Saturday, June 7, 2014

Buy Hook (1991)

Hook
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The subtitle to the play "Peter Pan" is "The Boy Who Would Not Grow Up". Spielberg's sequel could well be called "The Man Who Grew Up Too Much". The story of Peter Pan is reversed, as are many roles. Robin Williams has the easy task of playing the thoughtless parent, the moderate task of playing the grownup Peter Pan, and the incredibly difficult task of making the transition between the two believable.

Dustin's Hoffman's Capt. Hook knows, as do all of us who remember his soliloquy, that no little children love him. His concern with how he will be remembered, and with Good Form, ring quite true to the original. The character is suave, urbane, vicious, captivating, and ultimately tragic.

At first I was annoyed at the modern elements in Never-Never-Land, but I soon realized that they had to be there, as Never-Never-Land was always a compilation of everything Lost Boys found exciting. In the twenties, that included Red Indians, but if they were lost in the 1980s, well then, baseball and skateboards should be included. The original play was Edwardian, but the movie makes no sense unless it's updated.

The role-reversal and eventual re-reversal is fascinating. In the play, the same actor always plays both Hook and the thoughtless and cruel father, Mr. Darling. But here, Peter is the uncaring father and a corporate pirate, while Hook takes the children to Never-Never-Land. The lost boys are, at first, quarrelsome and threatening, while the pirates are a happy adventuresome lot, even sentimental in the lullaby sequence. But while the Lost Boys help Peter recover himself (and to recover their own innocence), Hook's attempt to win over Peter's kids is, in the end, a failure, and we are brought full circle. The final scene of the helpless Hook surrounded by Peter and his boys parallels the earlier scene of the helpless Peter Banning surrounded by Hook and his pirates. ("Somebody lend me a hand." "I already have.")

The movie has one major flaw most people don't know the Peter Pan legend well enough to really understand it. Seeing the play "Peter Pan" won't help much, either, because there's a lot in the storybook "Peter and Wendy", and in the play's stage directions, that enhances the understanding of the movie Hook. In a scene usually cut from the play, Peter sacrifices himself for Wendy, and thinks he is about to drown. His line is "To die will be an awfully big adventure." Later, when Wendy and the Lost Boys are leaving Never-Land, Peter is left alone, slumped in his chair. The stage directions state that at this point, if Peter only understood a little more, he would say, "To live would be an awfully big adventure." Hook is the story of how Peter finally learns that to live is, indeed, an awfully big adventure. Along the way, he must also discover what a Happy Thought for a grown-up is, and that a man with no childhood is as incomplete as a boy who would not grow up.

The pretend-food that was always Peter's favorite kind of meal is used to excellent effect. I found the first moment when Peter's adult façade started to break down surprisingly believable. He is in an insult contest, and losing badly, until he finds the intersection between his grownup life and the childish contest. He wins with the biggest, most impressive insult, ending with "... don't mess with me, man, I'm a lawyer."

Maggie Smith's Wendy fills in the roles of both Wendy and Mrs. Darling from the play. Her concern with the night-lights is especially fulfilling. We are also re-introduced to Tootles, who was the Lost Boy who always missed the adventure, and so he does again. Several times in the movie, the first time I saw it, I mouthed the dialogue along with the actors, because I knew that after Hook said, "Prepare to die", Peter had to reply, "Dark and sinister man, have at thee." There's a brief appearance of Michael's bear and John's top hat, which they took with them to Never-Never-Land so many years ago. Lisa and Nana return (Nana IX, really), and many other details make it a wonderful reunion. Bob Hoskins's Smee and Julia Roberts's Tinkerbell are true to the original, and yes, she says The Line She Had to Say.

Yes, Peter Pan grew up. But he didn't do it when he became a lawyer; he did it in Hook.

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Some people think you have to be "3 years old or in a coma" to enjoy this film. Rubbish! My wife and I are well-educated and well into our "senior" years, but far from senile. We think this is one of Spielberg's very best, an unmitigated treat from beginning to end. The cast is superb from top to bottom, and we also think John Williams's score has some of his very best music. (For confirmation, listen to the series of excerpts he recorded with the Boston Pops by programing your player to skip the other tracks. Each piece stands on its own without the film's images to support it.) Finally, we think those who hate the film have the same problem Peter has when he first sits down to "eat" with the Lost Boys in Neverland: a lack of imagination and sense of fun. They need to loosen up and, as the saying goes, get a life.

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This movie is so much more than a children's fable. It is a magical reminder of how powerful each of us really is. The movie begins with Peter Banning (Attorney at Law) who forgets the truth of who he is. He becomes obsessed with success, drinks too much and avoids his family. Through a series of events he is forced to look within for the "real" him, Peter Pan. Peter Pan knows that all he has to do is think "one happy thought" and he can fly. I think this is true of all of us. The more we remember and honor who we are and the more we focus on the positive, the better life works. Peter Banning was a miserable, "fat old grandpa man" but when he remembers who he is, he's filled with boundless joy and energy. A very spiritual message indeed.

Honest reviews on Hook (1991)

Steven Spielberg's Hook is a wondrous film full of great color and fantastic visuals. It's the kind of warm and fuzzy movie to be enjoyed time and again. Robin Williams stars as a grown up Peter Pan(now named Peter Panning), who doesn't remember who he really is. While on a trip to Old Wendy's place, his two children are kidnapped by Captain Hook. With the help of Julia Roberts as Tinkerbell, Peter has to go to Never Never Land to save his kids, battle Captain Hook, and realize that he is the one and only Peter Pan. The costumes are great, the sets are awe inducing, and the actors are all game. People, I ask you, who is better at playing at a person who refuses to grow up than Robin Williams?. I don't think the part could of been better cast. Dustin Hoffman as Captain Hook is an image to behold. It's a classic Hoffman performance. Keep an eye out for cameos by Phil Collins, Glenn Close, and a very young Gwynneth Paltrow. This movie should entertain kids and adults alike. Kids will cherish their youth, while adults will most definitley be transported back to a magical time to think about their own youth. This is a whimsical fairy tale that's a delight from the first to last frame. I can't believe why so many people have a deep disliking of this movie. Oh well. Their loss. Kudos to Spielberg for delivering a modern day fairy tale for viewers to cherish for years to come. I'm hooked!. Sorry.

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The first time I watched this movie I wasn't too impressed. Looking back I'd have to say this negative first impression was totally my fault and not the films. I guess it just didn't fit my preconceived notion of what Neverland should be like and simply didn't give the movie a chance to pull me into its wonderfully imaginary landscape of people and places. Fortunately my daughter loved it and forced me to watch it with her over and over and over again. Once I learned to let myself go and become a child (which is what this film is about in the first place), I fell in love with it!

While some Amazon reviewers have questioned the choice of Robin Williams for the lead role of Peter Panning, I found him to be absolutely perfect in the part of the middle-aged workalcoholic who had forgotten all about his childhood adventures as the legendary Peter Pan. Then of course you have stellar performances by the rest of the all-star cast: Dustin Hoffman (Captain Hook), Bob Hoskins (Smead), Julia Roberts (Tinkerbell) and Maggie Smith (Granny Wendy). Lesser known, but three of my personal favorites in the movie were: Caroline Goodall (Moira Panning), Dante Basco (Rufio) and Amber Scott (Maggie Panning).

Become A Child Again! It Will Be An Awfully Big Adventure!

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Reviews of King Kong - Extended Cut (Three-Disc Deluxe Edition) (2005)

King Kong - Extended Cut
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The biggest problem most people had with King Kong was its length, so there's no surprise that reaction by the general public to the release of an extended edition of another 3 hour-plus Peter Jackson film was almost the equivalent of a collective groan.

The surprise is that everything added to the Extended Edition of King Kong should have never been cut. More dinosaurs and more creatures and more action on Skull Island only improves the film, and one wonders if these scenes were cut mostly for time and pacing, why wasn't a little bit of the 51 minutes of pre-Skull Island snipped or perhaps a few overly drawn scenes of Kong and Anna gazing into each other's eyes?

The more noticable scenes are that of a rampaging Ceratops and a fun scene of an underwater monster attacking Adrien Brody and Co. while they are rafting down a river. A bit more character development with some seedy behavior by Carl Denham (Jack Black) and heroic deeds by Jack Driscoll and the shipmates add a bit of flavor to the male characters literally overshadowed by Kong in the film. The spider pit sequence is also a bit lengthened with some more lines by Jack Black. Overall, a worthy 13 minutes of added material, but the film still feels too long in the last act.

The special features to this extended edition are the special features that were missing from the first release of the Kong movie, including a commentary from Peter Jackson and extensive behind the scenes features, describing the making of Kong from concept artwork to the screen a la the performance of Andy Serkis.

I enjoyed the extended cut, but I don't know that this lengthy movie is better served with added material. It's not like the LOTR films where the additions enhance your viewing and understanding of Tolkien's world. But hey, I am not going to complain about more dinosaurs and the raft sequence I was disappointed was missing from the original cut.

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Hello People,

well Peter Jackson's Opus, King Kong now comes in it's extended version only on DVD... This review basically gives you a guide as to what you might expect from the DVD release.. I have no breakdown of what scenes are make up the extra minutes, but from Perter Jackson's comments and Comic Con presentation, there have been indications of what might be make up the running time...

The dVd details -

Firstly this dvd presentation is brought to you in 3 discs. An additon of thirteen(13) minutes of footage has been added to the extended version of the film.

Extra scenes include :

* King Kong's capture at Skull Island and journey to New York.

* A river scene; where our heros are stuck on a log/raft, and

them being attacked by a large aligator. (Comic Con info)

More to be added soon...

King Kong Extended Edition: Disc 1

2.35:1 Anamorphic Widescreen Presentation

English Dolby Digital 5.1 Surround Track

Commentary with Director Peter Jackson & Producer Phillipa Boyens Part 1

Sixteen Deleted Scenes (Totalling around 40 Minutes)

English SDH, Spanish, French Subtitles

King Kong Extended Edition: Disc 2

Commentary with Director Peter Jackson & Producer Phillipa Boyens Part 2

The Eighth Blunder of the World Featurette

The Present Featurette

A Night in Vaudeville Featurette

King Kong Homage

Weta Collectables

Selection of Trailers

King Kong Extended Edition: Disc 3

The King Kong Archives

Introduction by director Peter Jackson

The Origins of King Kong Documentary

Pre-Production Part 1: The Return of Kong

Pre-Production Part 2: Countdown to Filming

The Venture Journey Featurette

Return to Skull Island Featurette

New York, New Zealand Featurette

Bringing Kong to Life Part 1: Design and Research

Bringing Kong to Life Part 2: Performance and Animation

The 1996 King Kong Video Gallery

The Venture Video Gallery

Skull Island Video Gallery

New York Video Gallery

Kong Video Gallery

Arrival at Skull Island Pre-Viz Animatic

Bronto Stampede Pre-Viz Animatic

T-Rex Fight Pre-Viz Animatic

Kong's Capture Pre-Viz Animatic

Empire State Building Battle Pre-Viz Animatic

Ann Disarms Kong Motion-Capture/Animation Comparison

Kong's Capture Motion-Capture/Animation Comparison

Kong in New York Motion-Capture/Animation Comparison

DVD Credits and 1996 and 2005 Scripts (DVD-ROM)

----------------------------------------------------------------

One thing to note from this release there is no DTS soundtrack on this release, which has disappointed and even angered a lot of fans.... Benchmarking from the Lord of the Rings extented dvd releases, this is an ommission that trully expected... Be mindful.... Never the less, this is a strong release, from a director who understands what a dvd presentation should be. Place this 1 on your christmas wishlist!

** Also available in a limited edition giftset, complete with a beautifully crafted WETA King Kong figurine, which is released on the same day.

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I was one of those people who thought King Kong was a mistake for director Peter Jackson. Fresh from his monumental success and Academy Awards with his work on The Lord of the Rings, I wasn't confident that he would make an equally, much less surpassively, good film. I was proven wrong.

Running at a horrendously intimidating 187 minutes, I had my fears that there would be parts where cinematographic drags would consume my interest in the film, especially since there were several such moments in Fellowship of the Ring which Jackson also directed. However, I was pleased to find that dragging moments were limited and the whopping runtime was put to good use... so take care of your bladders prior to watching.

I have heard many complaints regarding the first third of the film which takes place in depression-era New York city. It is in this third where the titular beast is nowhere to be seen, but we are introduced to all the other main characters. I have argued many times that a film is not without it's characters and so far in his blockbuster career, Peter Jackson has not disappointed in characterization. It keeps the audience in the hearts and minds of everything that happens onscreen and therefore maintains an engaging atmosphere. All in all, you care about all the fuss and you watch and wait, with interest, for the next scene to unfold. Therefore, in spite of the gargantuan runtime, I was riveted to the screen.

Carl Denham (Jack Black... yes, Jack Black) is a struggling filmmaker whose career has been so far almost successful. When he learns his latest film is about to be scrapped, he escapes with his film and crew to continue production. He then learns his lead actress has quit and runs into an out-of-luck vaudeville entertainer, Ann Darrow (Naomi Watts), who he manages to recruit. He convinces his cast and ship crew that they will be heading for Singapore to film. In reality, he is heading for the mysterious Skull Island whose location he had acquired just as mysteriously. However, his production woes continue as his script is unfinished. He then takes popular theater writer Jack Driscoll (Adrien Brody) to continue the script while the ship sails for Skull Island. Upon reaching the island, they encounter murderous natives who wish to offer Ann to the gigantic beast they worship, Kong.

George Lucas once said that special effects are there to aid the telling of a story and should not be the emphasis of a film. Whether or not Lucas himself adheres to this philosophy is debatable, but it is clear that Jackson does. There is not one scene, real or digitally created, in this movie that does not have meaning. There is the scene of a shared sunset between Ann and Kong with volumes of depth. It is this scene, to this reviewer, that escalated the film from ordinary blockbuster to movie greatness.

Yes, there have been previous King Kong films. But where they fail is where Peter Jackson's take shines. There is an actual relationship between Kong and Ann, we actually understand why Ann cares so much for him. While Kong would try to impress her with roars and beating his chest, Ann would perform her vaudeville antics (to Kong's.. and ultimately the audience's delight). It is their shared moments of joy that solidify an unusual bond of friendship between Ann and Kong. Ann perhaps realizes that she is Kong's only friend, and hence his entire world.

It is the relationship between Ann and Kong that Jackson decided to concentrate his full filmmaking abilities and rightfully so. Yes, there is another sort-of love story between Ann and Jack Driscoll but not one that would outshine the focus of the film.

As for the other actors, they were top-notch. I have heard others say Jack Black was frightfully miscast but I think otherwise. His over-the-top acting fits perfectly for Carl, a filmmaker with so much passion for his film that he continually tries to sell it to everyone just so they "get it".

King Kong, I would have to say, is one of the best films of the year. Entirely engaging and a delightful and sometimes frightening adventure, it is one with definite heart. From vaudeville opening to heart-wrenching denoument, Jackson has made a film that beats on it's chest and roars.

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This "action" picture has something different about it, it has a heart; and Naomi Watts.

As far as the length goes (3 hrs. 8 min.), it's pretty darn perfect. Sure, there could have been a few minutes edited out, but maybe those few minutes I want out, someone else just loves. So what do you do? Anyway, part of the strength is the length, giving time for character development. Woooooow! What a awe-inspiring idea. Alright, maybe they could have cut out the "Jimmy" guy, but who's to say for sure. There are simply too many wannabe critics out there with short attention spans, just because there's no "action" right away, they feel the movie drags on, or is way too long.

Now, on to more important things, Naomi Watts, she should have been given an Oscar nomination for her role as Ann Darrow. Doing so much with so little dialogue and she lit up the screen like no one I'd ever seen.

Finally, with this DVD you can stop the movie anytime, use the restroom, go to the kitchen, blow your nose or just take some deep breathes outside, or maybe do all four. Hey, the bonus features are wonderful too. I loved the Skull Island documentary.

This is a 21st century classic, no doubt about it.

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Jack Black delivers almost all of his lines wrong. Adrien Brody obviously is in love with himself. The Heart of Darkness references were ridiculous. I think they actually missed out on the darker, pitch-black undertones to the original. A lot of things are wrong with this film.

But Kong looks amazing. Seeing it in the theater was a thrill. And it was genuinely moving to an old movie fan. I don't know if we'll ever see anything quite like it again.

Having just watched nearly all of the 3-disc materials, I think I can safely say that the film has shown a lot of its strengths and weaknesses on DVD. The strengths are astounding: Weta has crafted the most impressive Special FX film to date, brought to life with an incredible amount of sincerity, and Peter Jackson his proven himself to be one of the great directors of all time. The weaknesses are also glaring: the boat ride to the island now seems amateurish and dull, deleted scenes reveal the at times godawful script, and despite being the greatest celebration of boyhood ever put to film -the film takes the "adult" undertones in all the wrong directions. Amazing enough, this is one part of the '76 Kong that is somewhat interesting.

Another telling aspect of the 3 DVD set is that very little attention is really paid to the actual story. You would think that after all of the FX featurettes that Jackson would really take the time on the audio commentary to talk about this material and what they were trying to say with it. No such luck. As soon as it starts, the writers seem to be grabbing at straws for things to say beyond the purely superficial. There is no argument that King Kong is a film with MAJOR cultural history. So, all this serves to reinforce the grating aspects of the script such as Jack Driscoll's literary "brilliance"... which makes little sense as they purposefully use his character as a pawn to wedge in cheesy dialogue from the old film (the boat ride scene), and then as a 1930s "rebel" writing screwball tripe. It seemed clever the first time around...

The deleted scenes are also very revealing. Most are lousy or superfluous, but two really caught my attention: one that is in the "director's cut" and one that is only a supplement. The former comes near the very end, where one of the army sargeants yells at his men "this is a city made for people! You want some dumb monkey running around?!!" blah blah blah... It completely detracts from the majesty and emotion of the scene and is a shameless villainization. I believe it shows the influence of the cloying Frank Darabont. Another scene, not in the film, is where Preston (the assistant) confronts Denham about taking the voyage to Skull Island upon finding the map. It makes Preston's character seem whiney and too earnest, whereas in the theatrical release he comes across as the quiet, understated conscience of the film. Unfortunately, once you have witnessed scenes like this it's harder to swallow some of the more egregious emotionalism of the original release.

Still, I remember seeing this in the theater and being swept off my feet. Maybe it's a great thing that people still make films that really have to be experienced rather than dissected.

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Reviews of Wild Wild West (1999)

Wild Wild West
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In the mid-60s there was a show called "Wild Wild West" that starred Robert Conrad as James "Jim" West, a western version of James Bond, and Ross Martin as his brainy sidekick Artemus Gordon. This show was creative and intelligent and yet full of action. The movie "Wild Wild West" starring Will Smith and Kevin Kline has nothing to do with that television show, unfortunately.

Will Smith is another Jim West and Kevin Kline is another Artemus Gordon in an alternate universe that never existed. In this universe the Wright brothers apparently were asleep as Artemus and Jim were tooling around a giant steam-powered iron spider that is unlikely to exist in any imaginable reality. Indeed, the only point of any vague historical accuracy is that there was a President Grant and there was a meeting of the railroads. After that, this movie is "The Twilight Zone" in the west.

In this fantasy movie Kenneth Branagh plays Dr. Loveless. Once again, forget the wonderful Michael Dunn as the original Dr. Loveless. Branagh has none of the charm and wit of the original. Dr. Loveless has decided to create his own empire based on the ability of his giant spider to trounce anyone who gets in his way. However, he seemed to have neglected to consider that an open cockpit is a sure way to eventually be shot. Along the way we see a number of other equally improbable devices that make for interesting special effects but continual disappointment with the movie.

I have yet to mention that not only is this west some bizarre fantasy version of the original west, but this version of Jim West has a continual string of one-liners that would have allowed him to do stand-up, but not in the alternate reality of this movie where no one seemed to understand his jokes, often including the audience. Kevin Kline also had a number of humorous lines, though his were more ironic and involved, and typically based on technology that exists only in the alternate reality of this world.

This movie does have its moments. If you like comedy and know little about the original "Wild Wild West," you may find the comedy overwhelms the total destruction of history and scientific feasibility; or perhaps you like stories of alternate realities. The special effects are wonderful. I admit that when I could overcome my disappointment that there was no attempt to remain within the vision of the original show I was fascinated by the gadgets. However, gadgetry alone does not overcome the unbelievable story.

Oh, and as if all the other flaws in the movie were not enough to disappoint a viewer, the DVD includes Will Smith doing a hip-hop song. Hip-hop in the west? Perhaps I watched this movie from the wrong perspective. Maybe if I had taken it for a farce, like "Monty Python and the Holy Grail," I would have liked the movie better. Then again, probably not.

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"Wild Wild West" is not a total fiasco, but it's easy to see why this big-budget revamp of the classic TV show never clicked. Simply put, Will Smith and Kevin Kline are not Robert Conrad and Ross Martin. There's no chemistry or rapport between Fresh Prince and Shakespeare Boy, which seriously damages the film's potential. Kenneth Branagh for all his talents doesn't hold a candle to Michael Dunn's original Dr. Loveless. Despite its impressive set design and visual effects, "Wild Wild West" falls flat. Here's some helpful advice to producers planning big-screen remakes of 1960s TV shows: If you cannot find the right actors, don't bother.

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Wild, Wild, West is undoubtedly one of the year's worst films. One of the factors that makes the movie so frustrating to watch is the fact that it is based on one of the most inventive and original shows I have had the pleasure of seeing. Inventiveness and originality are lacking in this mess of a movie where the script is horrible, the one-liners stale and the performances wooden(except Kenneth Branagh, whom you feel sorry for trying so hard to be evil).

Will Smith is stripped of the charisma that is his best selling point. Kevin Kline, a talented actor is reduced to playing second banana to an uninteresting hero and I have a hard time remembering Salma Hayek is in the movie.

I didn't really expect it to be "good", but I at least expected it to entertain me, instead of providing rest I didn't need. What a waste!

Honest reviews on Wild Wild West (1999)

When you go to see a Will Smith movie, you expect it to be entertaining and fast-paced. A movie with Kevin Kline might have your expectations leaning more in the direction of cerebral, tight-knit & solid entertainment. If Salma Hayek is in it, well ....at least you expect a flick with visual appeal ...1, 2, 3 STRIKES...Wild Wild West STRIKES OUT! TALK ABOUT DROPPING THE BALL ! Will Smith, whose laid-back, street-wise-cracking veneer,usually hides a well-focused on screen in tensity that is both impossible to miss ordislike ...seemed to be sauntering through the film, feeling embarrassedly like a walking anachronism, considering the "Old West" backdrop! Kevin Kline, on the other hand, who usually brings a certain air of bravura to his oft-times eccentric characterizations, seemed to display a marked inability to take himself seriously when in drag, (Which, unfortunately, is during a good chunk of the film)lapsing into a pathetic sort self-parody, which, considering the script, may have been the only way he could stomach the role ! Salma Hayek, for whom no one is exactly holding their breath for her to win an Oscar as Best Actress, seemed OBSESSED with getting her lines out with as little accent as possible...Despite the fact that she was clearly cast as Mexican in this film...(As opposed to her bit part in The FACULTY!) You could almost imagine "La Mejicanita" standing there, during shooting, with her Accent/ Dialogue Coach, just out of camera range! Salma... concentrate MORE on your ACTING, next time, O.K.?

As far as Barry Sonnenfled's Directing is concerned...well, here we could imagine him running around frantically, till the last minute, editing & re-editing, trying to decide exactly what it is he was trying to do with "WILD"....and of course, not even coming CLOSE to getting it right!

The ONLY reason I rated the movie 2 Stars (as opposed to 0 Stars!) is because of the scope & the

novelty of the Special Effects. The idea of seeing all those well orquestrated, and at times visually stunning effects against an Old West backdrop was the only refreshing & original element in the film ...If you are not a diehard Special Effects buff, I can think of absolutely no reason on earth why you would find anything at all worth seeing in this pathetic excuse for a Blockbuster film !

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first they cast a black man as an undercover agent in the wild west where he would never be able to help as they would never let him in most places. remember this was before political correctiness or civil rights. then they turn one of the best villins on t.v. into a racist man missing most of his body. then they add state of the art f/x and think they have a great movie. it's pure trash and gets one star because you can't give no stars. a waste and you should see the t.v. show if you want to see this concept really work well. just not good at all, a mess.

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Friday, June 6, 2014

Cheap Popeye: The Sailor Man (75th Anniversary Collectors Edition)

Popeye: The Sailor Man restored.
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This "75th Anniversary Collector's Edition" 2-disc set of POPEYE THE SAILOR MAN classic cartoons is well worth having, at least for the first disc.

Casual fans may not know that there has never been an "official" release of the classic Popeye cartoons, on VHS or DVD, in the history of home video. The best the one-eyed sailor's fans could ever get were either iffy bootleg collections or a handful of murky public-domain short subjects.

VCI's set is also comprised of PD shorts, but some work has been done to them and the package has been treated with the respect it deserves (except for the simple and rather disappointing cover, which belies the quality within. Too bad Leslie Cabarga a cartoonist and author of "The Fleischer Story" wasn't brought in to do a better one).

The stars of the package are the three Technicolor 2-reelers created by Max and Dave Fleischer in the later 1930s, POPEYE THE SAILOR MEETS SINDBAD THE SAILOR, POPEYE THE SAILOR MEETS ALI BABA's FORTY THIEVES, and ALADDIN AND HIS WONDERFUL LAMP. These are three of the grandest, most colorful, and most imaginative cartoons of the golden era, and they've been restored and color-corrected and look while not perfect at least better than they have in a long while. As usual, ALADDIN is in somewhat worse shape than the first two, but it still looks better than I've ever seen it before. These cartoons feature some of the Fleischers' finest animation and deepest and most creative backgrounds (including 3D effects). SINDBAD in particular is a favorite.

In addition, six other Fleischer Popeyes are included, all from the late `30s B&W series. Titles include I'M IN THE ARMY NOW, LITTLE SWEE' PEA (another favorite), I NEVER CHANGES MY ALTITUDE, PANELESS WINDOW WASHER, DATE TO SKATE, and CUSTOMERS WANTED. They look varying degrees of good, but again, better than they have in many years.

The second disc contains 25 Popeye adventures from the Famous Studios years; ME MUSICAL NEPHEWS (1942) is in B&W, while the rest are in Technicolor and represent the years 1952-1957. Frankly, I have no interest in these things. They look fine, though (the B&W one is the worst), but they make my skin crawl. BIG BAD SINBAD (1952) gets most of its footage from the earlier Fleischer 2-reeler (without credit), and even worse, POPEYE'S 20TH ANNIVERSARY (1954) uses footage from later, and lesser, Famous Studios offerings (although it does have a cartoon Bob Hope, Jimmy Durante, and Martin & Lewis offering tributes to Popeye). I don't see any reason to list (or watch) these cartoons, but they are there if you want them.

Cartoon fan supreme Jerry Beck contributed to the package, and provides commentary on the 3 Technicolor Fleischers, and the package liner notes. Frankly, I didn't find his commentary all that fascinating (sorry, Mr. Beck), but casual fans might.

The SRP is $19.99 and it's worth it. On the other hand, there's another 75th Anniversary Popeye DVD set out there, this one from Koch. It's got 3 discs and 85 cartoons, all from the TV era of the 1960s. It's $30, and I wouldn't buy it for a tenth of that, so there ya are.

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VCI should be commended for their attempt, if not their execution. The Fleischer cartoons look pretty good, especially considering their age. Certain points in the black and white cartoons don't have enough contrast, but the two-reel color cartoons look great. I had no problems viewing the cartoons on disc one (which, fortunately, contains the most important cartoons...the Fleischer Studio releases). However, the Famous Studio cartoons on disk two are riddled with transfer problems. There are numerous places where the screen goes blank, the picture pixilates, or the picture flickers. These are issues that are a result of transfer, not of source, so they are inexcusable.

Another problem with the set...when selecting individual episodes, the DVD continues to the next episode instead of returning to the menu, at the completion of the selected episode.

If you want a cheap way to see some old Fleischer Popeyes without any added sound effects (as on the Good Times release) this is probably the way to go.

Just don't set your expectations too high.

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All of the Fleischer/Famous Popeye cartoons which are in the public domain are in this two DVD set. This is the best Popeye collection available until King Features (which owns the rights to the Popeye characters) and Warner Bros. (which owns the Fleischer/Famous Popeye cartoons) finally make a deal to release the Fleischer/Famous Popeye cartoons on DVD. Warner has been restoring the cartoons in anticipation of this. (written before Warner Home Video finally began releasing DVD sets of the Fleisher/Famous Popeye cartoons)

Honest reviews on Popeye: The Sailor Man (75th Anniversary Collectors Edition)

This 2 DVD set is released by VCI with input from animation historian Jerry Beck (he also helped with VCI's release of Fleischer's Somewhere in Dreamland DVDs). The prints used VCI's previous Fleischer DVD set were the best you could probably hope for, so Im hoping the older fleischer prints used on this set will totally blow away the 'public domain' versions that have been making the rounds on VHS & DVD. I look foreward to seeing Ali Baba, Sinbad, and Aladdin with the correct intro screens and intro music for a change!! Many thanks to VCI and Mr. Beck !!!!!

UPDATE:

After watching both discs a few times, I have to say that the restored color 2-reelers on disc 1 look & sound great, but a few of the B&W fleischer shorts look terrible. You can find better copies on the internet. And although I dont mind the selection of later 'Famous Studios' titles on the disc 2, I do have to complain about the image-processing that was done on them. I noticed alot of 'outline damage' on random titles. This is where the 'digital restoration' process accidentally 'erases' the black outlines around the characters when they move. Apparently the software or whatever they use thinks the moving lines are dirt. hahaha. Arggg!! Its pretty obvious and intrusive & distracting once you know what to look for. Its pretty noticable on Fright To The Finish. At least on my copy it is. This problem has occured with animated titles on DVD before, like on the Schoolhouse Rocks 2 disc set. It also plagued the Art of Tom & Jerry and the Betty Boop Collection Laserdisc box sets back in the 90's.

Oh well... still waiting for the 'definitive' popeye set...

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At least someone is trying to get these cartoons to look original. The Paramount logos are on all of them and the ones that didn't haev original complete title cards. they used the later Famous music with the vintage Paramount logo. ON disc two they do have the 1942-43 rarely seen porthole sequence that comes after the Paramount logo [but they used a 1930s logo to open but they retained the 1942 version at the end].

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Buy Hercules Unchained (1960)

Hercules Unchained
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I've said it before and I'll say it again: Finally, Steve Reeves on DVD! The version sent to me was by Gemstone Entertainment; but appears to be the same version as United American Video. A few years back I was on Steve's web site and commented that I was disappointed that there were none of his films on DVD, and the reply that I got back was, "Only on VHS now; but just wait a bit longer...." Though watching Italian movies can take a little getting used to, mainly due to the editing practices, in addition to dubbing the sound in after the movie had been completed, this movie holds the test of time very well, considering that it's almost 45 years old. This edition of Hercules Unchained is a notch or two up from the edition of Hercules that I previously reviewed. The print was obviously in much better condition, as the colors are generally very good, most of the picture is sharp, and the sound is better. My only real complaint is that it's not presented in a natural widescreen format. Like I said with my Hercules review, some day I'm hoping to see a higher grade edition, in widescreen, possibly with the film digitally restored a bit better and maybe a few extras; but until then, this will more than suffice. Watching these two back to make makes for a very enjoyable afternoon or evening; so don't hesitate to check out these classics!

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This movie, a sequel to the original box-office smash, is a wonderful treat for those of us who marveled at Steve Reeves and his awesome presence in a series of otherwise forgettable 1960s sword and sorcery adventures. Reeves, a former Mr. America and Mr. Universe, was absolutely stunningly handsome, and as a result became the perfect archetype for young pubescent males looking for a role model. While his wonderful baritone voice was dubbed (much later I heard him talk on "Entertainment Tonight" about the newer types of bodybuilders coming to the fore under the influence of steroids, and he squawked out an answer in a tinny little voice that made one instantly realize why he never achieved wider stardom in more diverse American films.

But he was all beef and brawn here, and with the magic of a well-dubbed vocal effort became the star of the decade. This, like the original, was a continuation of his first role, as the immortal Hercules, and here again Reeves plays the part well. As someone who saw both movies dozens of times in the theaters, believe me, it was all Reeves that explained the hit movies and the string of successors that followed. Of course, film producer Joseph E. Levine threw in the lovely Sylvia Koscina and a veteran cast of character actors. The special effects are a bit dated, and the sets are nice, but any chance to watch Reeves going through the motions is an exercise in watching someone so handsome and so well built that none of the rest of it mattered. Not a great movie, but one that is fun to watch to remember way back when....Enjoy!

Best Deals for Hercules Unchained (1960)

We're not talking quality films.This was made in Italy and dubbed. It wasn't the plot,special effects,music or whatever it takes to sell tickets,..this was popular because of Steve Reeves.

This was at a time when there wasn't stunt doubles.He dislocated his shoulder when the chariot rolled over during a chase. He slammed his shoulder into a tree and popped it back into place.It wasn't glitz, Reeves was the REAL DEAL!

Honest reviews on Hercules Unchained (1960)

This DVD is produced by Westlake Entertainment Group. It runs for 107 minutes and is presented in the fullscreen format. There is an interactive menu that includes scene selection, photo gallery and very short biographies and filmographies.

The real problem is that the digital transfer used Westlake Entertainment Group is very poor quality. The resultant film imagery is like a very old VHS tape.

I would not recommend you buy from this distributor. This is symptomatic of a wider problem in which classic films that were made before the advent of the digital age are being treated disgracefully by producing bad low budget DVDs transfers. Show some respect to the director, actors and movie viewer and do it properly or dont do it at all and leave the market open for some other distributor to do it the way it should be done.

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My review is not about the movie, that would be a high 'camp' 5. The quality of the DVD is what gets my complaint. The studio that claims this has been "remastered" and has digital sound is selling a lie. BUYER BEWARE!

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Discount Looney Tunes: Platinum Collection, Vol. 1 (2011)

Looney Tunes: Platinum Collection, Vol. 1
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***** the films

***** the discs

This review may seem contradictory, this is a five-star set of cartoons presented in a five-star Blu-ray release, and I have to rate this set on those merits. But there are some things not five-star for those of us who have been collecting the Golden Collections on DVD.

O.K, , you are probably saying "These Looney Tunes Blu-ray titles seem familiar", that is because just about all of them have been released on the DVD Golden, Oscar, & Superstars Collections. Why? Because when they were restored for those Collections they were restored in Hi-Definition 1080p, so Warner had an easy Blu-ray release here with out spending much money for new film transfers.

This means that unlike the "Wow" effect we got when we first saw the Golden Collection DVDs after watching washed out Laserdiscs & VHS tapes, this time we will see the same film transfers with improved restoration in 1080p resolution. I have seen the Blu-ray presentations of "Rabbit Hood" and "I Love to Singa" and they look nice, but you will need a rather large HD-TV to notice any kind of improvement over the Golden Collection DVDs. "I Love to Singa" still looks grainy & has negative dust just like the Golden Collection DVDs.

One BIG improvement is with BABY BOTTLENECK, the original film transfer has undergone further restoration work to reduce the grain seen in the older DVD. There is still grain, but it is a big improvement.

Warner did spend some money to make a few new Hi-Def transfers for titles not previously on DVD:

Disc #1

Lovelorn Leghorn Foghorn Leghorn only available previously on VHS

Disc #2

Hasty Hare Bugs Bunny & Marvin Martian previously available on the Laserdisc "Looney Tunes After Dark"

Hare-way To The Stars Bugs Bunny & Marvin Martian previously available on the Laserdisc "Looney Tunes After Dark"

Bill of Hare Bugs Bunny & Tasmanian Devil previously available on the Laserdisc "Stars of Space Jam"

A Witches Tangled Hare Bugs Bunny & Witch Hazel only available previously on VHS.

Feline Frame-up previously available on the Laserdisc "Assorted Nuts"

Disc #3 (Presented in STANDARD DEFINITION unless noted)

Marvin Martian in the 3rd Dimension (1996) non-anamorphic letterboxed small screen presentation.

Father of the Bird Foghorn Leghorn (1997)

Museum Scream Tweety & Sylvester (2003) High Defenition, anamorphic widescreen

And some Chuck Jones productions:

Hell Bent for Election (1944)

Hitch In time (1955) High defenition

The Door (with Bill Cosby 1968)

It is puzzling, and disappointing that disc #3 is mostly in STANDARD DEFINITION Blu-ray, with noticeable scan lines. It is obviously hobbled together quickly to give this set a third disc. I saw only three Hi-Definition cartoons on disc #3: "A Hitch In Time" (1955), "90 Day Wondering" (1955) and in anamorphic widescreen "Museum Scream" (2003). "Superior Duck" also looks good like it might be in Hi-Definition but it clocks in with the other standard definition cartoons. "Marvin Martian in the 3rd Dimension" (1996) is a real disappointment in standard definition, it is letterboxed and not anamorphic, the picture is really shrunk down. I was also looking forward to seeing "The Dot and The Line" as well as "The Bear That Wasn't" in Hi-definition, but that was not to be here. Maybe if a Chuck Jones MGM Cartoon set comes out in Blu-ray we may see true Di-Definition presentations of those cartoons then.

So if you have all of the DVD Golden Collections, The Oscar Winners & Nominees collection, and the Superstars Collections, you will likely only be buying this for the 6 newly restored cartoons on discs 1 & 2.

I guess a direct re-release of the Golden Collections on Blu-ray would have sold less than a Blu-ray collection featuring 6 new titles not previously on DVD.

Notice that there are only 50 classic cartoons here, the old Golden Collection DVDs had 60 cartoons per set. So it will take more Blu-ray sets to cover the same quantity of cartoons as the old DVD sets.

** If you are trying to decide between the expensive "Ultimate Collector's Edition" and the regular edition, there is really nothing "Ultimate" about the "Ultimate Edition". The Ultimate edition adds a Bugs Bunny shot glass (yes you heard me Bugs Bunny is promoting alcoholic drinking) and a certificate of authenticity (like we are worried about bootleg Blu-rays), a tin with a picture on it and a matted lithograph. I think reproductions of the cartoon lobby cards that appear shrunken in the booklet would have been a better deal.

Save your money & get the basic version, the discs are the same.**

At least something is being released for the animation fans again by Warner Home Video. If you can afford it, lets support this Hi-Def project and keep some new titles coming out.

***UPDATE ABOUT THE DVDS***

The Looney Tunes Platinum Collection Volume 1 release was originally a Blu-ray ONLY release, and this review pertains to the Blu-Ray discs only.

Due to popular request, Warner Home Video later released a standard DVD 2-disc version which did not include the bonus disc #3.

Since each cartoon runs roughly 7 to 8 minutes, that means one disc with 25 cartoons on it runs about 3 hours and 8 minutes which is a maximum for a dual layer DVD before increasing compression artifacting. While I do not have the standard DVDs to tell you if they include the bonus material on the Blu-ray discs #1 & 2, consider that there may not have been room on the discs to include them.

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You wouldn't buy or download a CD without knowing what was on it, would you? So why would you buy this DVD collection without knowing its contents?

So first off, its contents. Why Amazon doesn't list this info is beyond me. This is a collection of 50 vintage Warner Brothers cartoons, many of which are classics.

Disc 1

Hare Tonic

Baseball Bugs

Buccaneer Bunny

The Old Grey Hare

Rabbit Hood

8 Ball Bunny

Rabbit of Seville

What's Opera Doc?

The Great Piggy Bank Robbery

A Pest in the House

The Scarlet Pumpernickel

Duck Amuck

Robin Hood Daffy

Baby Bottleneck

Kitty Kornered

Scaredy Cat

Porky Chops

Old Glory

A Tale of Two Kitties

Tweetie Pie

Fast and Furry-ous

Beep, Beep

Lovelorn Leghorn

For Scent-imental Reasons

Speedy Gonzales

Disc 2

One Froggy Evening

Three Little Bops

I Love to Singa

Katnip Kollege

The Dover Boys at Pimento University

Chow Hound

Haredevil Hare

The Hasty Hare

Duck Dodgers in the 24 1/2th Century

Hare-Way to the Stars

Mad as a Mars Hare

Devil May Hare

Bedevilled Rabbit

Ducking the Devil

Bill of Hare

Dr. Devil and Mr. Hare

Bewitched Bunny

Broom-Stick Bunny

A Witch's Tangled Hare

A-Haunting We Will Go

Feed the Kitty

Kiss Me Kat

Feline Frame-up

From A to Z-Z-Z-Z

Boyhood Daze

All of your favorite characters are here (Bugs, Marvin, Foghorn, Taz, Wile E. Coyote, Daffy, and so on), and some of the greatest American cartoons ever (Duck Amuck, What's Opera Doc) are here. Of course, when a studio has a library as extensive as Warner Brothers', it seems likely that no single collection is likely to contain all of the classics. Missing from this collection are some unforgettable cartoons like Rabbit Seasoning, Duck! Rabbit, Duck! and A Sheep in the Deep, but all-in all this is an amazing collection of great old cartoons. They're remastered beautifully and are a sight to behold.

If you want your kids to grow up with an appreciation of Chuck Jones and Mel Blanc (that's why I bought this), then you can't do better than this amazing collection.

Best Deals for Looney Tunes: Platinum Collection, Vol. 1 (2011)

The main draw for me to purchase this set was that it included the complete collection of Marvin the Martian and Taz cartoons, as I already have the 6 Golden Collections and all the Superstars discs. Well after getting it and watching some of the cartoons my mind was blown as to how well the cartoons look on a 1080p set. The colors pop as if they were produced just yesterday. Although in some of the cartoons scratches and dust are more noticeable (one has to remember that these cartoons were made around 60-70 years ago), but it does not detract from the overall experience.

Also included in the collector's set is a certificate of authenticity,a framed lithograph titled "The Looney Tunes March," a tin sign that features Bugs and Daffy, and of all things a Bugs Bunny shot glass. According to the box, only 36,000 of these sets were produced, so for die-hard Looney Tunes collectors this might be right up your alley!

Disc 1 contains a random assortment of goodies from Bugs Bunny, Daffy Duck, Porky Pig, and other Looney Tunes stars.

Disc 2 contains the complete Marvin the Martian, the complete Taz the Tasmanian Devil, and the complete Witch Hazel, as well as complete collections for other stars. This disc also features one-hit wonders such as I Love to Singa, The Three Little Bops, and One Froggy Evening.

Disc 3 contains films revolving around one of the greatest animation directors of all time Chuck Jones, and features some of his greatest non-Looney Tunes shorts such as: The Dot and the Line and other rare Chuck Jones oddities. Also included on this disc is 9 bonus cartoons such as: Spaced-Out Bunny, Superior Duck, and From Hare to Eternity.

If you are on the fence about purchasing this, pick this set up now! You will not regret it.

Honest reviews on Looney Tunes: Platinum Collection, Vol. 1 (2011)

I own, and treasure, The Looney Tunes Golden Collection, as imperfect as it is, and I was extremely disappointed to see THAT series so abruptly and unceremoniously terminated after only 6 volumes as if it were being managed by a child who suddenly and capriciously became bored with it.

In my opinion, that was a slap in the face to those of us who had invested in volumes 1 through 6.

So, you'll understand if I have to look askance at the PLATINUM collection because so many of these titles were previously released in The Golden Collection.

For those who may be wondering (and I apologize if someone has already done this exercise) here, in alphabetical order, are the 6 cartoons on this Platinum Volume that I did NOT see among the cartoons on the 6 Volumes of The Looney Tunes Golden Collection:

BEDEVILED RABBIT

BILL OF HARE

DUCKING THE DEVIL

DR. DEVIL AND MR. HARE

FROM A TO Z-Z-Z-Z

A WITCHES TANGLED HARE

I would love to add the above 6 to my collection, but not at the cost of adding 19 duplicate cartoons.

It's bad enough that excellent offerings such as CAPTAIN HAREBLOWER and

RACKETEER RABBIT (a personal favorite) were given short shrift and wound up tucked away as extras on other disks (CAPTAIN HORATIO HORNBLOWER and PUBLIC ENEMIES: THE GOLDEN AGE OF THE GANGSTER FILM, respectively).

I am VERY disappointed to see what I contend is the continued MIS-handling of this franchise and I won't be rushing out to add the PLATINUMS to my animation library anytime soon.

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This set is a revelation! People who think the DVD is "good enough" are nuts.

I just watched all the Clampetts and the early Jones cartoons on my ten foot screen and every single one had my jaw on the floor. They're beautiful. The overall saturation level is too high and the volume of the cartoons is a bit low, but I turned down the color and turned up the sound and they were perfect... No, beyond perfect. I've seen these cartoons projected theatrically quite a few times, but the colors weren't anywhere as well balanced in theatrical prints as they are here. It isn't like the Disney films where everything is goosed up and shifted to primary colors. These transfers have very sophisticated color schemes with muted colors AND vivid ones. Great Piggy Bank Robbery and especially Kitty Cornered had some of the most amazing color I've ever seen. The lines were sharp, you can see textures and brushstrokes on the backgrounds and every frame is crystal clear with no compression or DVNR artifacting. I've been quite critical of the transfer quality of the Looney Tunes on DVD, but this time, WB got it right.

Don't believe me? Check out this photo I shot off my screen using my iphone...If you think your DVDs look good, pop in One Froggy Evening and skip to the scene where the crowd of people is exiting crossing the scene about 3/4 of the way through the cartoon. Still frame on that crowd. On DVD, it's a macroblocked mess of colored boxes. On bluray, it's pristine. The color balances, digital noise reduction and frame sharpness are MUCH worse on the DVDs. This set is a thousand times better. When I put in the third disk with the standard def documentaries with the old prints, it was like going back to the stone age. They could have totally eliminated the supplements and just given me more cartoons in HD. I want more of these sets.

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Thursday, June 5, 2014

Reviews of Blender Essential Training

Blender Essential Training
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I am giving this 4.5 stars since it's the best tutorial you will find out there, the tutorial is done with Blender 2.48 even though you will have to download the 2.49 version from blender.org to use it with the DVD, you can download the latest version of Blender 2.57 too, the tutorials are very detailed and require a lot of attention, Roger covers learning the interface and shortcuts which you will use a lot, linking files to save or open them, modeling, lighting, shading, texturing, animation, rigging, simulating liquids and hair, rendering, compositing and sequencing and using nodes, Roger is a bit soft spoken so I turned up the volume and sped up the play option, but he is a great expert at explaining what the software does and how it works (the explanation of the boolean did not work maybe due to the 2.48 and 2.49 version) but this is how it's done from further research, To use Boolean left click on empty area to place 3D Cursor and click Spacebar and select Add Mesh and Object, right click and drag Boolean Object into Object that will be Cut and left click, click on W and select Add Difference Modifier, click on Editing icon and go to Modifier panel and select Add Modifiers and select Apply to Cut Object, and to delete Boolean Object select it and click X enter, other than that highly recommend getting this Blender Tutorial

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