Showing posts with label Street. Show all posts
Showing posts with label Street. Show all posts

Sunday, August 17, 2014

Review of House at the End of the Street (2012)

House at the End of the Street
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There was nothing "wrong" with this movie, but I get the impression most of the people who are giving it 5 stars and saying it was "edge of your seat suspense" and "chilling" are younger viewers.

Anybody over age 30 has probably seen this same story at least half a dozen times by now.

I would have probably given it another star if I had not heard so much praise for the film beforehand.

But the movie did not live up to the hype.

It was pretty much a "by the numbers" horror film that borrows very, very, very heavily from the Grand-daddy of horror films that started this whole Genre -- PSYCHO

No real twists, pretty much what you expect and are waiting for from beginning to end.

So certainly not bad, but not the "masterpiece of suspense that will keep you from sleeping" that so many proclaimed it to be.

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It seems like only yesterday that Jennifer Lawrence made her big screen debut in Winters Bone, a small scale but critically acclaimed movie which gained her an Oscar nomination.

Since then she has gone from strength to strength starring in two of the biggest box office successes we have seen in the last two years X Men First Class and Hunger Games. I think it's fair to say that her rise has been meteoric.

As I watched the movie and the camera's love affair with her, the thought went through my mind several times of what an exquisite looking creature she truly is, still young enough to play a teenager.

A grisly murder of two parents takes place in a remote house in a leafy suburb of an upscale neighborhood of a typical rural town. The daughter who killed them was never found thus stoking local legend that she is still running around loose.

Years later a mother played by Elisabeth Shue and her daughter Elissa (Jennifer) move to said town they end up in a house nearby from which the slightly rundown, seemingly abandoned and spooky murder house is visible. Cue the scary music when Jennifer looks through the trees and sees the house light unexpectedly come on. Wooh.

As Elissa adjusts to school life her curiosity ensures familiarity with the story, and then one night walking in the rain a car stops to offer her a ride home, and the driver is the current occupant of the scary house the only surviving member of the family. Does she get in the car or keep walking?

Elissa and her mother have one of those fractious relationships and her mother forbids her from having anything to do with the occupant of the house but Elissa is attracted to him and teens will be teens. While she likes this misunderstood boy the town as a whole is understandably suspicious of a boy who would choose to live in the house where his parents were killed. Creepy, right?

Not all the horror of the past has been resolved and although Elissa is on the alert things can happen so you can become scared or horrified. What I liked was that this movie did manage to surprise me. This movie may scare you at times and I liked its unusual twists particularly about the daughter.

I found the movie entertaining and definitely elevated by the star power of Jennifer Lawrence. I think most people will love it and I hope this was helpful

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The synopsis sounded interesting. Thus, I rented it. This film was a big disappointment. They should have saved their time, effort and money on this one. That is just my opinion. This film was not as suprising, interesting or scary in any way, except that it could happen in any town at any time. This is not the first time I saw a film with the same premise. A film entitled SleepAway Camp, something like that. In that one, the parents did the same thing as in this one. I don't want to give anything away. The acting performances are believeable, but the film is basically a dud. We had it figured out in the first ten minutes of this film and then just watched it to see if what we guessed was right and we were.

Overall, I can't recommend it, but that is your choice.

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I don't know what some of these people are talking about. There was nothing predictable about this movie. I am a huge thriller/horror fan. I've seen everything and lately there hasn't been anything good coming into the theater's. Typically you watch five minutes of a movie and you know how it will end. I thought it would be the same with this movie. IT ISN'T! It's awesome! Jennifer Lawrence does a GREAT job!!! Loved this movie...in the theater....and can't wait to go and see it again. It is a definite "must see" if you are a horror movie fan!!!

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I saw this movie a few months ago and all i remember is how extraordinarily bored i was the entire movie. I don't remember what happened, i don't remember the ending ,it was absolutely boring. As a fan of horror movies this was dreadful. I believe the director thought he was being unique and interesting but he was wrong. When i saw the trailer i got excited because i thought it was going to be more paranormal and scary. It turned out to be more of a "kidnapping"/ thriller movie. I use thriller lightly because nothing about the movie kept me at the edge of my seat. If you want to see a good thriller movie with popular young stars than watch Disturbia. I love Jennifer Lawrence but this movie was rubbish and you will forget all about it in a week. If you are truly bored with your life it just might be worth one watch but other than that don't waste your time. I love scary movies and thrillers this was disappointing.

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Sunday, July 13, 2014

42nd Street (1933) Reviews

42nd Street
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42ND STREET has everything I could ask for in a movie. Set in the present day (1933) it's a Depression-era behind-the-scenes story of the making of a Broadway musical. An ensemble piece, it tracks a number of story lines at once Broadway star `Dot' Brock (the beautiful Bebe Daniels) and her ever-present sugar daddy, the production's angel. wonderfully played by Guy Kibbee. The down-but-not-out director Julian Marsh (Warner Baxter), for whom this play is a lifeline (`You guys ever hear of Wall Street?' Marsh asks when queried about his desire to direct this play, that being `nuff said in those days.) The sweet ingénue Peggy Sawyer and her numerous beaux and faux beaux. Peggy Sawyer is played by Ruby Keeler, who was a wonderful dancer and an acceptable singer, but an enormously untalented actress. There are, as well, various and sundry chorus girls, singers, and hangers-on.

How good is this movie? Baxter and Daniels are incredibly good and more than cancel out Keeler's performance. The last twenty-minutes or so are devoted to Busby Berkeley dance numbers, and they don't rise above the movie. The dialogue is great, ranging from the slightly risqué said of Anytime Annie (Ginger Rogers as a veteran chorus girl) when she's first introduced, "She only said `No' once, and then she didn't hear the question", to the self-deprecating when the lead singer played by Dick Powell introduces himself to the Ruby Keeler character, he says "I'm Billy Lawler, one of Broadway's better juveniles", to the surreal an observation by slightly tipsy co-producer Thomas Barry (Ned Sparks) on Angel Abner Dillon (Kibbee), "He looks like a Bulgarian boll-weevil mourning his first born." And it has some great songs by Harry Warren, not only the title song, but other hits such as `Shuffle Off to Buffalo' and `You're Getting to Be a Habit With Me.'

From its touches of gritty realism to its bubbly song-and-dance routines to its near tragic final shot of an exhausted and spent Warren Baxter `celebrating' his success, I loved every minute of 42ND STREET. My favorite scene was when the best actor in the movie Baxter has to coax, shake, or kiss a passable performance out of the worst actor in the movie Keeler in `the understudy's big chance' scene in act three. It was terribly self-referential, but at least the two kept a straight face throughout.

The transfer print was in very good shape and easy to watch. There's no commentary track but there are plenty of extras A text only cast and crew listing, with an a open out page on the Career Highlights of Busby Berkeley; a nine-minute, 1933 Vitaphone short entitled `Harry Warner: America's Foremost Composer' with Warner at the piano surround by gowns and tuxedoes, the short features a medley of Warner hits circa 1933, including a '`42nd Street' production number; a ten minute short titled `Trip Through a Hollywood Studio,' standard behind-the-scenes stuff, "Allow us to bring Hollywood to you..."; a 9-minute Hollywood newsreel of the period featuring a lot of Hollywood stars, and plenty of their pets, too; and a theatrical trailer. The highest recommendation for this essential video.

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The breakthrough musical of 1933 is still a light and fun video to watch. Often remembered for being the first musical to incorporate a plot, 42nd Street dazzles with its lavish production numbers, especially the title song plus "Shufffle Off To Buffalo" and "You're Getting To Be A Habit With Me." Though the jokes may be corny and the sexual innuendoes stale by 21st century standards, I found myself laughing at loud and thoroughly enjoying the dazzling camera tricks and kaleidoscopic overhead shots. But one of the best treats of all was watching the greats from a bygone era performing at the peak of their careers. Warner Baxter is superb as the director desperate to produce a hit while Guy Kibbee shines as the lecherous producer. Bebe Daniels is memorable as the leading lady who twists her ankle on opening night and Ruby Keeler, in her movie debut, is the spunky girl plucked from the chorus line to save the show. Others in the all-star cast include Ginger Rogers, George Brent, Dick Powell, Allen Jenkins, and more.

42nd Street is definitely a toe-tapping good time that fans of movie musicals will enjoy.

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It doesn't matter if it's 1933 or 2002 this is the grand daddy of all musicals and the beginning of some Broadway hits like "42nd Street" and "Dames At Sea". "42nd Street with it's excellent classic music, corney and funny story of a girl landing the lead in a Broadway musical. This movie which is timeless is just pure fun.The most amazing thing about this DVD is the remarkable transformation. It's pretty flawless in picture quality. The sound for it's time still can hold it's own and has some great bass sound. I wonder how this would sound if it was rechanneled to 5.1 using todays technology.All in all this is a masterpiece of a film, the production numbers from the master and the wonderful talent of Ruby Keeler, Warner Baxter and Bebe Daniels are priceless. The extras on the DVD is a wonderful historical bonus.

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I don't know how the restoration has been achieved but when you know the negative dates from 1931 it's very hard to understand how it remains so clean. The DVD is an amazing print from a timeless movie that has surely not looked as good since it was first shown. Is this a case of digital enhancement? Now let's have the others: FOOTLIGHT PARADE, DAMES, GOLDDIGGERS of any old year. Fabulous!

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This was the film that saved musicals, Thanks to Busby Berkeley. This film is certainly a musical classic. This is the film that saved musicals thanks to Busby Berkeley. Won't tell you everything, But I'll tell the highlights. The songs are beautiful, Great musical scores. I don't care what generation your from, if you love good music, this film is it. The attractive Bebe Daniels sings "You're Getting To Be A Habit With Me". Ruby Keeler does some good dancing for that era I guess, most people today wouldn't think much of it today, but that era loved it, because she was the first tap dance star, its not Eleanor Powell or Ginger Rogers dancing but its good. This movie basically is about what truly goes on behind the curtains of broadway and they certainly had the right people to be in the movie, because all were in Broadway so it was easy for them to betray it. A tempermental almost abusive director Mr. Marsh(Warner Baxter). A tempermental star who breaks her ankle by being drunk then Peggy Sawyer gets to replace Ms. Dorothy Brock, but before she gets to be a star Mr. Marsh who practices her to death 5 hours before the show, she almost gives up but in Mr. Marsh own way tries to persuade her to do it. I like the scene where Mrs Burke walks in on Peggy Sawyer(Ruby Keeler) people think she's going to hurt her but she doesn't, she actually wants her to do good, and tells her "You Go Out There and Be So Grand, That It'll Make Me Hate You." Another Great scene is before she goes on stage Mr. Marsh tells her "You're Going Out A Youngster But You'll Come Back A Star" words to live by.

Great songs sung by Dick Powell "Young and Healthy". Ruby Keeler sings Shuffle off to Buffalo, and she sings and taps to 42nd Street. Great Dancers, Beautiful Platinum Blondes, and Great Million Dollar Legs. Broadway really hasn't changed much since then. The ending of the movie is great when Mr. Marsh the director goes outside at the end of the show where the people are leaving, and with a cigarette he acts like a bum or is acting like he's waiting for somebody, but really he's listening to what people is saying about his show under disguise, he hears great reviews, and after all the people leave, he sits down and look like he's really satisfied and no other scene could end the movie better. Movies back then knew how to tell stories with looks, and as Barbara Stanwyck put it told stories with their eyes, If words were spoken it would of messed up the ending, a lot of films are destroyed by spoken words instead of showing the eyes, feelings, and the surroundings. This film wouldn't of been complete without Ginger Rogers(Anytime Annie) and Una Merkel(Loretta) with their screwball, zany, free-spirited, sassy attitude. Ginger Rogers doesn't do much dancing, she doesn't get top billing, but is seen and heard, I wonder why she didn't get the leading part that Ruby Keeler played, she would of really made it a smash, but this is before the Ginger Rogers and Fred Astaire years. Ruby Keeler went on to do other great musicals Golddiggers of 1933, Footlight Parade, Dames, Flirtation Walk-These films had Busby Berkeley magic touch also, but first see 42nd Street it was her first film, and not too many actress with no acting experience has a smash movie with their first, but see this first, then see the next one, and the next one, you gotta go in order, before any of those films, each film gets better and better, but 42nd Street you have to see first, then you'll understand Ruby Keeler's acting and what she's capable of. Each movie is better with more beautiful girls, great songs, great dance scenes, but you gotta start with the first. Ruby Keeler won the hearts of millions after this film even though her singing wasn't the greatest, and her dancing wasn't breath-taking. But she had something, and she'll always be remembered as the first tap-dancing star. Hope my review helped you, Won't tell you everything, it'll spoiled for you.

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Friday, June 20, 2014

Review of Miracle on 34th Street (1994) (1994)

Miracle on 34th Street
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I love that this remake didn't sell out very much, and put in too much modern stuff. It is very successful in keeping a "traditional" feel, with only a few exceptions. Mara Wilson is absolutely delightful and classic in her performance, and I really like Elizabeth Perkins' reproduction of the original role. And Dylan McDermott, whom I typically find very flat and dull, is sweet and charming as the sincere bachelor attorney with an eye for Perkins.

Richard Attenborough is amazing as Santa, at least as good as the formidable original. The scene in the original featuring Santa visiting with the Dutch war refugee girl is replaced in this remake with Santa visiting with a little deaf girl. The scene in the original is about as sweet as any scene in any movie ever, and the remake is even sweeter! The deaf girl's face, when Santa talks to her in sign language, is absolutely worth the price of this DVD.

The only real weakness for me was the John DeLancie and Jane Leeves part of the movie, as two "evil" agents for the "enemy" department store (where all the upper management wears all black). They reminded me of Joe Pesci and Daniel Stern from "Home Alone" -sort of bumbling bad guys in a bad cartoon sort of way.

So all in all, I really think that this version is as good or better than the original, which is simply too dated in a few respects for me to be able to enjoy unconditionally. I think both of them are definitely worth owning.

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Few remakes do justice to the original classic and even fewer improve on it. This one does both. Mara Wilson is wonderful and gives a once in a lifetime performance. In an effort to put a twist on the original they changed the scene where Santa speaks a foreign language to a child come to sit on his lap and instead he uses sign language to speak to a hearing impaired child. The result is a very touching scene. John Hughes has done it again!

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Let me say two things.

1. I love old movies.

2. I mistrust remakes.

However, I loved this remake. It has become a regular part of our Christmas for the past 10 years. My wife loves it and I do as well. Get it now!!

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Hands down, the best holiday movie ever. This version is even better than the original. I watch it all year. I promise you'll love it!

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As a fan of the original Miracle on 34th Street, I worried a bit about how much I would like this version. It does not disappoint. The story is different, yet familliar to the original.The writers made it fresh, yet maintained much of the sweetness and sentiment of the 1947 version. Mara Wilson is adorable, yet precocious as Susan. Richard Attenborough is perfect as St. Nick. The rest of the cast from Dylan McDermott as Santa's lawyer, to Elizabeth Perkins as Dorrie (Susan's mom) were also well cast. The only part I think is a bit over the top is the former "Cole's" (not Macy's) Santa. He gets a bit crude at times. The other "bad guys" are pretty harmless, just grouchy and conniving. Honestly, this is one of the Christmas movies I look forward to watching each year. Great for the whole family.

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Friday, March 7, 2014

Sesame Street - Big Bird In Japan (2004) Review

Sesame Street - Big Bird In Japan
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I saw this when I was 9 yrs. old. I've seen it subsequently on PBS/Disney Channel several times since over the years and still enjoy it. Big Bird and his canine pal Barkley travel to Japan and within less than one day of arriving in the country are lost with very little money, no plane tickets home and unable to communicate in the native language. Fortunately, a lovely but mysterious young Japanese woman befriends them and takes them acorss Japan learning the language, meeting interesting new people and seeing the amazing sights. The scene with the children's play of THE SHINING PRINCESS OF THE BAMBOO alone is worth seeing simply for the incredible costume design. All-around entertainment for kids 1-100!

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There is no greater testament to the strengths of this movie than my admitting that at the age of 22, I still remember the lyrics to half of the songs in the movie (and I haven't seen it since I was 5).

Big Bird is in Japan, but he and Barkley lose their bus when they spend too much time trying to eat plastic sushi. The mournful song "Homesick" follows ("I don't have a fever / but I do feel a pain..."). Luckily, a mysterious Japanese woman who speaks English comes to their help, and an adventure through Japan begins.

They sing on the car-ride:

"We're off to Kyoto like Dorothy and Toto;

I've got feathers,

He's got fleas,

--I speak Japanese."

A classroom of children enact the story of the moon goddess, Barkley is frightened by the statues in a temple, Big Bird learns how to bow and to speak common phrases in Japanese (and yes, I still remember the entire songful) and they all find out that their Japanese friend has a secret of her own.

The movie has a kid-pleasing plot, if one that may occasionally frighten the youngest, and it definitely teaches some important basics on Japan. Most impressive, however, was the catchy music. Even now, whenever I see a moon "hanging in the trees / so pretty and white," I think of the haunting tune of the misplaced Japanese moon goddess from this very film.

A movie that stays with you indeed.

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We recently returned from living in Japan for 3 1/2 years. This movie was loved by our children and it provides a great snapshot of what life is really like in Japan. Although it is oriented for youngsters, there are numerous jokes and comments for the "older" crowd. As a matter of fact, we showed this video to a group of Japanese junior high students who thought it was wonderful. Highly recommended for anyone interested in preparing children for living in Japan or for children interested in a different culture.

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i just totally loved this video. Big Bird and Barkey were great. It was a great little tale about Big Bird's trip in Japan, and if you're really into learning about the japanese culture, you'll definitely enjoy this video! There is also a great surprise ending to this story, so watch it and enjoy it!!

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I absolutely loved this movie when I was younger. I rediscovered the tape my mother recorded it on recently and watched it over again. I showed it to my friends too and they all loved it. I plan on majoring in japanese when I go off to college next year. This video was the beginning of my love of japanese culture.

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Tuesday, December 17, 2013

21 Jump Street (+ UltraViolet Digital Copy) (2012) Review

21 Jump Street
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I've never been a fan of Channing Tatum for an assorted number of reasons. My principle reason for my disliking Channing Tatum is his lack of acting talent. His deficiencies as an actor were made apparent in every genre of film. Ever since he broke onto the scene with "Step Up",he has delivered his signature one-note performance in every movie in which he has been cast. And it seemed as if he would never get any better. I was ready to give up on him until I read the reviews for "21 Jump Street". Not only was the movie supposed to be well done, but Mr. One Note Channing Tatum was supposed to have turned in one of his best performances as well. Out of a morbid sense of curiosity, I had to see the movie for myself; and after nearly two hours of continuous guffawing, I left the theatre with a new sense of hope. Channing Tatum may have found his niche as a movie actor:he can be a funny man. Channing Tatum is......funny.

I remember watching 21 Jump Street as a youngster in the 1980's. I loved it when it was on network television. The premise: a bunch of young looking 20 something detectives pose as high school students as they attempt to curb the criminal activity that is perpetrated by high school students. This show became a career launching pad for many of the principle characters, including the venerable and legendary Johnny Depp. However, the show has become pretty dated, and I doubt that I could watch it with the same enthusiasm now that I'm in my thirties. And when I heard that they were remaking this television show for the big screen, I nearly gagged. But after seeing the movie remake with Channing Tatum and Jonah Hill, I have to say that I am so happy that I went against my instincts and saw this film. It is the funniest movie that I have seen in a long time. I actually laughed out loud while watching this movie, and it has been a long time since I have laughed out loud during any film.

The plot of the movie is not difficult to follow. Channing Tatum and Jonah Hill are enemies in high school; with Channing Tatum being the popular high school jock(Jenko), while Jonah Hill is the socially awkward and geeky Eminem look-a-like(Schmidt). A few years after they graduate from high school, they enroll in the police academy. While at the academy, they discover that Schmidt is able to master the academic part of the training and Jenko is able to master the physical aspect of the police training. Jenko and Schmidt soon realize that if they are to make it past their respective exams, they are going to have to help one another. Their decision to cooperate with each other leads to a special friendship, and after graduating from the academy they are able to secure assignments in the same police unit.

Jenko and Schmidt prove to be inept as police officers in the bike unit, but they are given a second chance as undercover police officers. Their mission: infiltrate a drug operation in a high school that is run by a smarmy high school senior played by David Franco(James Franco's brother). Here the roles of Jenk and Schmidt are reversed. It is Jenko who is the social outcast while Schmidt is the cool insider. Turns out that in the year 2012 it is okay to be openly gay, carry your backpack using both straps, openly campaign for the preservation of the environment, and do well in school-which are all of the traits that Jenko used to hate about Schmidt. While they are trying to infiltrate the drug operation, Schmidt's popularity causes a rift in their friendship; and as their relationship collapses, so does their work as undercover officers. Eventually their antagonistic supervisor(played by Ice Cube!!!) has to fire them, and all hope seems to be lost for the two former friends. It does not take long for Jenko and Schmidt to become friends again; and with their friendship repaired they are able to prove their worth as officers through their special form of vigilantism.

As I've said before, Channing Tatum is really funny in this film. Jonah Hill and Ice Cube also deliver some really good liners as well. Although a remake, the film is original in its execution of the conventional screenplay. I highly recommend this film. And I have to say that if you choose to see this movie, you will be greeted with a really nice surprise near the end.

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This movie is the funniest movie i have seen in a while. It really relates the characters to the high school days. It has great humor and some action. I don't understand why people dislike the movie. It's different than the 80's show, but it's a new spin that makes it very interesting. You must buy this movie! It is hilarious and has a great storyline.

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Be real. When you first heard that Jonah Hill was planning to remake 1980s era, Stephen Cannell produced cop series, 21 Jump Street, you probably scoffed and wrote it off immediately. You wouldn't be alone, and the reaction isn't without justification. Helping to launch the career of Johnny Depp and being the highlight for others like Holly Robinson and Richard Grieco, the show was ridiculous on its face, centered on a special crime unit of youthful looking adults infiltrating colleges and high schools. Frankly, the show was more cool than good, and neither by the final season. Fortunately, Jonah Hill and writer Michael Bacall knew there was no reason to revere the source material, deciding to go for something akin to Superbad meets Police Academy. It was a gamble, but a gamble that paid off as 21 Jump Street isn't just hilarious, it's a modern day comedy classic.

Achieving the heights of hilarity that 21 Jump Street does couldn't have been accomplished by simply bringing the same old tired idea and plopping it onto the big screen. Too many other attempted remakes have made that mistake, thinking adding a few modern wrinkles will suffice. High school is nothing like it was twenty years ago. The social dynamics are different, the students are different, and the idea of who should be popular has experienced quite a shift. Setting up the change beautifully, we are first introduced to Morton Schmidt(Hill) and Greg Jenko(Channing Tatum) in high school, where Morton is an nerd doing his best Eminem impression, while Greg is the prototypical popular jock stud.

Fast forward a few years and both are enrolling in the police training program, and both are terrible for reasons the other can compensate for. Greg becomes the brawn, and Morton the brains. After proving they don't have what it takes to handle the rough 'n tumble beat as bike cops, they are unceremoniously dumped into a rehashed program to use young looking cops as undercover agents in high schools. Wearing a sense of self awareness on its sleeve, the film takes a few jabs at itself for being a warmed over rehash as well, up to and including the use of Ice Cube as the token angry, African-American police captain. Cube, who has become an expert at playing off his old N.W.A. persona, is in rare form here, snarling and sneering at every opportunity. If there's a scene stealer, it's him.

When it comes to comedy, it's the little details that matter the most are often the funniest. Greg is hyped for an opportunity to go back to high school and be the popular guy again, while Morton is justifiably terrified of reliving those traumatic years. What they discover upon arrival is that the entire culture is different. Greg's bullying antics make him a loner, while Morton's brains and gentle nature earn him cred with the cool kids, which he uses to try and infiltrate their drug ring. In a lot of ways, 21 Jump Street has smarter insights into the ways teens think than some documentaries dedicated to the subject. You know from the start that Greg is going to get drunk off his new found popularity, and while it plays out like something out of Can't Buy Me Love, it works.

Insightful thought it may be, there's plenty of room for gross out gags, penis jokes, and toilet humor. Hill is old hat at this type of thing by now, although it's unfair to say he's playing the same role here. His character is a little less self confident than usual, and not at all the miscreant he played in Superbad. Tatum, a better actor than many want to give him credit for, shows an affinity for physical comedy we haven't seen from him before. It's hilarious to watch his blank, clearly confused face as the world he thought he knew is flipped upside down. Even more so, he's a ball to watch leaping over cars and beating up rowdy teenagers. The jokes at his expense, since he clearly has the body of a thirty year old man and towers over everybody, are some the film's best. Tatum seems more than willing to roll with the punches and cut loose. For the most part, the supporting cast shines as well. Bridesmaids co-star Ellie Kemper is equal parts sweet and filthy as a teacher with a Mary Kay Leternou style obsession with Tatum. Dave Franco doesn't have much to do, but Brie Larson gives a winning performance as Molly, the girl who falls for Hill's charms.

With so much attention focused on Hill, Tatum, and Bacall, it's easy to forget that the glue holding this madcap adventure together are directors Phil Lord and Chris Miller. Their only gig up to this point was the animated Cloudy with a Chance of Meatballs, and you can see they brought some of the comic madness of that film into 21 Jump Street. The action sequences, of which there are plenty, are fast paced and splashed with a little bit of Looney Tunes wackiness.

You don't have to have been a fan of the show to appreciate this 21 Jump Street, but if you were then the film will feel even more special. Cameos are sprinkled throughout, including one especially brilliant appearance special for 'Jump Street' die-hards. There's practically nothing this film gets wrong. Even the closing credits rock. If there's one thing that they can do to screw this up it's making us wait too long for a sequel.

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MOVIE REVIEW #27: " 21 Jump Street "

Talk about a pleasant surprise. I honestly wasn't expecting much from this film, but I can see why the reviews have been generally positive. Directors Phil Lord (Cloudy With A Chance of Meatballs) and Chris Miller (Again Cloudy...) to a old TV show popular with teens and gave it a modern twist..... story by it's Executive Producer and Star Jonah Hill (Moneyball, Knocked Up) and Michael Bacall (Scott Pilgram Vs. The World) and its screenplay by Bacall it basically tell of stud and a nerd and everything that comes with each working against each other to eventually being best friends.

Not taking itself too seriously it shows two police academy graduates being assigned a special undercover operation involving a high school. Jonah is partnered with Channing Tatum (Dear John, G.I. Joe, The Dilema) and they eventually realized they complement each other with their own personal special abilities.

In the process they go through hilarious scenes involving "accidental" use of drugs, some wonderful high school tuxedos of the eighties and a running joke involving a series of questionable bikers that have one of the biggest TWISTS at the end of the film. (Spoilers!)

Rob Riggle (The Hangover, The Other Guys) gives an over-the-top performance as a High School coach with `issues' and a phony front to students Dave France (Superbad, Fight Night) and Brie Larson (13 Going On 30, Scott Pilgram Vs. The World) who believe he is what he is.

Meanwhile Channing and Jonah are guided by a over-zealous Police Captain played by Ice Cube (Fridays, First Sunday, Barber Shop) who thinks that this is a mission only they can handle because of the youthful looks but will fail because even together they are not so smart.

The film has lots of comedy, action, adventure, close-calls and some very clever dialogue.....not to mention that `Spoiler' I mentioned earlier....do you wanna know? Then read on. If not STOP HERE!

Two original series regulars make an appearance in this reinvention of an 80's TV series (that by the way, makes fun of itself by commenting that all sargents do now is try and reboot old things from the 80's) the real' 21 Jump Street' stars of the ORIGINAL series Johnny Depp (21 Jump Street, Pirates of the Caribbean 1, 2 and 3), Richard Grieco (21 Jump Street ,Point Doom ) and Peter DeLouise (Seaquest, 21 Jump Street) have an amazingly funny came...that borders on `black comedy' because of what happens to them. I'll say no more.

21 Jump Street is a funny film with a big heart. I enjoyed this very much and I think if you want legitimate comedy with a fantastic premise...this is your movie. Yes it's another rehash but it was fresh!

Find helpful customer reviews and review ratings for 21 Jump Street (+ UltraViolet Digital Copy) (2012)

"21 Jump Street" is only loosely based on the original television show that starred mega star Johnny Depp. The only real reason for comparison is the premise of police officers given orders to return to high school and pose as teenagers. They are instructed to infiltrate and bring down a synthetic drug manufacturing and distribution ring. Jonah Hill (Moneyball) plays Schmidt, a former high school nerd and current police officer newbie with skills of the brain, but no physical skills. Channing Tatum (The Vow) plays Jenko, who is just the opposite. Together, they are a perfect fit and a disaster waiting to happen.

"21 Jump Street" is a lot of fun and always entertaining. The movie introduces you to the characters and their personalities. You know them and you relate to them. The story is even fairly intriguing, which isn't always the case in movies like these. As Schmidt finds himself getting over all the things that plagued him in high school, you find yourself rooting for him.

There are constant jokes and laughs throughout the movie. Although, I did notice that many of the best laughs were spoiled by previously released promotional materials. Thankfully there are plenty of laughs to go around. The movie never lets up and is always interesting, funny and strangely endearing. It is also hilarious watching the two cops return to high school and finding the ways of the past to be just that. Jenko blames the phenomenon simply on the television show, "Glee".

Sure the movie is offensive at times, but the chemistry between Tatum and Hill is authentic and fun to watch. You get invested in their characters personalities early on and you are with them to the end.

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