Wednesday, March 5, 2014

Best Winx Club: Magical Adventure (2013) Deals

Winx Club: Magical Adventure
Customer Ratings: 4 stars
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Hey, my name is Marcus and I'm 19 now. Anyways, I grew up watching the Winx Club back in 2004 when I was in elementary. I fell in love with the show, because it reminded me a little of one of my old fave TV series, Sailor Moon. I was devastated after buying all the Winx DVDs and hearing in 2007 that The Fox Box/4kids TV lost the rights. Then I was excited when Nick obtain the rights. Thus, I am disappointed that they cut out the majority of this movie. The movie is on youtube, and it is originally an 1 hr & 29 mins. & 59 secs. but they made it only 45 mins. TF? -_Why wait to down size the 2nd movie, but leave the 1st one alone?

P.SThe only reason I'm mainly buying this DVD is for the 7 episodes. -_-

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This Winx Club movie is even better than the first. I'm glad that Nick took over the rights from 4 KIDS so that the later seasons became availible. This movie reveals the secret why Prince Sky's father always seem to have trouble with his relationship with Bloom in the TV series. Its great to see how much Bloom has grown and become less dependent on her parents thought it nice in this movie seeing Bloom's Earth parents together with her birth parents. The movie eals with Bloom's birth father being upset with Sky for not taking Bloom to the princess ball and his search for a better suitor for her. Bloom knows her heart lies with Sky and with the Winx help plans to get to the bottom of Sky's action when the Trix's newest attack causes The Winx to loose their powers and the girls join with The Specialists on a new quest.

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I first saw this on tv and liked it so i decided to buy it on dvd be sure your watching the series or yowl be lost.

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As a fan of magical girls or in this case, guardian fairy princesses -I was overjoyed to see that both of the Winx Club movies received US English releases. I loved what Nickelodeon did with the first film, and after seeing the second in the European-English dub and loving it, I hoped the good feelings would continue.

But then I saw the 45 minute running time on the first disc and all the good feelings were gone.

The movie isn't bad though I honestly think that the major change to the plot still worked somehow, probably for the better. The original movie's plot actually has Sky [*not really a spoiler*] propose marriage to Bloom, not invite her to a Princess Ball [which would probably be something Bloom would prefer doing to Sky, given her personality], so it's a sudden huge step for our main couple right at the get-go of the movie; it's understandable that Nick probably changed this to relieve parents of the idea of their child's beloved show about love, friendship, fairies and magic having young teen love just instantly leading to marital happiness and bliss, and a Princess Ball is more of something that the general age range for Winx Club would probably love anyway [it works for the other Princesses in the fictional media anyway. Plus, it's 'Princesses'. I think it sells itself.].

Other than that, the plot is still "bad witches trying to rid the good magic from the world, good fairies fight to save the magic, yadda-yadda-yadda" we all know the drill. There are inconsistencies in the film [since this supposedly takes place after Season 4; this is true in both versions], but the original RAI English music remains [which is a miracle in itself] and the CGI animation is really quite pretty.

Still, the sudden edits to make a supposed 87 minute movie into half its time have a good plot is what makes this release fail. A lot of unnecessary scenes that I found amusing in the original film were cut, and added with the plot changes, this film is like Nickelodeon's good attempt at being like the show's original US licensee, 4Kids Entertainment [who was infamous for their many edits and cuts to anime and foreign cartoon series]. Just that last sentence is a sad thought to even think about, but they did it.

I really wish the full movie was dubbed into Nickelodeon-English, as I honestly prefer their voices than the European cast [and even the 4Kids cast, though they never made it this far]. Oh well, at least there are seven episodes of the show Season 5! on the second disc to whet your Winx appetite. If anything, you should buy the DVD solely for the episodes and maybe watch the movie once before using it as a cup-coaster. If you have a Winx Club fan or a fairy/princess-obsessed child in your house, the movie should tide them over after a couple of hours... until they find the original European-English version on Youtube to be much better than the Nick cut.

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I bought this movie for daughter and she loves it!! Now she has her aunt and her sister watching with her atleast once a week.

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Best Sherlock Holmes in Washington (1943) Deals

Sherlock Holmes in Washington
Customer Ratings: 4 stars
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When I was a wee lad steeped in Conan Doyle's original Sherlock Holmes stories, this movie struck me as plain awful. It was painful to see Sherlock as a tourist in a wildly inappropriate DC milieu (the back-projected crazy quilt of Washington monuments on his drive around town makes it seem the chauffeur is on crack), spouting pax Americana patriotism and even paying tribute to the crime-fighting superiority of the FBI (??!!). Nigel Bruce was a particular affront as a doddering Dr. Watson, noisily sucking down ice cream sodas and struggling to read 30 pages on a 10-hour transatlantic flight.

But time has been kind to "SH in Washington." This was the first of these movies written by Bertram Millhauser, who always came up with witty dialogue for Rathbone and Bruce and snarky bits of malice for the supporting cast. Basil Rathbone gives a hopped-up performance as Holmes, barking out ludicrously improbable deductions and even reprising his Louis XI imitation as a limp-wristed "eccentric" collector. There is a small gem of a performance from Gerald Hamer (unbilled, sadly) as the master spy who sets the plot in motion -he gives the movie a few whiffs of danger, intrigue and poignance. And it's hard to dislike a movie with two Moriartys: silky sadist Henry Daniell and glittery-eyed psycho George Zucco. By the way, the suspense hinges on the fate of a fast-dwindling book of matches, so if you're trying to quit smoking, this is not the movie for you.

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Other than "Dressed to Kill," the last entry in Universal's 12 film Sherlock Holmes series, "Sherlock Holmes in Washington" may be the weakest effort but it remains an enjoyable curio.

In this third film, the attempt to update Holmes for the 20th century reached its zenith as the producers sent the great detective into the very center of the New World, Washington D.C., in another episode devoted to espionage and criminal activity related to World War II. The novelty is tolerable if only because we know there are less gimmicky, superior entries to come, but anyone whose love of Holmes came from the original Conan Doyle stories rather than the film adaptations will wince at this film more than any other. Basil Rathbone entertainingly overplays the role this time, and with his eccentric hairstyle and wardrobe looks less like Sherlock Holmes than my tenth grade high-school English teacher, the one everyone suspected of being gay (not that there's anything wrong with that).

What makes this entry worthwhile, aside from the always entertaining emoting of Rathbone and Nigel Bruce (more bumbling than ever as he discovers the Sunday newspaper comics and chewing gum) is the supporting cast. The superb George Zucco, whose Satanic presence enlivened many a B horror movie and who already appeared as Professor Moriarty in 20th Century Fox's "Adventures of Sherlock Holmes," comes slithering back, not as Moriarty but as another demented creature, and Henry Daniell, who would be the best Moriarty of all (in Basil Rathbone's opinion, as well as mine) in "Woman in Green," is also on hand with his share of villainy.

This film may have greatest value for history buffs and sociologists than for Holmes fans, however. It remains fascinating to see how a major Hollywood film studio converted a beloved literary figure into a special agent as a way to contribute to the United States' propaganda campaign during WWII.

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First, I want to point out that THIS is the copy of this film that you want. It's been re-worked by the UCLA film lab and was digitized from a very pristine black-and-white 35 mm print. All other copies are inferior to this one. The aspect is full-screen.

In the story, A British courier is dispatched to Washington as a decoy for the real carrier of a secret WW II document which is imperative to the Allied offensive. The real courier is one Alfred Pettibone, traveling under the alias of John Gregson (played by Gerald Hamer, astonishingly, uncredited in this film! We also saw Hamer play the postman in "Sherlock Holmes and The Scarlet Claw"; and other characters in "Sherlock Holmes Faces Death" ; in "Pursuit to Algiers," and in; "Terror by Night").

Pettibone/Gregson manages to surreptitiously hand off the document, which he had reduced to microfilm and imbedded in a matchbook, to the fiance of an American Navy Lieutenant -she doesn't know that she has it until she suddenly recalls that Pettibone/Gregson dropped the matchbook into her purse just after he lit her cigarette. Still, she plays dumb to Zucco's threatened tortures. Before the girl's actual abduction, Pettibone/Gregson is kidnapped, tortured, and murdered by these same Nazi agents, (one of whom is played by Daniell).

Holmes and Pettibone had worked together before on important cases so Holmes is ready to take on the task and travel with Watson to Washington when the British authorities tell him that his associate has disappeared, along with the document. Subsequent to attempts on his own life and that of Watson's, the pair travel to America where the Washington D.C. police are at their beck and call.

It's soon discovered by both Holmes and the Nazis that the young fiance has the document, or at least a knowledge of its whereabouts, so the bad guys kidnap her just before Holmes can get to her. Then, Holmes has to dredge up some quick clues to locate the Nazi agents' (the boss of whom is played by the great and sinister George Zucco!) base of operations.

Will Holmes be in time to save the girl and recover the document?!? What do YOU think *.* Still, it's a good suspenseful film with plenty of action. Definitely worth watching.

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I'd rank as SHERLOCK HOLMES IN WASHINGTON as the weakest of the three "Sherlock Holmes vs. the Germans" films Universal produced during WWII with Basil Rathbone in the starring role. The storyline is clumsy (and contains a notable plot inconsistency), alternating between the completely obvious and the maddeningly obtuse. So, to judge this, I'm just going to talk about its pure entertainment value. In those terms, the movie isn't bad. It's not the greatest thriller ever made, but it's fun enough.

Given that the first three in this line of movies from Universal were thinly veiled propaganda films, it was only a matter of time before the Americans would become involved. (Bringing Holmes and Watson into the then-present day worked quite well all things considered, though it seems appropriate that Watson reading a newspaper ignores the main headlines recounting world events and instead focuses on the cricket scores.) A large deal of time is spent showing that, hey, the Americans are great, and, hey, the British are great, and hey, isn't it great that we're all such great friends. Numerous scenes involve Basil Rathbone and Nigel Bruce staring at back-screen projections of various Washington, DC landmarks ("Magnificent!" declares Holmes of the Capitol Building). A photograph of FDR hangs in the background of one scene.

Watson gets the bulk of the pro-American lines. He's overjoyed at the possibility of taking in a baseball game. He reads a thin book on American customs and phrases which he takes delight in repeating at inappropriate moments. And, of course, he is suitably impressed with the comic strip adventures of Flash Gordon. Pure Holmes scholars might be horrified that the intelligent and sensitive Dr. James Watson of Sir Arthur Conan Doyle's stories reduced to a bubbling buffoon kicking back milkshakes and being gently pushed off to eat his breakfast. Personally, I was giggling too much to be outraged.

Rewatching this in the background while I type up my review really highlights the film's flaws. Take SHERLOCK HOLMES AND THE VOICE OF TERROR as an example. It also has a few storyline problems, but succeeds as a thriller because it successfully places style over substance. It just looks good, even when it isn't entirely making sense. WASHINGTON just doesn't have the same confidence. The pacing is a bit too slow, taking far too long to get from the revelation as to what exactly Holmes is looking for to the inevitable recovery.

Although this is a film with problems and one which is vastly inferior to other movies in the same series, I can't say that I was actually unhappy while viewing it. Sure, it's sillier (deliberately so) than was the norm, but it still has a lot of entertainment value. I wouldn't recommend this if you've never seen any of this series before, but if you're already a fan, you may find this one at least amusing. The Holmes and Watson double-team just manages to save it.

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I am writing this pre-review to express my Great Expectations and excitement over the upcoming DVD release of the 14 Sherlock Holmes movies made by Basil Rathbone and Nigel Bruce.

For those of us who have loved and worn out our VHS versions of these films, I am sure that I speak for many of us in expressing incredible anticipation and near shock that someone has finally recognized the need to release a "restored version" of these timeless classics.

We are told that they have been "Preserved and restored in 35mm by the UCLA Film and Television Archive." This is marvelous and I have already pre-ordered Vol. 1 and Vol. 2 from MPI Home Video.

I so hope that the entire 14 movies, are ultimately released in restored condition. Especially the rarest of them, "The Scarlet Claw" which has rarely been shown on televison and only been available on VHS sporadically.

To me and many others I know, Basil Rathbone is the definative Holmes. Not just because he looks alarmingly similar -as much as is humanly possibleto Sidney Pagets drawings of Holmes from the Strand Magazine illustrations, but mostly we love Rathbone because he portrayed the same Holmes that we as readers get through the buffer of Dr. Watson explaining away not magnifying Holmes' shortcomings.

Jeremy Brett chose to amplify every negative aspect of Holmes' personality that in the written versions Watson explained away. Rathbone's Holmes has been demeaned visciously over the past years and hopefully the respect and dignity that he gave his portrayals will be seen in all their accuracy and glory with these new digitally restored releases. ... these will have to be the best quality versions of these classics ever released...so for all of us who have cursed the incomprehensibly awful releases of these films over the years...our time has almost come. Show your support for this effort by ordering a restored version of American Film Histroy.

Much Thanks to UCLA, MPI, and Whoever was ultimately responsible for the idea of doing this!!!!

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Tuesday, March 4, 2014

Elvis Collection (Jailhouse Rock / Viva Las Vegas / Elvis on Tour) Reviews

Elvis Collection
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I was really hoping that MGM would have remastered these DVDs to give us anamorphic widescreen versions of these movies, but alas, it was not to be. I can't compare this new box set to the previous DVDs (since I didn't own them), but it looks like what we have here was just ported over from previous releases. So, while we have "Kid Galahad" looking marvelous in anamorphic widescreen, we also have an absolutely miserable non-anamorphic transfer of "Clambake." The other two movies fall somewhere in between: "Frankie and Johnny" is supposedly in its correct, anamorphic aspect ratio (and looks great), but with a 1:66 ratio there's very little "widescreen" to talk about, so it's hard to say if this is, indeed, the correct ratio. And "Follow That Dream" is a mixed bag, with a full-screen transfer on one side (why??), and a non-anamorphic widescreen on the other (WHY?).

So, MGM absolutely blew it. They had a chance to issue the definitive versions of these films on DVD, but chose instead to recycle lame product just to milk a little more money out of Elvis fans. Track down the "Kid Galahad" and "Frankie and Johnny" DVDs (assuming that F+J is, indeed, in the correct aspect ratio...anyone know for sure?), but there's no reason why, in 2007, we should have to suffer with non-anamorphic transfers, particularly one as bottom-of-the-barrel bad as "Clambake." My old VHS tape looked miles better than this pathetic DVD. Hey MGM, tell me where I can send these DVDs so that I can get REAL remastered versions someday!

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An earlier review points out, very accurately, "On Tour" is a lot of Elvis getting in and out of cars... etc. How true. It is disappointing NOT to have more performance footage.

However! (I may be very bias on this point.) The video snips we do get are very cool... at least to me... as the movie was filmed the year I saw him for the first time. Every time I see the movie, I'm trying to figure out if certain scenes were filmed the evening I saw him.

Also, the lack of video, and the multiple scenes of fans going wild, and more, should be blamed directly on Colonel Parker. If you've ever seen "That's The Way It Is" (Original Release), it's cut up almost as bad as "On Tour". Again, this was Parker's doing! Several years ago, "That's The Way It Is: Special Edition" was released. Virtually ALL the Colonel Parker touches were removed and the songs were completed instead of cut. In fact, I believe several songs could be added because of the removal of scenes of screaming fans and backstage BS. I highly recommend "That's The Way It Is: Special Edition" for anyone wanting a high quality Elvis performance video.

I have to give "On Tour" four stars because of the memories I have of that year's tour, and even though it lacks in many ways I'm still glad it was released. Maybe someone will attempt to restore it the way they did "That's The Way It Is: Special Edition".

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2 of the movies very bad quality, don't recommend buying, first time not happy with amazon item.Clambake and follow that dream were terrible could barely see them on tv.

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I realize some people will settle for nothing less than fully restored with true anamorphic widescreen.

I am very satisfied having this set.......Clambake is not as good as far as picture quality as the other 3 movies, but still watchable.

This set brought me closer to having a complete Elvis movie collection. I think I am still 3 movies short.

Overall this set is just fine, so don't be too swayed by some of the reviews.

We as consumers can only buy what is available and this is it.

So yes I would definitely recommend this set.

Their are no more Elvis movies coming out so get these while you can.

Also the price is very good for a 4 movie set.

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Where is the Ultimate Complete Collection of all 31 Elvis films on Blu-ray? Let's "go viral" and demand that the studios release all 31 films with all his concerts, TV appearances, interviews, Biopics, documentaries and home movies in one great box set on Blu-ray, widescreen with 7 channel Dolby surround sound?

After all he is the King of Rock and Roll!

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Review of Demonlover

Demonlover
Customer Ratings: 3.5 stars
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Olivier Assayas creates a visually stunning film in a dark world where multinational corporations invest in anime porn with further interest to invest in 3-dimensional animated pornography. The investments in 3-D pornography attract large amounts of money as several clients seek investment opportunities. This also creates an atmosphere where corporate espionage becomes a tool to maneuver competitors as it could lead to a monopoly on the market of animated pornography. The only thing that drives the people in the business of animated pornography is the trail of money, which becomes a path of greed, violence, and murder.

The story begins on a plane flying from Japan to France where Diane de Monx (Connie Nielsen) poisons one of the executives in her company in order for a rivaling company to gain access to information in a briefcase. This leads Diane into a spiraling exploit as she is put in charge of the Japanese account that manages the business of animated pornography. When she enters the business transaction she is aware that she is being followed by an unknown source. Nonetheless, Diane takes charge of her position and advances through the world of pornography while balancing it carefully with the company and the laws of France. However, she displays no concern for people as she ruthlessly proceeds in order to further her self-interest.

In the environment of Diane's own self-interest there are other people that are also looking out for their own interests by counter-espionage. This leads Diane into a world of internet pornography and sadistic elements of interactive torture over the internet. These people are, however, much more ruthless than Diane as they have no limits to how far they are willing to go in regards to making money.

Demonlover becomes a quagmire of moral values as Connie Nielsen's character wanders a path where she loses herself to pride, greed, and desire. On this path Diane finds herself lost and in a desperate attempt tries to survive as her life soon becomes expandable. Assayas intends to display the corruption of the character and how this corruptive treatment affects the awareness of the character in an uncompromising situation. Initially the story flows smoothly as Diane's life does, but as Diane becomes entangled the story loses itself very much like the character loses itself in the complex environment of deceit and greed. This provides an interesting point of view which is similar to David Lynch's Lost Highway, but Assayas never creates the hallucinatory effect that Lynch does and the film does not regain its balance as it becomes apparent what has happened to Diane.

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This highly sensual film uses the slick Emma Peel-in-a-skintight-jumpsuit-meets-the-Matrix veneer that most people associate with high stakes business acquisitions, fast cars and corporate espionage . . . and for the first half of the movie, that is exactly what is delivered---intrigue on a multi-national and multi-million dollar level showcased in exquisitely neoned Japan, overseas business class flights and minimalist board rooms. Diane, played to perfection by Connie Nielsen is the Emma Peel of a French investment house intent on acquiring a monopoly on Japanese animated pornography. Perfectly dressed and coiffed, she epitomizes the business woman who has it all: brains, savvy and a polished understated unfluctuating demeanor that make her hard to read and hard to penetrate. We watch her intriguingly non-react as she puts a woman colleague out of commission, discovers that someone else knows what she has done, make deals with an Internet pornography competitor on the metro and all around suppresses her intrinsic sense of womanhood as she stands by and watches----no smiles apologetically----a piece of Japanese anime explicit with enough sexist content to render anyone with the vaguest sense of feminism a bad case of the hives. The fimmaker's vision of people in general in a world consumed by a consumerism so out of control that it feeds off its own negative energy, is blurred; the defining line between men and women eroded by a viciously amoral competition.



Then comes the second half of the movie where so many things seem to happen for no real reason at all. Yes, we can see the varying factions surface as the desire to win control becomes more sharply delineated---but instead of making it all work somehow, where the message, although hidden, can be revealed by some careful consideration, the series of images seem to just run amok. At the end, Diane has reformatted herself a la Laura Croft to deliver the consumer with that which he desires. The message: I am unsure---perhaps intense interplay produces human anime with little sensibility other than winning the competition and delivering product. An unhumbled Diane glares out at the world from a computer screen---is she beaten---no---she has just metamorphed.

This film is not recommended to everyone. Those looking for a fluid plot will not be satisfied with its second half. However, if you enjoy the sense of the real world being shrunk even smaller in a global marketplace where nationality and language are no longer real issues and the Internet serves as a conduit for salving any desire, you may enjoy this director's vision.

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Demonlover is a very modernist film which deserves to be alligned with the great dystopic novels of the previous century, "We", "the Iron Heel", and particularly "1984" with one proviso its primary impact as opposed to literary is videogenic.

It tells the story of a corportate executive, appropriatly female, who will go to any lengths to succeed according to her on self-defined, narcisstic standards at odds with her objective appearances and in stark contrast to others expectations. Brash and domineering she uses a free floating cynicism to treacherously sell her corporate secrets to others for monetary gain thinking self-assuredly that her private intrique and machinations are curiously invioable, just as many criminals do. This is the first half of the film, in the second part of which so many critics don't like, all this ballsy swagger is shown to be an act of utter self-deluding fantasy; she has underestimated her antagonist and she instead of manipulating the system for her own gain she devolves into a most contemptible slave to it. A powerful morality tale for the times.

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This is a haunting, intriguing, well-written film, much more intellectually developed than could be determined by the name. Chloe Sevigny gives an outstanding performance. Since seeing Ms. Sevigny in "Zodiac", "Brown Bunny", "Shattered Glass" and now in "Demonlover", I have become her biggest fan. She gives a chillingly cold-hearted performance in "Demonlover".

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I walked out of the theater I caught demonlover in a couple of years ago sure I had witnessed a garballed movie ruined by a windbag need to be abstrusely "difficult." I'm not sure that assessment is wrong, per se, but since watching the movie, it's never quite left my mind, and I found myself purchasing a copy to watch it again. On this viewing, I'm far more kind. Its first hour is a top rate corporate thriller full of cunning acting and mesmerizing developments. Then, midway through, Diane (Connie Nielsen, in her only great performance to date) wakes up in a hotel room and the movie jumps through one of those Lynchian rabbit holes we call "Lynchian" to pretend we understand them (as if being deliberately unclear could be a calling card). The hallucination the movie becomes in the second half is a sort of half-cocked nightmare critique of soulless business practices, of the way the immorality of a corporation's practices and products can take over the essence of who its practiotioners are. Or so I think. Olivier Assayas lets the wind out of his movie for about an hour straight even to get that far, and it leads to narrative frustration, but I can't say watching this movie a second time that that frustration is necessarily a bad thing. In fact, it takes me a place that I don't even go with David Lynch movies Lynch is much more an artist of the hallucinatory. demonlover is, at heart, a movie of fairly innocent ideals told for maximum complication in a manner whose riskiness becoems its initial biggest weakness. Given another shot, you may find that riskiness returning you for another round, as I did.

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Buy Jack Reacher (Two-Disc Blu-ray/DVD Combo + Digital Copy) (2012)

Jack Reacher
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Wolverine, the most popular of the X-Men and one of the most popular comic book characters in comic book history is also one of the shortest. According to thirty plus years of continuous publication, Logan AKA wolverine is 5'2" tall and somewhere around 200 lbs, with metal infused skeleton and claws, and a back as hairy as a Kodiak bear. When X-Men director Bryan Singer cast a slim 6'3" song-and-dance man named Hugh Jackman to play the short stocky Wolverine, comic book geeks everywhere said "What the f***?"

Now anyone familiar with the Jack Reacher novels written by Lee Child knows that main character of the novels is a 6'5" 250 pound blond haired blue eye bruiser with the face of a professional rugby player. And likewise anyone who read the novels must have said "What the f***?" upon learning that the diminutive Tom Cruise was cast to play Jack Reacher. "He's too small. He's too Pretty." My wife, who's a huge fan of Lee Child's novels, was so irritated with the casting choice that she refused the see the movie.

For those of you not familiar with Lee Child's novels, the title character is military veteran who hobos around America with nothing but the clothes on his back and the money in his pocket. He avoids relationships, responsibilities and even posessions that might tie him down. He doesn't even own a suitcase. When his clothes get dirty he throws them away and buys new cloths. He rides from town to town on Greyhound busses. He generally minds his own business, but always seems to find himself at the center of a mystery or conspiracy that requires his investigative instinct and brutal hand-to-hand skills to solve.

The movie begins with a sniper shooting down four people in Pittsburg. The evidence quickly points to James Barr, a former Army sniper with a disturbing past. But maybe the evidence points at Barr too quickly. No sooner is Barr taken into custody when his is beaten nearly to death by other convicts and left in a coma. Now the mystery becomes one of whether Barr will even come out of his coma to be put on trial. Enter Jack Reacher, a former military policeman who despises Jack Barr from their shared military history. Reacher is only too willing believe that Barr did the crime he's accused of. But when Local criminals try to take out Reacher, he decides to give the case a 2nd look. Soon he's unraveling a much deeper conspiracy.

Well, having just seen Jack Reacher at my local theater, it seems that the miscast Tom Cruise somehow made it work just as a miscast Hugh Jackman made Wolverine work. Cruise is believable as a retired military policeman who really doesn't care and just wants to move on. Tom Cruise may not be my favorite actor (I would have preferred James Caviezal) but he is a superbly skilled actor who knew just how to play the character. The movie also benefitted from a tightly written script which solidly conveys Lee Child's vision of the hardened cynical soldier turned drifter. It also managed to give us just enough backs story without getting bogged down in exposition.

One last thing: Jack Reacher sports about the best fight choreography I've seen since Watchmen. I've had a few years of training in Wing Chun and a couple more in some other styles. I'm not easily impressed, but the moves Cruise used on the bad guys were a hell of a lot more realistic than most movie viewers will be used to.

As for the diminutive Cruise playing the man-giant Reacher...6'5"...5'6"...what's the difference?

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The main complaint I heard and read before JACK REACHER ever even hit theatres was from fans of Lee Child's series of books about this film's titular character, and it was always the same complaint: "Tom Cruise is too short! Jack Reacher is 6'5" and is built like a brick outhouse!!" And my response to that was always: "Can you think of an actor who's really good, does action well, has a lot of charisma, and IS ACTUALLY built like that?"

Christopher McQuarrie, the Oscar-Winning screenwriter of Bryan Singer's unforgettable THE USUAL SUSPECTS, and the writer/director of the very forgettable THE WAY OF THE GUN, picked up his pen and got back behind the camera for this potential franchise first outing for the cinematic adventures of Jack Reacher (Cruise), former Army military police investigator. He's, as they say in the film, a ghost. He has no fixed address, no credit cards, no phone number. In fact, the only proof of his existence is a bank account, his military record, and his military pension. He buys his clothes from Goodwill as needed and donates the old ones, hops on a bus, and goes wherever the day takes him. But in a very disturbing and wordless opening sequence, a man with a military-grade sniper rifle shoots five people in front of PNC Park in Pittsburgh. All the clues lead back to Army sniper James Barr (Joseph Sikora, who spends most of the film in a coma) as a man who just snapped. The lead District Attorney (the great Richard Jenkins) is pushing for the death penalty, but the defense attorney for Barr, Helen Rodin (Rosamund Pike) is looking to stop that from happening. It also happens that Helen is the daughter of the DA. When told to confess, with all the convenient evidence stacked against him, Barr only has one thing to tell them: "Get Jack Reacher". Once Reacher comes on the scene, he is fully aware of what's been going on, but uncertain as to why Barr asked for him, because he fully believes that Barr is guilty. Nevertheless, Reacher ends up working as an investigator for Helen, and runs afoul of the real reason those people were killed, and uses all his skills and investigative talents to find the truth.

It's true that this film is a little thin on character development. We know just enough about each character to keep the momentum going forward, but no more than that. Character motivation gets even less time. For all intents and purposes, this film feels more like a throwback to 80's detective thrillers, but with a smarter and more modern sensibility. McQuarrie seems much more assured behind the camera here than I've seen before, and he creates a labrinythian mystery here that feels organic as Reacher follows up on each clue, and Cruise seems to be having a good time playing a character that is somewhat out of step with the outside world, but always seems to be able to see the angles played against him. It's also true that some quality actors seem a little wasted here, with the only real exceptions being Pike, a menacing Jai Courtney (SPARTACUS) as the villain's right-hand man and a great supporting role by Robert Duvall as a retired Marine and shooting range owner who ends up coming along for the ride. Actors like Michael Raymond James (TERRIERS, TRUE BLOOD), Jenkins, and David Oyelowo (RISE OF THE PLANET OF THE APES) are kind of shafted. Even famed director Werner Herzog, the real villain of the piece, is more of a cartoonishly creepy villain. Also true, apparently, to huge fans of this series, that the film in no real way resembles the book this film is based on, which is the ninth book in the series called ONE SHOT.

Why then do I give this film a 4 out of 5?

Because this was an incredibly fun film. I like protagonists that are on the outside looking in, and always seem to have that extra step ahead. Jack Reacher is very much kin to 24's Jack Bauer; they are both renegades, they're both very smart, they're both men of serious action, they follow justice and not the law, and if people would only listen to them, things would be over a lot quicker. Although, Reacher has a much more evident sense of humor than Jack Bauer ever did. He has some terrific zingers along the way here, particularly in a 5-on-1 fight scene. He also carries himself with an assuredness that is rare to see in a modern action hero. Most films at present have the heroes of the film constantly questioning themselves. Are they up to the task? Can they be the hero the people involved need? Can they win the day without compromising their values? JACK REACHER as a film and as a character throw those discussions to the wayside in favor of a more entertaining romp as opposed to a more navel-gazing reluctant hero that seem to dominate films of late. The pace of the film also seems nicely breezy as well, which has a bit of a mismatch of tone that the opening of the film would have us believe. While it's a long-ish film, it doesn't seem long at all.

I understand people's frustration with this film, but I don't subscribe to it because when it comes right down to it, I enjoyed the hell out of JACK REACHER, but if the box office indications are worth anything, it's unlikely I'll see more of his adventures on the big screen.

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I'm the first to admit that going into this film I had low expectations. Cruise is a decent enough actor and well suited for the genre, but the plot seemed derivative and overly pedantic, just another flick I'd catch because...well...I'm a dude and the preview mentioned something about guns and explosives.

Surprisingly, the plot played out steadily, not needing to be propped up by a few well placed action sequences. While, if you've seen any movie ever in your life, you'll be able to predict what's going to ultimately happen, "Reacher" maintains a consistent level of intrigue and charm through the whole length of the film. I appreciated that the action scenes actually added to the plot. I was expecting some random "Look how awesome I am at fighting" scenes tossed into the mix, and was happy to see that while those scenes are absolutely in there, they also help move the plot forward. Good thinking, action-movie-maker-people (pretty sure that's the correct technical job title, but don't quote me on that...)

In sum, without telling you a thing about the film (because I hate summaries that are just spoilers in disguise), you can feel good about spending your money on this one. You'll enjoy it. Even if you hate Tom Cruise. That's right, I'm talking to you, Katie...

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I'm really not judging too hard on this movie. I enjoy action movies, cop movies, thrillers, etc. I also have not read the book.

However, one major complaint is that this movie should have been rated R. For such a tough character as Reacher is and the dark-ish plot, an R rating would have been much more interesing. The sniper in the beginning isn't as effectively portrayed without the "pink mist" which is even mentioned later on in the movie. No, I'm not obsessed with violence and gore, I just feel that it would have been more effective considering the movie is about a sniper. Just my opinion.

I think Tom Cruise, as crazy as he is in real life, plays a decent Jack Reacher. Again, I don't know the book but he's pretty good for what I do know. I just mean as a character, it was fun. Tom Cruise, like him or not, can definitely pull off a lot of his characters very well. (Mission Impossible, Valkyrie) Some people simply dislike him, but they're often considering his personal life.

Some things are stupid. Jack never uses a gun, really, unless he has to. I mean, he should get his ass beat eventually. I understand it's a character trait, but there is a stupid point where he has a gun pointed at an enemy much larger than him but tosses it aside to brawl.

There is a scene where two goons basically beat each other up instead of him by accident. Funny-ish, but dumb.

The story is intriguing. I never read the book, so it was all new to me. I don't know what's been changed, but Reacher's realizations about the conspiracy are interesting to me, and you say "Damn, I should have noticed." They're not too far-fetched, which is nice.

The best part about the movie is the audio. Some people may say this is the worst part. Very little music, some ambient bass. The movie feels real, not clouded by "epic" music. Everything takes place in a realistic setting and I feel like it's more "authentic" if you will.

For example, there is a car chase. My favorite scene in the entire movie. No music, just muscle cars racing through streets with cops. Some may say it's boring and generic. I find it real and authentic. No crazy jumps or maneuvers. Just speed and wit. It's almost worth watching for this scene. It's amazing. The classic cars in the movie help, too. Besides the newer Crown Vics the police drive, Reacher grabs a Chevelle SS and I saw some classic Mustangs and Camros (I believe, even if only for a second).

Unexpectedly, I found plenty of humor throughout this novel. Not bursting on the floor laughing humor, but clever, witty humor that fits perfectly into the story and makes the movie just that much better. Without it, it's close to a generic "badass" movie, but instead becomes clever.

All in all, decent movie. I'm going to read the book now because I enjoyed it. Maybe it'll be better, I don't know. But I'm interested. As for a sequel, I wouldn't count on it. I know the books are separate stories and this one takes place later in the timeline, so I don't think many of these characters would end up returning in a sequel. In Hollywood, it's tough to do such a thingexcept James Bond, but that still has some recurring charactersconsidering that only one character is important.

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JACK REACHER

Tom Cruise, Rosamund Pike, Richard Jenkins, and others, including Werner Herzog and Robert Duvall

I saw Jack Reacher this weekend. I went mostly out of curiosity: I've read every Reacher novel written by Lee Child (some of them bought through Amazon) and loved them.

I knew Child's Reacher and Cruise's would be different animals. Child's Reacher is 6' 5", between 210 and 250 pounds in different books, and has a 50" chest. Cruise is 5' 7" and probably weighs, stripped down, between 140 and 150 pounds. Even as fighters (which is one of the things Jack Reacher has to do every so often), they'd fight differently -radically differently--because there's no way a 150 pound, 5' 7" tall man could do some of the things an oversized behemoth like the original Reacher does. And though neat, like an ex-military man would be, Lee Child's Reacher is always a little scruffy: he buys his clothes one set at a time, throwing away the old ones, because he doesn't like to travel encumbered, and until then, he washes them out in the sink of whatever motel room he's staying in. Tom Cruise's Reacher exhibits the same behavior as Child's Reacher in this regard, but Cruise's Reacher always looks neat, just as Tom Cruise does himself.

Enough carping on appearance. The critical question is how well does Cruise do as Reacher, and the answer is `okay.' Not great, not even near it, but okay, not a total embarrassment.

Nor is the movie a total embarrassment. There is a good fight near the beginning when five local thugs take on Reacher to teach him a lesson. It's kind of comical watching little Tom Cruise mouth some of Reacher's words about how this is their last chance to get off without damage and how five to one odds are really three to one odds, because the last two will run away when they see what Reacher does to the first three, but the fight itself is swift, brutal, and most essential in a Reacher story, efficient. There is no waste effort, and avoiding waste effort is essential to the Reacher persona: he doesn't indulge in histrionics, he always uses the most direct efficient and quickest way to success in combat, like a good soldier would.

What a shame then there's a second big fight because the movie butchers it. Reacher has come to the showdown against the bad guys. He's already warned one -a Russian sniperthat if he sees him again, he's going to hand him his lunch barehanded. So what happens? He gets the drop on the bad guy and is pointing an assault rifle right at his chest at close to zero range. So Reacher/Cruise throws away his gun and rakes on the baddie mano a mano, in one of those generic fights we've seen in hundreds of other movies. There's also a car chase -what action movie would be complete without one?--that is boringly generic. We've seen it all too many times for it to be exciting except in the most mechanical, evanescent way.

That's a problem with the whole movie. It's a generic action film. Some of Reacher's tics have been inserted -he doesn't talk a lot, he washes his clothes out in the sink and buys new ones and throws away the old ones when he's done with them, he has near eidetic memory, and most of the time you just know he's been in army for years by the way he acts--but behind it all, eliminate the tics and this could just as easily be Ethan Hawke, sans disguises and trickery, in any of the increasingly boring Mission Impossible movies that have kept Cruise a star.

What's best in the movie? Old pros Werner Herzog and Robert Duvall milk their roles for all they are worthy and succeed in making them believable and enjoyable to watch. Richard Jenkins does a good, not great job, as Good Lawyer Rosamund Pike's father (he's the D.A.).

The Lee Childs novel that this movie was taken from (One Shot) was crisply plotted and everything Reacher does in it is thought out and efficient. This movie is just messy. Not horrible but not good either. Thus okay, no better than that.

One other complaint: Cruise is starting to look old for this kind of movie. His body is still buff, but, as it was in the last Mission Impossible movie when he was on the outside of the Burj al Khalifa in Dubai with his shirt off, his muscles look like old muscles now, and his face is puffy in closeups. Cruise has shown in previous movies that he's a modestly competent actor. He needs to begin stretching himself before he winds up playing opposite Sly, Arnold, Bruce and Jean Claude in one of those retread Old Heroes movies.

Lee Child says he likes Cruise as Reacher, but then Lee Child sold Cruise's production company the character franchise for the movies and I doubt he did it purely out of a conviction that Cruise was the perfect Reacher. Besides, Child used to work in advertising and we all know ad men occasionally bend the truth.

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Monday, March 3, 2014

Men in Black 3 (Two Disc Combo: Blu-ray / DVD + UltraViolet Digital Review

Men in Black 3
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I get out to the theater to see a movie about once per year; I'm now a slave to the Blu Ray home entertainment era. However, I did something this Memorial Day weekend that I haven't done in over 20 years: I went to the theater twice in 2 days (with my kids) to see The Avengers and Men in Black III. And neither of the movies let me down; both were excellent.

While The Avengers is getting high marks from the critics, I am very surprised by the so-so reviews that MiB III is getting. I'm glad that I went to the theater, because the abundance of "just average" reviews might have even deterred me from putting MiB III in my rental queue. I'm here to say don't be deterred.

MiB III was almost as good as the original MiB (and the original MiB was classic), and MiB III was better than MiB II...wayyyy better. The best part for young audiences that may not have seen the predecessors from 15 years and 10 years ago respectively, is that MiB III stands alone as a great movie....There's no need to have had to have seen either of the first two in order to fully enjoy MiB III. Although it does help mainly to see how effectively awesome Josh Brolin is at capturing the essence of Agent K that we all know as Tommy Lee Jones; and I suppose that it also helps to establish the dynamic of the bond between Agent K and Agent J (Will Smith).

So MiB III is a fun blast from the past...or should I say blast into the past. In 1969 Agent K maims, arrests and has bad guy Boris the Animal thrown into an intergalactic maximum security prison...on the moon. But 43 years apparently gave Boris a long enough time to figure out how to escape. But escaping is not all that's on Boris' mind; he jumps back in time to 1969 to change history and murder Agent K. So when he succeeds it's up to Agent J (Will Smith) to jump back a little further in time to stop Boris.

As I mentioned earlier, Josh Brolin really makes you believe that you're seeing a young Tommy Lee Jones, or should I say young Agent K. The personality differences and dialogue between Brolin and Smith are amusing to watch, and some of Smith's scenes with and without Brolin are out-and-out hilarious.

Comedy Writer Etan Cohen (not to be confused with popular Writer/Director Ethan Coen) teams up with MiB veteran Director Barry Sonnenfeld to deliver a movie that's funny, witty and fun for the whole family. At a run time of just over 90 minutes I was thoroughly entertained from start to finish.

So do indeed get out to see Men in Black III; at minimum get it into your viewing queue. For me, it will be preordered, viewed again on Blu Ray, and sit in my collection next to MiB I & II.

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After the apocalypse of Independence Day and the epics of Star Wars and Star Trek, the sci-fi field was ripe for a spoof. Men in Black was the DEFINITIVE spoof of the sci-fi genre when it came out, an entertaining balance of light-hearted drama, action, and wacky comedy. The sequel...wasn't quite on the same level of film-making, lacking a smart script, and showing just what happens when Sonnenfeld gets carried away with drenching his stars in colored goo. And now act three rolls out and we have...

"I promised the secrets of the universe, nothing more."

After the insanity of the previous two Men in Black movies, everything moves in a different direction this time around...fourth dimensionally. When I heard that this movie would be all about time travel, and when I heard that the script was generated in a huge rush so that they could get the movie out on time, I expected the worst. I was VERY pleasantly surprised this time around. The basic plot revolves around an evil alien who sets out for vengeance on K using time travel to erase him, so that he simultaneously kills his nemesis and sets in motion the destruction of Earth in the present. A simple premise, but the execution of said premise SHINES.

"Here, take this, and all you have to do is jump."

From the get-go this movie has fun with all the old and new sci-fi tropes. J has to time jump by literally jumping off a building (Girl Who Leapt Through Time anyone?) in a great super-cartoony CGI sequence that I'm SURE would have been awesome to see in 3D. When he actually gets to 1969 there's everything from a GIANT neutralizer that doesn't quite look safe, to new gadgets that result in some awesome action sequences (unicycle speeders and rocket packs). And naturally all the typical 1960's stereotypes are toyed and joked with, but in most cases this is very well done, while at the same time giving us subtle clues into the nature of K and his relationships through a new perspective.

"I am getting too old for this. I can only imagine how YOU feel."

It cannot be overstated how PERFECT Josh Brolin is as young K. He manages to be super-serious in that Jack Webb style while simultaneous displaying the same chemistry with Will Smith's agent K. He delivers his lines with perfect comic timing, and gives his character a lot of heart. Will Smith might be sleep-walking through the role, but he's got some GREAT lines this time around, and it's obvious he's having a great time with the role. The rest of the cast likewise does a great job with their roles, and keeps things light-hearted and fun (with only a few dead gags here and there).

"Do you know what is the most destructive power in the universe?" "Sugar?"

This movie is big, bright, and beautiful. It was clearly designed to be viewed in IMAX 3D and it shows. Everything is just so vivid and well-framed, and crystal clear. It really makes a nice change from the very darkly lit and darkly framed films that have been popular the past few years. And as my wife commented to me right after the movie finished, most movies are SUPPOSED to be fun, light, and leave you feeling good when you exit the theater. They are supposed to ENTERTAIN you (at least that's the lesson I got from Sullivan's Travels, your mileage may vary). There's room for every kind of movie, but this kind does what movies were meant to do in the first place. MIBIII is FUN, and it has a lot of heart. The end of the movie really and truly surprised me. The climax of the time travel plot results in a plot revelation that was not only NOT stupid, but actually was heart-warming (giving you a HUGE character development twist on K that I never saw coming). That's just plain good film making. Not to mention awesome little surprises that are purely the result of good writing (an accidental time jump turning the tables on a one-sided fight) and excellent direction.

"You got some city miles on you."

Some people might start watching this movie feeling like I did, that the franchise was really looking like it was running out of gas. I was thrilled to find that MIBIII is now my favorite film the series. It's a great comedy with wonderful comic timing, a great adventure with lots of great action sequences, and its got more character, charm, and heart than anything else in the series yet. I will definitely buy it when it comes out on Blu-Ray and would recommend any fans of the series do the same.

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When I viewed MIB, I thought it was very funny and highly entertaining. When I viewed MIB2, I felt as if something was missing and did not find it as enjoyable as MIB. I found MIB3 to be the Best of the 3 films, the most entertaining and the most enjoyable science fiction movie I've seen in a long time. The aliens are fascinating, and many credits go to creativity. The time jump will grab your interest as we wonder which future will occur? The acting performance of Brolin and Michael Stuhlburg is superb, they are indeed mesmerizing! The impression of Tommy Lee Jones is incredible and the creatures are visually appealing. Overall, the perfect movie to see with a huge bag of buttered-popcorn!

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I admit that the first 10 15 minutes didn't feel right. But even though it started slow the story and the laughs continued to build. After the first 30 minutes I felt safe that I made a wise choice to buy this movie instead of renting it.

I liked the first MIB. I absolutely hated MIB2..hated MIB2. I was alittle scared about this one but after watching it once I liked it enough to watch it a second time. The more I watched it the more I liked it. I now think it is definitely the best of the three and it is easily a good buy.

If you are still not sure about this movie then rent it first. If you are reading this review then you at least have some interest in this movie. If so then risk a dollar or two to rent it from amazon or redbox....and make sure you watch at least the first 40 minutes. I don't want to give anything away but since the cover shows a younger "k" (Josh Brolin) then you need to watch until you see him in the movie. I don't think I am giving away any spoiler. It really gets good from this point on ... the chemistry between Will Smith and Josh Brolin is excellent.

It is easy to give this 5 stars and super easy to recommend as a rental to those that are cautious and a buy to those who liked the original and was hoping for something close.

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MIB 3 is as funny as it is fun. The natural chemistry between Will Smith and Tommy Lee Jones is spectacular. Jones (K) is so laconic, that he is the perfect foil for Smith (J), talkative, observant, hilarious. I don't know how Tommy Lee Jones kept a deadpan face during scenes; there must have been a lot of out-takes. Also, full marks to "the young agent K", an astounding performance. MIB 3 focuses on the relationship between the two agents, with a hair-raising back story, and the payoff is sublime.

Unless somebody spoils the ending, you won't see the finale twist coming.

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Review of Moulin Rouge! (2001)

Moulin Rouge!
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I must admit that when I first went to see Mouln Rouge in the theaters, I was most reluctant. It looked cheesy to me, but I kept hearing good things about it. So finally I went, and was blown away. This movie, from a writing aspect, breaks no new ground, but visually,it is astonishing. The beautiful thing about film is that the same story can be told over and over in different styles. And Baz Luhrman's style is most definitely unique. The movie pulls you in from it's opening moments, and rarely lets go. I did find the movie slightly over-indulgent at times, as though Baz was throwing certain visual effects in for the sake of throwing them in. But the acting all around is incredible, and the music is absolutely genius. Many may have a problem with what could be describe as a 2 hour music video, but I loved it. It is definitely geared towards the MTV generation, but I think it can be enjoyed by all. All in all, it is the best movie I have seen in a long time.

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I went into the cinema expecting to be amazed with the costumes and scenery, in awe of the singing, and enthralled in the story. Basically I went into Moulin Rouge with unreachable expectations.

I wasn't disappointed!

The movie was unlike anything I've ever seen. The camera angles, and difficult shots are at times dizzying and overwhelming, but in the fantasy world that Baz Lurhmann has created it all works. The music is beautiful and inspiring and funny all at the same time.

Nicole doesn't have the most powerful or experienced voice, but it only adds to the poignancy of her character. I found that she fit the part far better than I expected. Her rendition of "One Day I'll Fly Away" was especially nice.

As for Ewan, he can *really* sing! His voice was clear and powerful, and the Elephant love melody duet was probably one of my favourite sequences. That last scene (*sniffs)...Wow.

I laughed (never I thought I'd enjoy Madonna's "Like a Virgin" quite so much!) and I cried, and I left the theatre shaking. I haven't felt that way since...I've never felt that way. I sincerly hope this film does well, because it is so unique and beautiful and touching.

I heartily recommend Moulin Rouge to everyone. It's truly a movie lover's movie. It's a movie, and you never once forget it. It's flashy and loud and fake. But the fact that it just doesn't make sense is what makes it make sense. It's a movie and it's art at the same time.

Stop reading already, and go see Moulin Rouge!

"The greatest thing you'll ever learn is just to love, and be loved in return."

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I really don't like writing reviews, but for this blu-ray I just HAVE to.

As a HUGE Moulin Rouge! fan (I've seen it 54 times... yes, I'm a crazy person, hehe) I can tell you that this blu-ray transfer is beyond perfect.

When I bought it I knew it was gonna look great. I mean, this movie was made for blu-ray. But boy! did I underestimated its power?

The image is crystal clear and the colors pop like nothing you've ever seen. All the blues are bright royal blue. The reds look extra passionate. And the blacks are extraordinarily deep. The amount of grain is just perfect. And the image is so sharp you can see everything from the smallest scratch on the floor, to the tiniest crack on the walls, to the pores on the actors skins and even the small veins in Kidman's eyes.

The sound is rich and absolutely delicious. You can hear every.single.whisper in the background. And the music sounds even better.

The extras are the same as those in the DVD Collector's Edition, so they're great and a lot.

And well, I won't even begin to describe the movie itself cause you could get 50 pages or more of me describing how amazing and perfect it is. So I'll just stick to the quality of the transfer and disc.

I have enjoyed a large variety of blu-rays which looked absolutely stunning (Kung Fu Panda, Wall-E, Ratatouille, Pirates of The Caribbean, etc.), but I've never seen anything like this.

I have a 46-inch TV so the quality of the image sometimes suffers a tiny bit because of the size, but with this blu-ray I didn't perceive the tiniest flaw.

So, if you really wanna completely enjoy the full capacities of your Full HD TV, this is the disc to buy.

I'm still in awe of how perfect everything looked and sound.

A must-have for any Moulin Rouge! fan, any movie fan, and any HD fan.

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If you like musicals, fantasies and romantic dramas, you'll go nuts for Moulin Rouge. With unique camera action, wierd, wacky and wonderful sets, delightfully surprising musical adaptations and more than a touch of the fantastic, Moulin Rouge is sure to please. McGregor's performance, both dramatic and vocal, is to die for. How can one person be so shamelessly multi-talented?

Kidman does an excellent job as the courtesan "Satine". Though her singing did not have the "wow" factor of McGregor's, it was more than adequate for the task. And many of the hopeless love songs she performed seemed quite touching when one recalls her present situation in real life.

If you don't like musicals, see Moulin Rouge anyway. You'll be treated to a film that doesn't fit the usual, ho-hum summer offerings. Instead it provides a rare treat for the jaded and bored movie goer.

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Boy meets girl, boy gets girl, boy loses girl.

That's basically the plotline of "Moulin Rouge" in a nutshell, but the way Baz Luhrmann interprets this story on screen has to be seen to be believed.

Lots of lavish color, movement, sights and sounds explode on the screen like a Toulouse Lautrec painting on acid.

Baz has captured all the excitement and decadence of 1800s Paris, given it a modern twist and reinvented the classic movie musicals of days gone by. And the result? A truly unique cinematic experience that will be talked about for years to come!

The first frenetic 30 minutes will have you clutching your seat and gasping for breath. It's like a white-knuckle ride at your favorite theme park it's almost too much to take. But what a ride!

"Moulin Rouge" is a movie to be viewed more than once....if only to take in what you missed the first time.

You'll either love or loathe it. But if you choose the latter, quickly take your pulse and check that you're still in the land of the living!

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