's film, trying to use their involvement in the original to steal credit from Romero's work, desperately trying to put as much of their handprint onto the original as possible with this 'new footage'. Well, one minute watching Dawn of the Dead will show you that Romero was the filmmaker, and the others were the hacks.

Yet another guilty party in this whole enterprise is Scott Vladimir Licina, who had composed a new score for the film and plays a priest in the new scenes. The new score jars terribly with the old footage, and Licina's acting is atrocious -reflective of the all-around low quality of the Russo footage.

Skip this one, crucify it, and leave it out for the zombies to chew on. This edition is a disgrace to Romero's legacy. Night of the Living Dead is one of the greatest horror films ever made; don't allow this sacrilegious edition to mislead your perception on the original film.

Honest reviews on 3D Night of Living Dead (Single-Disc 2-D/3-D Combo) (1968)

There are many versions of "Night of the Living Dead" on DVD but there is only one that you should buy! The Special Collectors Edition put out by Elite is the ONLY version of this film that's worth anything. The transfer to DVD is so sharp and clear that you'll feel like you're watching it for the first time. One word of warning to anyone out there shopping for this DVD, there are many online auction sites and online stores claiming that this DVD is "rare and out of print"...DON'T YOU BELIEVE IT! This DVD is still being produced by Elite but not many online stores keep it in stock. Go ahead and order it...you'll get it. Don't be fooled into paying double for something that you could buy right here at Amazon.com. Oh ...and another thing...stay away from the 30th Annivesary Edition. This DVD is a shameful attempt by the "other half" of the folks who made this movie, to milk more money off it. I think that everyone who bought this horrible thing should break it in half, mail it to John Russo and write a note telling him that this is what you think of his and others attempt at desecrating a horror masterpiece. Russo, Hardman, and Striener need to understand that if they we're really as talented as George Romero then they wouldn't have to keep trying to make money off this film. Romero moved on to bigger and better things (Martin,Dawn of the Dead,Creepshow,Bruiser) but these other guys are still trying to nickel and dime everybody off thier ONE claim to fame.

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Once upon a time a young girl and her brother traveled three hours from home to place flowers on the grave of their father. The brother started teasing his sister, telling her in a creepy voice, "They're coming to get you, Barbara." However, the joke ended up being on him because they were coming to get Barbara, only they got him first.

I first saw "Night of the Living Dead" when I came home one afternoon and discovered that the Iowa City Public Library Channel on cable was showing the film. I have to admit, I was rather surprised that this cult classic horror film would be on at a time when kids could come home and discover it on television (one of the living dead is naked and they do like to eat human flesh), but Iowa is a state that thinks caucuses are a good way of selecting presidential nominees, so what can I say? But this is a horror movie that is even scary in the daytime with all the lights on.

"The Night of the Living Dead" is a horror classic, which is rather surprising when you take into account that director George A. Romero made the film in 1968 for $114,000 without a cast of first time actors (extras who playing the zombies were paid $1 and a t-shirt that said "I was a zombie on Night of the Living Dead"). Filmed in black and white with Romero as the cinematographer, this film has a technical proficiency that is missing from other low-budget classics like "Dementia 13" and "Carnival of Souls." You can take or leave the various sequels to this film, but this one has to be on everyone's Top 10 list when it comes to horror films.

The horror comes from the situation and the simple effectiveness of the slow moving, silent zombies in their growing numbers, their arms reaching out to find human flesh to eat. Barbara (Judith O'Dea) runs to an abandoned house, where she is joined by Ben (Duane Jones). After fending off the first attack of the living dead, they discover five more people hiding in the basement: Harry Cooper (Karl Hardman), his wife, Helen (Marilyn Eastman), and their daughter (Kyra Schon), along with a young couple, Tom (Keith Wayne) and Judy (Judith Ridley). Harry wants to hide out in the basement, but refuses to be trapped down there, and the two spend more time arguing about what to do than doing anything. They listen to the radio and watch the TV, learning that the dead are rising to eat the living, and try to figure out a way of getting out of the death trap in which they find themselves. Meanwhile, the little girl in the basement is getting weaker.

The only real weakness in the film is the attempt to explain why the dead are walking around as flesh-eating ghouls (which is, I believe, redundant), which has something to do with a satellite and scientific mumbo-jumbo that really does not mean anything to the people trying to survive against the growing horde of zombies. Fortunately, the "why" does not matter in this story; just the "how" in terms of taking these creatures down. Besides, if anything clinches this one it is the end of the film, both with its final twist, and the use of grainy still photographs to show the end of the tale. Few horror movies, whatever their budgets, have an ending this memorable.

Megamind (Single-Disc Edition) (2010) Review

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Megamind is something of a mix, but a good one. On the one hand, it takes the existing traditional tropes of comic-book superhero and supervillain and works within them, but at the same time it ventures into territory that one rarely sees, going one step beyond the traditional to answer two questions: (1) What really makes a supervillain truly 'bad'? and (2) What happens when the supervillain unexpectedly wins?

The film starts off with a traditional hook Megamind apparently falling to his doom and then flashes back to the beginning, with the origins of the two classic protagonists, superhero Metro Man and supervillain Megamind, each sent out as an infant in a spacepod from their respective doomed homeworlds. From there, however, things begin to take a twist. Megamind is the supervillain, but more from bad luck than anything else (Metro Man's pod lands in a mansion where he is adopted by rich parents who give him everything, Megamind's pod on the other hand lands in a penitentiary where he is adopted by the inmates). Megamind doesn't become a supervillain so much out of evil as much as lack of options, his main talent apparently being wreaking havoc and scaring the hell out of people. He and Metro Man become enemies/rivals in a series of confrontations where, in Megminds own words "Our battles quickly got more elaborate. He would win some, I would ALMOST win others!".

And, in classic comic-book tradition, a plucky news reporter, Roxanne Ritchie, and her hapless and socially inept camerman, Hal Stewart, are always on the scene when one of Megamind's schemes unfolds, with the result that Roxanne gets abducted so many times that it becomes almost routine ("Alligators, yeah, mm-hmm. I was thinking about it on the way over...").

But things take an unexpected twist when, in spite of all the glitches, Megamind's scheme actually works and Metro Man is apparently destroyed, leaving only a skeleton bearing his cape behind. At first Megamind is ecstatic, but after only a few days the supervillian finds himself at a loss as to what to do next. What _does_ a supervillain do when he has no superhero to challenge or to be challenged by?

In his existiential angst, Megamind unexpectedly ends up talking to Roxanne, albeit disguised as Bernard, a museum attendent at the Metro Man Museum. From her, he gets the inspiration to create a new superhero to restore the balance in his life. Unfortunately his plan goes hideously awry when the recipient of his superhero formula turns out to be Hal, Roxanne's inept and all too flawed camerman.

And once again the story turns back to the question of just what makes a supervillain truly bad. Hal isn't evil per se, but he is lazy, petulant, completely self-centered and prone to tantrums when he doesn't get his way. Highly destructive tantrums once he discovers that he, as the intended new superhero Titan, has powers that put him beyond anyone else's control. Jonah Hill as the voice of Hal/Titan manages to perfectly bring out these serious flaws in Titan's character that result in Titan becoming a far more menacing threat to society than the ostensibly 'evil' Megamind ever was.

Craftsmanship-wise, everything in Megamind works well. The animation is colorful and eye-catching, the character design superb, and the voice actors distinctive and entertaining (Will Ferrell as Megamind, Brad Pitt as Metro Man, Tina Fey as Roxanne Ritchie, Jonah Hill as Hal Stewart/Titan, and David Cross as Minion). There are also a lot of references and in-jokes worked in, some fairly obvious (Minion's exo-suit with the diving helmet head and gorilla-like body are a direct take from the classicly-bad scifi film Robot Monster) and fairly subtle (the museum attendant Bernard is voiced by Ben Stiller, who played a museum guard named Bernard in the two Night At The Museum movies).

Though the film was released at the theaters in 3D, you won't miss a thing seeing it on a DVD. Quite frankly, the whole 3D thing is a waste in most movies that have come out with it and Megamind is no exception.

Highly recommended for anyone who enjoys good animation with entertaining characters and story.

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My ratings are based mainly on the QUALITY OF THE 3D, not the video content.

There are about 173 out of screen effects that extend about 10% of the way, from the screen to the viewer. 22 made it to 15%, 19 out to 20%, 36 more at 25% and 2, 30-35%. That's a lot of OOS effects. In addition there are quite a few quick 25-40% effects piled near the title scenes but the 3D in them is a somewhat flawed. However, very few 3D flaws elsewhere in this film. I would have to say my favorite effect is the baby juggling / drooling sequence around 30% approximately 10 minutes into the film.

This movie earned a 4 way tie for the # 2 position on my shelf. For 3D quality and humor, it ranks right up there with the 3 other animated greats, Open Season, Rio and Ice Age.

*** Another Must see ***

*** Add it to your list ***

MY 3D RATING = EXCELLENT (poor, fair, good, very good, excellent)

Note: As far as the percentages go, everyone's eyes are different. What I see at 25% you may see at 15% or 35%. To fully realize how far something is out of the screen for you, pause on an effect and direct a partner with an extended finger to the tip of what you are seeing. You may be surprised.

Click on `' for the lowdown on other 3Ds

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"Megamind" is the story of good vs. evil or is it? The movie starts out with a very cute blue baby being sent to earth in a rocket by his parents to save the infant from the destruction of the planet. As the little blue child is rocketing toward earth, a another child (who is very handsome) is also heading toward earth in a similar rocket. Both children crash land on earth, but to different fates. The beautiful child crash lands on a big estate where he is adopted by a rich family and given everything. While the little blue child crash lands in a prison and is adopted by the prisoners who teach him the ways of evil. Both children are highly intelligent, but due to their circumstances, one grows up to be a superhero -Metroman (voiced by Brad Pitt) and the other a supervillain Megamind (voiced by Will Ferrell).

Metroman and Megamind spend their lives locked in the classic battle of good vs. evil with Megamind always losing and ending up in jail. Until one day, Megamind's evil strategy works and Metroman is destroyed. Megamind takes over Metro City and turns it into a dump yard. But he comes to realize that being evil is boring without someone good to fight against. The rest of the story is Megamind coming to terms with his real destiny and realizing that looks and circumstances don't always have to dictate your success in this life.

"Megamind" is one of those animated movies that has a lot more going on than meets the eye. The animation is totally brilliant. The scenes look almost real and seeing the movie in 3D is a must if you want to get the best animated viewing experience. The ending is exciting with complex animation that is out of this world.

The story is one of the most complex that I have seen in a children's film. There are many twists and turns in the plot and, since I did not see the trailer, I did not see a lot of them coming. But I find it rare in an animated film (and any movie where Will Ferrell is involved) to have such a rich storyline were good and evil are shown as shades of gray that can be affected by circumstances and our own choices in life. Just because you are raised in a prison does not mean you have to be villain any more than being raised in a palace means you have to be a prince.

The kids in the audience loved the obvious jokes and slapstick comedy, but there were many funny one-liners where only parents were laughing since you had to have seen "The Godfather" to understand the comedy references. Both my son and I loved "Megamind" and give it a thumbs up.

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Will Ferrell plays a genius supervillian named Megamind who ends up using his gifts for scandalous means after getting tired of being underappreciated and receiving the treatment of a social outcast. Brad Pitt plays his equally gifted rival Metro Man. Tina Fey plays a very energetic, vivacious, and upbeat woman named Roxanne that is very important to the character development of Megamind. The beautiful and uplifting message of the movie is that everyone has good in them. I also enjoy the message that seems to be tailored to both kids and adults that persistence can pay off even after multiple setbacks. There are plenty of scenes to make a person laugh. In addition, I like how the movie portrayed how a person that may seem like a villian on the outside is not always what they initially appear to be at the surface. In addition, the movie also sends a message that those that create mischief can many times be the ones that are yearning to be accepted and loved the most. All of the actors and actresses voiced their parts in a superb fashion. However, Will's Megamind character really helped to increase the humour and life into this great animated movie. This is definitely one of the animated movies to see this month.

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I went into the theatre not knowing for sure what to expect. But as I watched it, all the emotions felt real, like I was actually there! I was very sad to see the ending, it is one of those movies that you want it to go on forever. I loved the plot and the twinge of romance. I am definitly getting this one as soon as it comes out onto DVD!

Review of Jackass 3 (Single-Disc Edition) (2010)

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Jackass 3D doesn't need a 5000 word review, especially one with spoilers. So from a 10-year Jackass fan, here are three simple reasons why you should watch this movie.

1. You will laugh until your face hurts.

2. 3D is a surprising fit for stunts and pranks that involve everything from paintballs to body fluids.

3. You know what type of movie it's NOT. Which means you don't have to worry about acting quality, plot holes, confusing endings.

That's honestly all you need to know. If you enjoy watching pranks, dangerous stunts and epic fails on Youtube like I do, treat yourself to Jackass 3D.

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Way to go and confuse the public again. If you have a fancy new BluRay 3D setup this will NOT PLAY. It is old analog 3D

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I just got back from seeing Jackass 3D, and I must say, Knoxville and crew are back.

I'll start off by saying that I wasn't a fan of Jackass before I saw Jackass: Number Two. My cousins and their friends tempted me, so I sat down and watched it with them... and within seconds I was on the floor, crying from laughing so hard. I was instantly a fan, and days after, I rented the first Jackass and laughed just as hard.

Today I went and saw the third strike at the theaters, and in Real D 3D. Of course I got hassled for my ID, 3 times actually, as it's R here in Canada meaning admittance restricted to people 18 and over. Apparently they had a real sneaking problem!!

That said, I had a total blast with this movie. If you just switch your brain off at the door, you'll laugh to the point where you're croaking!!!! There is not a single unfunny moment in the movie.

The stunts are outrageous, grosser than ever, and out there as hell. All stops imaginable are pulled out. Of course if you are faint hearted or squeamish you will want to avoid this film at all costs as it contains some truly disgusting stuff!!! Without a doubt the funniest stunt is "Electric Avenue", a stunt done in the style of a jailbreak, where the crew try to get through a hallway with beams in the middle, tires on the ground, and dangerously high-volt tasers dangling from the ceiling!!! Of course, as stated above it is absolutely NOT for kiddies under 18 or the faint of heart. This got its R here in Alberta for a good reason. The "Sweatsuit cocktail" scene alone pretty much solidifies that right there.

The 3D is great!!!! Before the movie is a nice little short from Beavis and Butthead explaining the 3D technology, which is truly hilarious. The 3D just ADDS to the ridiculousness, not only is it more lifelike, but there are a few startling "pop out" moments too and it's just hilarious!!!! They take full advantage of the 3D and therefore it's totally worth it.

In short, It did kinda make me sad that this may be the last Jackass. Hopefully it isn't, because they may be getting old but they certainly aren't declining in quality. Definitely as good as Jackass: Number Two, check it out!!

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As the great Mike Patton once sang: "It's always funny until someone gets hurt, and then it's just hilarious!" These appear to be words to live by for the "Jackass" crew, who are back for a third round of shenanigans in "Jackass 3D." The guys that hurt themselves for laughs so you don't have to are back in full form and if you think age has tempered their appetite for danger and potty-humor, then you are sorely mistaken.

Johnny Knoxville, Steve-O, Bam Margera, Ryan Dunn, Wee Man, Preston Lacy, Chris Pontius, Dave England, Ehren McGhehey -all the names and faces you've come to know over the years -make their return (with a few stragglers left behind, naturally) to the feature-length film format to abuse 3D technology in ways that would infuriate James Cameron. Flying feces? Check. Unnecessarily exposed male genitalia? Check. The ever-reliable vomiting of a now-sober Steve-O? You bet. If you thought the envelope had been pushed as far as it would go before, think again. This "Jackass" is a full three dimensions of dumb and disgusting.

Tastelessness aside, there's something both cinematic and slightly sentimental about this installment. Maybe it's all the slow-motion shots and Rocky references, but for the first time it appears as if director Jeff Tremaine is taking his craft a bit more seriously. The over-the-top opening and closing of the movie are nothing short of epic (at least by MTV standards) and if anything, it's the finest looking "Jackass" to date. Likewise, the cast seems to be stepping it up a notch; not only are they going to the extreme here, but they seem to be enjoying it more than ever. The film just so happens to mark the tenth-year anniversary of the franchise, so it's no coincidence that the sense of camaraderie is tighter than before. For the first time, it appears as though the guys are having as much fun laughing at themselves as we are.

There are plenty of memorable stunts -from an updated porto-potty gag dubbed "The Poo-Cocktail Supreme" to a stinker of a man-made volcano and a scene involving bees that rivals the hilariousness of Nic Cage in the infamous The Wicker Man remake -and just as many laughs to go around. Cameos from the likes of Sean William Scott, Weezer, Rip Taylor, and Beavis and Butt-Head are along for the ride, but the true stars remain the main crew and their non-stop disregard for their own well-being. Dumb and reckless, yet unrelentingly amusing, this third installment in the unlikely franchise is guaranteed to have you giggling mindlessly while simultaneously squirming in your seat.

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First, I wanted to say I've seen all the episodes of the old series and both the first and second movies, and now this, so I have a pretty good baseline by which to evaluate this.

First, the content list.

1) The Blu-Ray, which contains both the theatrical release and the director's cut, with no extras. ***CORRECTION: The Blu-Ray contains multiple deleted scenes and outtakes, some funny and others just so so.

2) The regular DVD, which contains the theatrical release only, with no extras.

3) A digital copy of the movie, which you unlock using the enclosed code. (you'll need at least version 11 of MS Media Player for this).

4) Two sets of 3D glasses, the old style with red and blue lenses.

I first viewed the regular DVD, and I was a bit taken aback to see that it only contains the movie in analglyph (old style 3D), with no way to switch over to regular 2D.

That means none of the modern 3D effects, folks.

We're talking 1950s-era technology here.

I then watched the director's cut version on the Blu-Ray, which was only in 2D, as is the theatrical release available on the same disk.

Now for the movie itself.

Some of the stunts were really amusing, some were only mildly so, and others were either just plain stupid (even by Jackass standards), or too disgusting for even someone of my sort with a cast iron stomach.

I'll just do a stunt-by-stunt rundown of my thoughts.

1) Opening credits actually liked this quite a lot, with the enhanced "Phantom Camera" slow-mo effects.

2) High Five Very simple, but quite amusing, especially how they did Bam.

3) The Jet Ski Okay, but looked more painful than funny.

4) Tee Ball Steve-O takes the obligatory nut shot from a baseball attached to a swinging arm...more painful than funny.

5) The Bungee Boogie Okay, this was more like it. Not very fancy, but some surprisingly good execution on the stunt, and some good laughs.

6) The Rocky Yes, painful, but the phantom camera showed the facial contortions in all their comedic glory.

7) Beehive Tetherball More like the Jackass we all know and love. Pain mixed with some laughs. Loved Dave's screams of agony.

8) Jet Airplane Really liked the old Maxell commercial tribute at the very beginning. Really funny and even a bit dangerous.

9) Roller-skate Buffalo Yes, pointless and painful, but still pretty funny concept. Really liked Knoxville's antics leading up to the inevitable pummeling from a young bison. Roger Miller would have appreciated how his classic song was used for this.

10) Toy Train Eruption Not much more to say here but YUCK! Anyone remembering Dave's scatological stunts in the first two movies won't be much surprised by this one.

11) Midgets in a Bar Fight More classic Jackass tomfoolery. Weeman pulls this off quite well, with a little help from his friends. Especially liked the "cops" and "paramedics" showing up.

12) Electric Avenue Great stuff here. Very painful, but definitely more classic Jackass.

13) The Field Goal Preston takes yet another for the team. Very low tech, but just okay humor-wise, and more painful than anything else.

14) Super Mighty Glue Low tech, but more like the old style Jackass stunts. Pretty funny.

15) Dildo Gun Only a guy could find this funny, but even my wife laughed at this one. Great use of the phantom camera on the "projectile."

16) Buy a Scooter Saw this one coming a mile away. Obviously a setup, since the window was clearly made of sugar glass.

17) Pontius the Barbarian Good one. Two Emperor scorpions do battle with Pontius's chin, 'nuff said.

18) Sweat Suit Cocktail Yuck! Even *I* had a tough time watching this through the conclusion. This is one of the reasons Steve-O gets the big bucks.

19) The Christmas Tree The Dudesons make an appearance for this. Pretty funny, but more dangerous and painful than anything else.

20) Pin the Tail on the Donkey Okay, had to laugh at this one. Danger Ehren's leg shaking made this particularly funny.

21) Rocky 2 Same comments as for the first installment of this.

22) The Blind Side VERY low tech, and pointless, unless you just like seeing Knoxville getting laid out.

23) Bad Dog Whiskey Tango Foxtrot? Very low tech, very painful, and very pointless.

24) Helicockter Pointless, but somewhat funny. Certainly no highlight.

25) Snake River Redemption Great stuff. Poignant watching the now deceased Ryan Dunn land the jump.

26) Apple of my Ass Pretty pointless. Just more of Preston humiliating himself.

27) Duck Hunting Really liked this one, especially Dunn's cartwheeling.

28) Really Bad Grandpa Pretty funny, but nowhere near as funny as the original "Bad Grandpa" in the second movie. The young woman they used in this is quite attractive, even though they used makeup to create the illusion of her being much younger than she actually is.

29) The Ram Jam Not much happening except for a pugnacious ram slamming the daylights out of Ryan carrying a tuba. Still, pretty amusing overall.

30) Golf Ball Racquetball Ouch! Nothing else to say.

31) Lamborghini Tooth Pull Danger Ehren endures some excruciating pain. Pretty funny.

32) Penis Peeing Camera Not very funny, just disgusting. The only thing moderately funny is when you realize what that object is to the immediate left of the camera's field of view.

33) Gorilla in the Hotel Room Just not buying that April and Phil didn't know right away that this was Chris in a suit instead of a real ape.

34) The Invisible Man Pretty funny, especially watching Knoxville blend into the background that matches his suit.

35) Snake Trap Bam just gets angry, and that's about it. Nowhere near as funny as the King cobra stunt in the second movie.

36) Penis Baseball What else did anyone expect Pontius to do but go completely naked once again?

37) Will the Farter Laughed really hard at this. Crude, yes, but REALLY funny.

38) Poo Cocktail Supreme Just too disgusting, period.

Having watched all three movies, I can say without qualification that the second movie is by far the funniest, even if it has what I consider the most disgusting bits of all, Dave and Bam eating horse apples and the bit with Chris and the stallion.

The first movie comes in second, with the movie being reviewed here coming in a distant third.

Also, unlike with the first two movies, you get no commentary track, which I often find this nearly as funny as the regular movie audio.

You do get a few deleted scenes/outtakes, and some of those are pretty funny, while others were little more than filler.

I should also warn those of you with young kids that there are at least two bits with complete nudity and (less important) some very foul language.